feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
Type of Medium
Language
Region
Library
Years
Person/Organisation
Subjects(RVK)
  • 1
    UID:
    b3kat_BV022781605
    Format: XII, 280 S. , Ill.
    Edition: New paperback ed.
    ISBN: 9781845112110 , 1845112113
    Series Statement: Cinema and society series
    Language: English
    Subjects: General works
    RVK:
    Keywords: Großbritannien ; Ost-West-Konflikt ; Film
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Online Resource
    Online Resource
    London [England] : I.B. Tauris & Co. Ltd | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1694751147
    Format: 1 Online-Ressource (XII-281 pages) , illustrations
    Edition: First edition
    Edition: Also available in print
    ISBN: 186064371X , 1845112113 , 9780755695751 , 9781860643712 , 9781845112110 , 9780755695744
    Series Statement: Cinema and society
    Content: "Cinema was one of the Cold War's most powerful instruments of propaganda. Movies blended with literary, theatrical, musical and broadcast representations of the conflict to produce a richly textured Cold War culture. Now in paperback, this timely book fills a significant gap in the international story by uncovering British cinema's contribution to Cold War propaganda and to the development of a popular consensus on Cold War issues. Tony Shaw focuses on an age in which the 'first Cold War' dictated international (and to some extent domestic) politics. This era also marked the last phase of cinema's dominance as a mass entertainment form in Britain. Shaw explores the relationship between film-makers, censors and Whitehall, within the context of the film industry's economic imperatives and the British government's anti-Soviet and anti-Communist propaganda strategies. Drawing upon rich documentation, he demonstrates the degree of control exerted by the state over film output. Shaw analyses key films of the period, including High Treason, which put a British McCarthyism on celluloid; the fascinatingly ambiguous science fiction thriller The Quatermass Experiment; the dystopic The Damned, made by one of Hollywood's blacklisted directors, Joseph Losey; and the CIA-funded, animated version of George Orwell's novel Animal Farm. The result is a deeply probing study of how Cold War issues were refracted through British films, compared with their imported American and East European counterparts, and how the British public received this 'war propaganda'. 'This is an important book that adds to the growing historical literature on British post-war cinema, showing by example how closely most filmmakers followed prevailing political norms and taboos.' Ian Christie Contemporary British History '...painstakingly compiled and carefully documented.' Gerald Kaufman Sunday Telegraph 'It makes a good case for using feature film as an index of political consciousness.' Sue Harper Journal of Contemporary History."--
    Note: Bibliogr. p. 254-272. Index , Also available in print. , Mode of access: World Wide Web.
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 1
    Language: English
    Keywords: Electronic books
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. Further information can be found on the KOBV privacy pages