Format:
Online-Ressource (185 p)
Edition:
Online-Ausg.
ISBN:
9780415630924
Series Statement:
Routledge Advances in Film Studies
Content:
Cinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/or viewership, this volume contends that ""crossover cinema"" is the most apt contemporary description for those aspects of contemporary cinema on which it focuses. This contention is provoked by an appreciation of the cross-cultural reality of our post-globalization twenty-first century world
Note:
Description based upon print version of record
,
Cover; Title; Copyright; Dedication; Contents; Acknowledgments; PART I Producing a Hybrid Grammar; 1 Crossover Cinema: A Genealogical and Conceptual Overview; 2 My Tehran for Sale: A Coproduction with Poetry at Stake; 3 Maps and Movies: Talking with Deepa Mehta; 4 Los Libertadores as Crossover Cinema; PART II Reading outside the Canon; 5 Hong Kong Film as Crossover Cinema: Maintaining the HK Aesthetic; 6 On No Longer Speaking Chinese: Crossover Stardom and the Performance of Accented English; 7 Bridging Pop Culture and Identity Politics: Fatih Akin's Road Movie In July
,
8 Film Policy and the Emergence of the Cross-Cultural: Exploring Crossover Cinema in Flanders (Belgium)PART III Watching Other Worlds; 9 Leaping the Demographic Barrier: Theoretical Challenges for the Crossover Audience; 10 Seduced "Outsiders" versus Skeptical "Insiders"? Slumdog Millionaire through Its Re/Viewers; 11 Control Room: Film and Websites; 12 Desi Turns Malay: Indian Cinema Redefined as Crossover in the Malaysian Market; Contributors; Index
Additional Edition:
9781136221767
Additional Edition:
Print version Crossover Cinema : Cross-Cultural Film from Production to Reception
Language:
English
Keywords:
Electronic books
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