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  • 1
    UID:
    gbv_847464172
    Format: XXII, 857 Seiten , Illustrationen
    ISBN: 9789004310490
    Series Statement: Avant-garde critical studies volume 32
    Content: "A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, architecture and design, film, radio, television and the performative arts. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: The cultural politics, institutions and new cultural geographies after World War II, new technologies and media, performative strategies, interventions into everyday life and tensions between market and counterculture"--Provided by publisher
    Note: Literaturangaben
    In: [volume 3]
    Additional Edition: ISBN 9789004310506
    Language: English
    Keywords: Skandinavien ; Avantgarde ; Künste ; Ästhetik ; Geschichte 1950-1975
    Author information: Benedikt Hjartarson 1972-
    Author information: Anderberg, Birgitte 1967-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV043510426
    Format: XXII, 857 Seiten , Illustrationen
    ISBN: 9789004310490 , 9789004310506
    Series Statement: Avant-garde critical studies volume 32
    Content: "A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, architecture and design, film, radio, television and the performative arts. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective that includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field but in a broader cultural and political context: The cultural politics, institutions and new cultural geographies after World War II, new technologies and media, performative strategies, interventions into everyday life and tensions between market and counterculture"...Provided by publisher
    Language: English
    Subjects: History
    RVK:
    Keywords: Nordische Staaten ; Kunst ; Literatur ; Kultur ; Avantgarde ; Geschichte 1950-1975 ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    b3kat_BV046212812
    Format: 1 Online-Ressource (XXII, 857 Seiten) , Illustrationen
    ISBN: 9789004310506
    Series Statement: Avant-garde critical studies volume 32
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-90-04-31049-0
    Language: English
    Subjects: History
    RVK:
    Keywords: Nordische Staaten ; Kunst ; Literatur ; Kultur ; Avantgarde ; Geschichte 1950-1975 ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: DOI
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  • 4
    UID:
    kobvindex_INTEBC4452219
    Format: 1 online resource (879 pages)
    Edition: 1st ed.
    ISBN: 9789004310506
    Series Statement: Avant-Garde Critical Studies v.32
    Content: A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 is the first publication to deal with the postwar avant-garde in the Nordic countries from a transnational perspective including all the arts and a broader cultural and political context
    Note: Intro -- A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 -- Copyright -- Contents -- Introduction -- The Post-War Avant-Garde in the Nordic Countries -- SECTION 1: Paradigmatic Images of Scandinavia -- Politics and Play - The Impure Arts of Öyvind Fahlström -- The Female Christ at the Stock Exchange -- Biological Avant-Garde - Inger Christensen's det -- Images of Women -- The Kitchen - An Offspring of Steina and Woody Vasulka -- SECTION 2: Cultural Politics and Institutions -- The Social Avant-Garde - The 'Democratisation' of Literature in the Early 1960s in Sweden -- Culture Wars in Denmark -- The Moderna Museet in Stockholm - The Institution and the Avant-Garde -- The Fylkingen Concert Society, 1950-1975 -- Self-Organisation in the Avant-Garde of the 1960s -- Åke Hodell's Kerberos - A Case Study -- Morten Krohg and Art's Oppositional Role -- EMS - The Electronic Music Studio in Stockholm -- Subpublications from a Basement in Snaregade 6, Copenhagen - Arena Sub-Pub (1969-1970) -- Dossier/Little Magazines -- An Open Field of Play and Experimentation - The Little Magazine Birtingur -- Tvångs-Blandaren - Stuff in a Box -- Rondo and Gorilla - Magazine and Calendar -- Against Restrictions and Exclusions - For Expansion and Inclusions - The Little Magazine ta' (1967-68) -- A Time Capsule from the Sixties - The Little Magazine ta' BOX (1969-1970) -- In the Service of the Revolution - The Little Magazine MAK (1969-1970) -- Profil 1966-69 - Triumph and Crisis of the Collective -- SECTION 3: New Cultural Geographies -- Christian Dotremont's Logogrammes and Logoneiges - European Avant-Garde Inspired by Lapland -- Exile, Correspondence, Rebellion - Tracing the Interactive Relationship between Iceland and Dieter Roth -- Galerie Køpcke - An Artist-Run Gallery in Copenhagen 1958-1962 -- Action Music! - Nam June Paik in Scandinavia, 1961 , Clothing Irons and Whisky Bottles - Creating an Icelandic Musical Avant-Garde -- Erró, or the Porousness of Borders -- The Situationist Offensive in Scandinavia -- SÚM - The Flux in Iceland -- Fluxus, Eric Andersen and the Communist East -- Making Choices - Debatable Translations and Publication Policies of Finnish Cultural Magazines -- SECTION 4: New Technologies and New Media -- Chance and Play, or Marvellous Machines - A Forgotten Swedish Film Avant-Garde -- Radiophonic Poetry and a Blind Movie - Öyvind Fahlström's Sound Art -- The Medium is the Message - Danish Radio Experiments of the 1960s -- What's Wrong with Billy Spafon? -- Comics and the Avant-Garde -- Concrete Poetry as Sign of Technological Changes in Society -- Collaborators in Art and Technology - The Case of Billy Klüver -- The Case[y] of Husberg -- Computers and Art in the 1960s -- Art Has Opened People's Eyes, Music People's Ears and Computers People's Minds - Erkki Kurenniemi on Music and Technology -- University of Helsinki Electronic Music Studio - Founding and Early Development -- The New Monument - Experimental TV and Remediation -- ABCinema and Super 8 Technology -- Visions Seen through Felt Boots - "The Carriers of the Fire" of Avant-Garde Art in the 1950s and 1970s in Finland -- Artists' Books in the 1960s -- Telephone Art -- Fylkingen's Text-Sound Festivals 1968-1974 -- The Detested Interval Music - On Per Nørgård's Calendar Music as Interval Signal on TV -- SECTION 5: Performative Strategies -- "Hätila ragulpr på fåtskliaben" - Conceiving of Concrete Poetry -- Concrete Poetry as a Score for Performance - Bengt Emil Johnson's Gubbdrunkning -- The Festum Fluxorum in Copenhagen 23-28 November 1962 -- To Play To-Day -- Experiment, Scam and Children's Games - The Finnish Media on Ken Dewey's Happenings in Finland, 1963-1964 , Everyday High and Low - Finnish Avant-Garde Poetry of the 1960s in a Rapidly Changing Society -- The Rose Campaign - John Davidsen's Appropriation of Commercial Formats -- PUSS 1968-1973 -- Counterculture -- "A Furious Girl from Rome" - Róska and the Mythography of Avant-Garde Bohemianism -- "From Everyone to Everyone" - The Countercultural Little Magazine Dikt andamp -- datt -- The Alternative Eurovision Song Contest in Sweden, 1975 -- Index , Pistolteatern - Avant-Garde Performance and Political Theatre -- Yvonne Rainer and Robert Morris - An Evening of Talking and Dancing, 1964 -- Odin Teatret - Between Tradition and the Avant-Garde -- Leiksmiðjan - Collaborating on a New Theatre -- Asger Jorn's Work in the Archive of the Revolution in Havana -- Showtime! - Notes on the Performance Practice of Per Højholt -- Performing Feminism - Kirsten Justesen -- A Borderline Case - Facial Politics in Kjartan Slettemark's The Passport -- SECTION 6: Interventions into Everyday Life -- Raping the Whole World in a Warm Embrace of Fascination - Drakabygget's Anti-Authoritarian Artistic Endeavours -- 1966 - Thinking the City -- True Rulers of Their Own Realm - Political Subjectivisation in Modellen - En modell för ett kvalitativt samhälle -- Jarl Hammarberg's Concrete Poetry and Collective Books -- Linguistic Leakage in the Landscape - Early Land Art in Norway -- Kanonklubben - The Oslo Trip and The Garden -- The Avant-Garde in Public Space - Two Danish Examples -- And and and - A Device of One's Own - Reproductive Parataxis in Rex, Thorup and Åkesson -- Christiania - Utopia Realised? -- A Sensuous Dramaturgy of Intervention - The Sun Chariot, Copenhagen, 1969-1983 -- Viggo Andersen's Vigelandsinstallasjon - The History of a Forgotten Anti-monument -- SECTION 7: The Avant-Garde between Market and Counterculture -- Gunnar Aagaard Andersen - Commercial Design and Experimental Art -- Angli Avant-Gardism - Paul Gadegaard's Art Project in Herning, Denmark -- Vagn is Also a Bit of a Soft Drink - Vagn Steen's Advertisements for Himself and Concrete Poetry, 1964-1969 -- The Artist on Holiday, or "L'art pour l'or", or Some Conceptual Investments of Carl Fredrik Reuterswärd -- From Avant-Garde to Pop Culture to Alternative Scenes - The Case of Two Swedish Bands
    Additional Edition: Print version Ørum, Tania A Cultural History of the Avant-Garde in the Nordic Countries 1950-1975 Boston : BRILL,c2016 ISBN 9789004310490
    Language: English
    Keywords: Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
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