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  • 1
    Book
    Book
    Oakland, Calif. [u.a.] : Univ. of California Press
    UID:
    (DE-627)1482028778
    Format: XXIII, 421 Seiten, [11] Bl. , Illustrationen, Notenbeispiele
    ISBN: 9780520292444 , 0520279492 , 9780520279490
    Series Statement: Ernest Bloch lectures 16
    Note: Bandzählung vom Umschlag , Part one. Reproduction. Of strange births and comic kin ; The man who pretended to be who he was : a tale of reproduction--Part two. Voice. Red hot voice ; Castrato de luxe -- Part three. Half-light. Cold man, money man, big man too ; Shadow voices, castrato and non.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Kastrat ; Musik ; Gesang ; Kastrat
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Oakland, Calif. [u.a.] : Univ. of California Press
    UID:
    (DE-602)gbv_1482028778
    Format: XXIII, 421 Seiten, [11] Bl. , Illustrationen, Notenbeispiele
    ISBN: 9780520292444 , 0520279492 , 9780520279490
    Series Statement: Ernest Bloch lectures 16
    Note: Bandzählung vom Umschlag , Part one. Reproduction. Of strange births and comic kin ; The man who pretended to be who he was : a tale of reproduction--Part two. Voice. Red hot voice ; Castrato de luxe -- Part three. Half-light. Cold man, money man, big man too ; Shadow voices, castrato and non.
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Kastrat ; Musik ; Gesang ; Kastrat
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  • 3
    Online Resource
    Online Resource
    Berkeley : University of California Press
    UID:
    (DE-627)815543271
    Format: Online-Ressource (496 p)
    ISBN: 9780520279490
    Series Statement: Ernest Bloch Lectures v.16
    Content: The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato's comic
    Note: Description based upon print version of record , Cover; Contents; Preface; Note on Textual Transcription, Translations, Lexicon, and Musical Nomenclature; PART ONE. REPRODUCTION; 1. Of Strange Births and Comic Kin; 2. The Man Who Pretended to Be Who He Was: A Tale of Reproduction; PART TWO. VOICE; 3. Red Hot Voice; 4. Castrato De Luxe; PART THREE. HALF-LIGHT; 5. Cold Man, Money Man, Big Man Too; 6. Shadow Voices, Castrato and Non; Acknowledgments; Abbreviations; Notes; Bibliography; List of Illustrations; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
    Additional Edition: 9780520962033
    Additional Edition: 9780520279490
    Additional Edition: Print version The Castrato : Reflections on Natures and Kinds
    Language: English
    Keywords: Electronic books
    URL: Volltext  (lizenzpflichtig)
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  • 4
    Book
    Book
    Oakland : Univ. of California Press
    UID:
    (DE-604)BV042441326
    Format: XXIII, 421, [24] S. , Ill., Notenbeisp.
    ISBN: 9780520279490
    Series Statement: Ernest Bloch lectures 16
    Content: The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato's comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy involving teachers, patrons, colleagues, and relatives whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers from Cavalli and Pergolesi to Handel, Mozart, and Rossini were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise. - Martha Feldman is Mabel Green Myers Professor of Music, Romance Languages. and Literatures and the Humanities at the University of Chicago. She is the author of "City Culture and the Madrigal at Venice" and "Opera and Sovereignty: Transforming Myths in Eighteenth-Century Italy" and coeditor of "The Courtesan's Arts". (Klappentext)
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Kastrat ; Musik ; Gesang
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Book
    Book
    Oakland, Calif. : Univ. of California Press
    UID:
    (DE-605)HT018660656
    Format: XXIII, 421, [11] Bl. , Ill., Notenbeisp
    ISBN: 0520279492 , 9780520279490 , 9780520292444
    Series Statement: Ernest Bloch lectures [16]
    Note: Hier auch später erschienene, unveränderte Nachdrucke
    Language: English
    Keywords: Kastrat ; Musik ; Gesang
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Book
    Book
    Oakland : Univ. of California Press
    UID:
    (DE-605)(DE-Bo412)bfbv042441326
    Format: XXIII, 421, [24] Seiten
    ISBN: 9780520279490
    Series Statement: Ernest Bloch lectures 16
    Language: German
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    Online Resource
    Online Resource
    Berkeley : University of California Press
    UID:
    (DE-627)1655415964
    Format: Online Ressource , illustrations, music.
    ISBN: 9780520962033 , 0520962036
    Series Statement: Ernest Bloch Lectures v.16
    Content: The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato's comic
    Note: Includes bibliographical references and index. - Print version record
    Language: English
    Keywords: Electronic books
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  • 8
    Online Resource
    Online Resource
    Berkeley : University of California Press
    UID:
    (DE-627)1735435287
    Format: 1 Online-Ressource (496 pages)
    Edition: 1st ed
    ISBN: 9780520962033
    Series Statement: Ernest Bloch Lectures v.16
    Content: Cover -- Contents -- Preface -- Note on Textual Transcription, Translations, Lexicon, and Musical Nomenclature -- PART ONE. REPRODUCTION -- 1. Of Strange Births and Comic Kin -- 2. The Man Who Pretended to Be Who He Was: A Tale of Reproduction -- PART TWO. VOICE -- 3. Red Hot Voice -- 4. Castrato De Luxe -- PART THREE. HALF-LIGHT -- 5. Cold Man, Money Man, Big Man Too -- 6. Shadow Voices, Castrato and Non -- Acknowledgments -- Abbreviations -- Notes -- Bibliography -- List of Illustrations -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Content: The Castrato is a nuanced exploration of why innumerable boys were castrated for singing between the mid-sixteenth and late-nineteenth centuries. It shows that the entire foundation of Western classical singing, culminating in bel canto, was birthed from an unlikely and historically unique set of desires, public and private, aesthetic, economic, and political. In Italy, castration for singing was understood through the lens of Catholic blood sacrifice as expressed in idioms of offering and renunciation and, paradoxically, in satire, verbal abuse, and even the symbolism of the castrato's comic cousin Pulcinella. Sacrifice in turn was inseparable from the system of patriarchy--involving teachers, patrons, colleagues, and relatives--whereby castrated males were produced not as nonmen, as often thought nowadays, but as idealized males. Yet what captivated audiences and composers--from Cavalli and Pergolesi to Handel, Mozart, and Rossini--were the extraordinary capacities of castrato voices, a phenomenon ultimately unsettled by Enlightenment morality. Although the castrati failed to survive, their musicality and vocality have persisted long past their literal demise
    Additional Edition: 9780520279490
    Additional Edition: Erscheint auch als Druck-Ausgabe Feldman, Martha The Castrato : Reflections on Natures and Kinds Berkeley : University of California Press,c2015 9780520279490
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Book
    Book
    Oakland, Calif. : Univ. of California Press
    UID:
    (DE-603)351782389
    Format: XXIII, 421 Seiten , Illustrationen, Notenbeispiele
    ISBN: 9780520279490
    Series Statement: Ernest Bloch lectures [16]
    Note: Literaturverzeichnis Seite 369-400 , Zählung der Schriftenreihe vom Schutzumschlag
    Language: English
    Subjects: Musicology
    RVK:
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  • 10
    Online Resource
    Online Resource
    Berkeley : University of California Press
    UID:
    (DE-603)368424200
    Edition: Online-Ausg. Online-Ressource UPCC book collections on Project MUSE ISBN 9780520962033
    Edition: ISBN 0520962036
    Edition: [Online-Ausg.]
    ISBN: 9780520279490 , 9780520962033 (Sekundärausgabe) , 0520962036 (Sekundärausgabe)
    Series Statement: Ernest Bloch lectures
    Note: Online-Ausg.:
    Language: English
    Subjects: Musicology
    RVK:
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