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  • 1
    UID:
    b3kat_BV048982619
    Format: 1 Online-Ressource
    ISBN: 9783030891558
    Series Statement: Palgrave studies in audio-visual culture
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-3-030-89154-1
    Additional Edition: Erscheint auch als Druck-Ausgabe, MyCopy Softcover ISBN 978-3-030-89156-5
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-3-030-89157-2
    Language: English
    Subjects: General works
    RVK:
    Keywords: Filmmusik ; Film ; Musik ; Geschichte ; Konferenzschrift
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Tieber, Claus 1966-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    gbv_1869177932
    Format: 1 Online-Ressource
    ISBN: 9783030891558 , 9783030891541
    Content: This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives
    Content: Dieser Open Access Sammelband behandelt musikalische Momente im Film als zentrales und wegweisendes Thema aktueller Filmmusikforschung. Musikalische Momente wie von Amy Herzog (2009) definiert, treten dann auf, wenn die konventionelle Beziehung im Film zwischen Bild und Ton umgekehrt wird, so dass das was wir sehen von dem was wir hören bestimmt wird. Diese Definition ermöglicht neue Ansätze um besonders das disruptive Potential dieser musikalischen Momente und Nummern als kreatives Mittel der Produktion audiovisueller Erzählungen zu untersuchen
    Note: English
    Language: Undetermined
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1853351164
    Format: 1 Online-Ressource (255 p.)
    ISBN: 9783030891558 , 9783030891541
    Series Statement: Palgrave Studies in Audio-Visual Culture
    Content: This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives. In this sense, the book responds to a need for an anthology that introduces students as well as scholars of cinema, musicology, media studies and cultural studies more broadly, to recent discourses in film music scholarship. The volume includes contributions by early career researchers as well as by established experts in the fields of musicology, film studies, media studies, and cultural studies, promoting cross-disciplinary collaboration in film music research
    Note: English
    Language: Undetermined
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Cham : Imprint: Palgrave Macmillan
    UID:
    gbv_1844865797
    Format: 1 Online-Ressource(XVIII, 255 p. 18 illus., 15 illus. in color.)
    Edition: 1st ed. 2023.
    ISBN: 9783030891558
    Series Statement: Palgrave Studies in Audio-Visual Culture
    Content: 1. Introduction -- Part I. What the Musical Moment Can Do - Theoretical Approaches -- 2. The Musical Moment, Counter-Memory, Oblivion -- 3. The Crystal Song in four American Films from 2016 to 2018 -- 4. Seriously Funny: Comedy, Performance and the Musical Moment in Toni Erdmann (2016) -- 5. Experiencing Romance in Musical Moments -- Part II. How the Musical Moment was Created – Musical Numbers in Silent Cinema -- 6. Film’s First Musical Moment: The Dickson Experimental Sound Film, 1895 -- 7. The Musical Moment in three Silent Films by Jacques Feyder: Narrative Vector or Emotional Catalyst? -- 8. A Waltz Dream: Musical Moments in Silent Operetta Films -- 9. Silent Movie Music(ians) on Screen: How Four Films Made Period Practices Audible and Visible -- Part III. Musical Dis/Placements – Musical Moments in Global Cinema -- 10. Musical Numbers in Bollywood Cinema's Homeland and Diaspora -- 11. Envisioning Chinese Musicals in the Era of Sound: Sound Cinema, the Songstress, and the Emergence of Mandarin Chinese Film Musicals, 1920s-1930s -- 12. De-Gendering Genre: Mayuzumi Toshirō's Avant-Garde Music in Popular Cinema.-13. Music in Nollywood Films: Schools of Thought and Performance Contexts -- 14. Redemption Songs: Musical Moments in Flora Gomes’s Nha Fala (2002) and Joseph Gaï Ramaka’s Karmen Geï (2001) -- 15. “No hay nada que celebrar”: Migration, Violence, and Musical Moments in Luis Estrada’s El Infierno (2010).
    Content: “This book reveals new insights into what happens when music is unconstrained by narrative. It is a brilliant read on what we thought we knew.” — Kathryn Kalinak, Rhode Island College, USA “This collection is wonderfully rich in its range and astonishing in its revelation of the joyous and disturbing things musical moments can do.” — Richard Dyer, King’s College London, UK “The essays here will appeal to film scholars and music specialists alike.” — Estella Tincknell, UWE Bristol, UK This open access collection deals with musical moments in film as one of the most pivotal and compelling issues of current film music research. Musical moments as defined by Amy Herzog occur when a musical number inverts the normal relationship between the image track and the soundtrack in a film in such a way that what we see is determined by what we hear. As one potential approach, this definition provokes a variety of perspectives to investigate the disruptive potential of these moments and numbers as a creative device in the production of audiovisual narratives. In this sense, the book responds to a need for an anthology that introduces students as well as scholars of cinema, musicology, media studies and cultural studies more broadly, to recent discourses in film music scholarship. The volume includes contributions by early career researchers as well as by established experts in the fields of musicology, film studies, media studies, and cultural studies, promoting cross-disciplinary collaboration in film music research. Anna K. Windisch is a film scholar who gained her PhD in Theatre, Film and Media Studies at the University of Vienna, Austria, and completed a postdoctoral position at the Austrian Academy of Sciences. Claus Tieber is Principal Investigator of the research project “Screenwriting musical numbers” in the Department of Theater, Film and Media Studies at the University of Vienna, Austria. Phil Powrie is Professor of Cinema Studies at the University of Surrey, UK, where he was Executive Dean of the Faculty of Arts and Human Sciences 2010-2015.
    Note: Open Access
    Additional Edition: ISBN 9783030891541
    Additional Edition: ISBN 9783030891565
    Additional Edition: ISBN 9783030891572
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030891541
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030891565
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783030891572
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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