Format:
1 online resource(216 p.)
Edition:
2015
ISBN:
9780231539074
Content:
Bollywood is India's most popular entertainment and one of its most powerful social forces. Its blockbusters contest ideas about state formation, capture the nation's dispersed anxieties, and fabricate public fantasies of what constitutes "India." Written by an award-winning scholar of popular culture and postcolonial modernity, Bollywood's India analyzes the role of the cinema's most popular blockbusters in making, unmaking, and remaking modern India. With dazzling interpretive virtuosity, Priya Joshi provides an interdisciplinary account of popular cinema as a space that filters politics and modernity for its viewers. Themes such as crime and punishment, family and individuality, vigilante and community capture the diffuse aspirations of an evolving nation. Summoning India's tumultuous 1970s as an interpretive lens, Joshi reveals the cinema's social work across decades that saw the decline of studios, the rise of the multi-starrer genre, and the arrival of corporate capital and new media platforms. In elegantly crafted studies of iconic and less familiar films, including Awara (1951), Ab Dilli Dur Nahin (1957), Deewaar (1975), Sholay (1975), Dil Se (1998), A Wednesday (2008), and 3 Idiots (2009), Joshi powerfully conveys the pleasures and politics of Bollywood blockbusters.
Content:
Rajinder Dudrah, University of Manchester:Priya Joshi's work is a timely assessment of key films and periods in Bollywood's history. Its wide-ranging literary, theoretical, and sociocultural perspectives, which cut across literature, postcolonial studies, media, and cultural studies, will surely be taken up by other scholars as well as general readers. A fine piece of scholarship
Note:
In English
Additional Edition:
9780231169608
Language:
English
URL:
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