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  • Licensed  (4)
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  • Licensed  (4)
  • 1
    Online Resource
    Online Resource
    The Cambridge history of American music (2004)
    Cambridge : Cambridge Univ. Press
    Details
    UID:
    gbv_607951532
    Format: Online-Ressource (XV, 637 S.) , Notenbeisp.
    Edition: Online-Ausg. 2008 Cambridge histories online Digitalisierte Ausg
    ISBN: 9781139055383
    Series Statement: The Cambridge history of music
    Content: The Cambridge History of American Music, first published in 1998, celebrates the richness of America's musical life. It was the first study of music in the United States to be written by a team of scholars. American music is an intricate tapestry of many cultures, and the History reveals this wide array of influences from Native, European, African, Asian, and other sources. The History begins with a survey of the music of Native Americans and then explores the social, historical, and cultural events of musical life in the period until 1900. Other contributors examine the growth and influence of popular musics, including film and stage music, jazz, rock, and immigrant, folk, and regional musics. The volume also includes valuable chapters on twentieth-century art music, including the experimental, serial, and tonal traditions
    Content: American Indian musics, past and present / Victoria Lindsay Levine -- Music in America: an overview (part 1) /William Brooks -- Secular music to 1800 / Kate van Winkle Keller, John Koegel -- Sacred music to 1800 / Nym Cooke -- African American music to 1900 / Jacqueline Cogdell Djedje -- Immigrant, folk, and regional musics in the nineteenth century / Michael Broyles -- Nineteenth-century popular music / Dale Cockrell -- Art music from 1800 to 1860 / Katherine K. Preston -- Art music from 1860 to 1920 / Michael Broyles -- Music in America: an overview (part 2) / William Brooks --Immigrant, folk, and regional musics in the twentieth century / Philip V. Bohlman -- Popular song and popular music on stage and film / Stephen Banfield -- The rock and roll era / Robert Walser -- Ragtime and early jazz / Jeffrey Magee -- Jazz from 1930 to 1960 / David Joyner -- Jazz since 1960 / Ronald Radano -- Tonal traditions in art music from 1920 to 1960 / Larry Starr -- Serialism and complexity / Stephen Peles -- Avant-garde and experimental music / David Nicholls -- Tonal traditions in art music since 1960 / Jonathan W. Bernard
    Note: Title from publisher's bibliographic system (viewed on 18 Nov 2015) , Digitalisierte Ausg. , Systemvoraussetzungen: Internet-Anschluss; Adobe Reader.
    Additional Edition: ISBN 0511469071
    Additional Edition: ISBN 9780511469077
    Additional Edition: ISBN 9780521454292
    Additional Edition: ISBN 9780521545549
    Language: English
    Subjects: Musicology
    RVK:
    LQ 89300
    Keywords: USA ; Musik ; Geschichte
    DOI: 10.1017/CHOL9780521454292
    URL: Volltext
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    Stabi Berlin
  • 2
    Online Resource
    Online Resource
    New musical resources (1996)
    Cambridge : Cambridge University Press
    Details
    UID:
    gbv_88345520X
    Format: 1 Online-Ressource (xvii, 177 pages) , digital, PDF file(s)
    ISBN: 9780511597329
    Content: Since its original publication in 1930, Henry Cowell's New Musical Resources has become recognised as one of the few seminal technical studies to be written by a twentieth-century composer. In 1971, Virgil Thomson hailed it as 'a classic'. Cowell aimed to 'point out the influence the overtone series has exerted on music throughout its history, how many musical materials of all ages are related to it, and how … a large palette of musical materials can be assembled'. In this respect Cowell was anticipating many of the ideas to be realized in electronic music by Stockhausen and others. For this 1996 edition, David Nicholls has provided an explanatory essay and annotations to Cowell's text. The essay traces the sources for the book and attempts to place Cowell's theories in the broader context of musical modernism
    Content: pt. I. Tone Combinations. 1. The Influence of Overtones in Music. 2. Polyharmony. 3. Tone-quality. 4. Dissonant Counterpoint -- pt. II. Rhythm. 1. Time. 2. Metre. 3. Dynamics. 4. Form. 5. Metre and Time Combinations. 6. Tempo. 7. Scales of Rhythm -- pt. III. Chord-Formation. 1. Building Chords from Different Intervals. 2. Tone-clusters -- Notes on the text / David Nicholls -- Henry Cowell's "New Musical Resources" / David Nicholls
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    Additional Edition: ISBN 9780521496513
    Additional Edition: ISBN 9780521499743
    Additional Edition: Print version ISBN 9780521496513
    Language: English
    DOI: 10.1017/CBO9780511597329
    URL: Volltext  (lizenzpflichtig)
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    Stabi Berlin
  • 3
    Online Resource
    Online Resource
    The Cambridge companion to John Cage (2002)
    Cambridge [u.a.] : Cambridge Univ. Press
    Details
    UID:
    gbv_671583271
    Format: XIII, 287 S. , Notenbeisp.
    Edition: 1. publ.
    Edition: 2011
    ISBN: 0521783488 , 0521789680
    Series Statement: Cambridge companions to music
    Content: John Cage (1912–1992) was without doubt one of the most important and influential figures in twentieth-century music. Pupil of Schoenberg, Henry Cowell, Marcel Duchamp, and Daisetz Teitaro Suzuki, among others, he spent much of his career in pursuit of an unusual goal: 'giving up control so that sounds can be sounds', as he put it. This book celebrates the richness and diversity of Cage's achievements - the development of the prepared piano and of the percussion orchestra, the adoption of chance and of indeterminacy, the employment of electronic resources and of graphic notation, and the questioning of the most fundamental tenets of Western art music. Besides composing around 300 works, he was also a prolific performer, writer, poet, and visual artist. Written by a team of experts, this Companion discusses Cage's background, his work, and its performance and reception, providing in sum a fully rounded portrait of a fascinating figure
    Note: Title from publisher's bibliographic system (viewed on 09 Nov 2015) , Cage and America , Cage and Europe , Cage and Asia : history and sources , Music I : to the late 1940s , Words and writings , Towards infinity, Cage in the 1950s and 1960s , Visual art , Music II : from the late 1960s , Cage's collaborations , Cage and Tudor , Cage and high modernism , Music and society , Cage and postmodernism , No escape from heaven : John Cage as father figure
    Language: English
    Subjects: Musicology
    RVK:
    LP 91580
    Keywords: Cage, John 1912-1992
    DOI: 10.1017/CCOL9780521783484
    URL: Volltext
    URL: Volltext
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    Stabi Berlin
  • 4
    Online Resource
    Online Resource
    The Cambridge companion to John Cage (2006)
    New York : Cambridge University Press
    Details
    UID:
    gbv_1651100047
    Format: XIII, 287 S. , ill., Notenbeisp.
    Edition: Transferred to digital print.
    Edition: Online-Ausg. New York Cambridge Collections Online 2011 Online-Ressource Cambridge companions online
    Edition: The Cambridge companions complete collection
    Edition: The Cambridge companions to music
    ISBN: 9780521783484 , 0521783488 , 9780521789684 , 0521789680
    Series Statement: Cambridge companions to music
    Content: John Cage (1912–1992) was without doubt one of the most important and influential figures in twentieth-century music. Pupil of Schoenberg, Henry Cowell, Marcel Duchamp, and Daisetz Teitaro Suzuki, among others, he spent much of his career in pursuit of an unusual goal: 'giving up control so that sounds can be sounds', as he put it. This book celebrates the richness and diversity of Cage's achievements - the development of the prepared piano and of the percussion orchestra, the adoption of chance and of indeterminacy, the employment of electronic resources and of graphic notation, and the questioning of the most fundamental tenets of Western art music. Besides composing around 300 works, he was also a prolific performer, writer, poet, and visual artist. Written by a team of experts, this Companion discusses Cage's background, his work, and its performance and reception, providing in sum a fully rounded portrait of a fascinating figure.
    Additional Edition: ISBN 9781139002271
    Additional Edition: ISBN 9780521783484
    Additional Edition: Druckausg. The Cambridge companion to John Cage New York : Cambridge University Press, 2006 ISBN 9780521783484
    Additional Edition: ISBN 0521783488
    Additional Edition: ISBN 9780521789684
    Additional Edition: ISBN 0521789680
    Language: English
    Subjects: Musicology
    RVK:
    LP 91580
    Keywords: Cage, John 1912-1992 ; Aufsatzsammlung
    DOI: 10.1017/CCOL9780521783484
    URL: Volltext
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    Online Access
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    Stabi Berlin
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