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  • 1
    UID:
    b3kat_BV022458037
    Format: 299 S. , Ill.
    ISBN: 9783039105298 , 3039105299 , 0820475335
    Series Statement: New Studies in European cinema 4
    Content: This book covers the history of Polish cinema from 1989 up to the present in a broad political and cultural context, looking at both the film industry and film artistry. It considers the main ideas behind the institutional changes in the Polish film industry after the collapse of communism and assesses how these ideas were implemented. In discussing artistry, the focus is on the genres which dominated the Polish cinematic landscape after 1989 and the most important directors.
    Language: English
    Subjects: Slavic Studies , General works
    RVK:
    RVK:
    RVK:
    Keywords: Polen ; Film ; Geschichte 1989-2006 ; Film polski ; Film polski ; Filmografia
    Author information: Mazierska, Ewa 1964-
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  • 2
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    UID:
    b3kat_BV047472669
    Format: 1 Online-Ressource , Illustrationen
    ISBN: 9781501355905 , 9781501355899
    Note: Bevorzugte Informationsquelle: Landingpage (Bloomsbury Collections), da weder Titelblatt noch Impressum vorhanden
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-5013-5587-5
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Musik ; Performance ; Live-Auftritt ; Technische Innovation ; Aufsatzsammlung ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Mazierska, Ewa 1964-
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  • 3
    Online Resource
    Online Resource
    London [England] : Bloomsbury Academic | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1788671821
    Format: 1 Online-Ressource (160 pages) , illustrations
    Edition: First edition
    ISBN: 9781501372704
    Series Statement: 33 1/3 Europe
    Content: From an Ordinary Singer to a Prophet : The Life and Career of Czes±aw Niemen -- From the Poem to Poems : Inspiration, Conception and Production of Niemen Enigmatic -- Solving the Enigma : What Niemen Enigmatic is About? -- Like Old Wine : Remembering Niemen Enigmatic.
    Content: "Examines the remarkable history and significance of the album Niemen Enigmatic, released in Poland in 1970 by Polish musician Czeslaw Niemen in its national and international contexts"
    Note: Mode of access: World Wide Web.
    Additional Edition: ISBN 9781501372698
    Additional Edition: ISBN 9781501372667
    Additional Edition: ISBN 1501372661
    Additional Edition: ISBN 150137267X
    Additional Edition: ISBN 9781501372674
    Additional Edition: ISBN 9781501372667
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781501372667
    Language: English
    Keywords: Electronic books
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  • 4
    Online Resource
    Online Resource
    New York : Bloomsbury Academic | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1740809890
    Format: 1 Online-Ressource (304 pages)
    Edition: First edition
    Edition: Also published in print
    ISBN: 1501348272 , 9781501348303 , 9781501348297 , 9781501348273 , 9781501348280
    Content: "This collection re-introduces Marxism into the studies of Third Cinema and World Cinema"--
    Content: Chapter 1. Exporting Cinemarxism in the 1960s: The Case of Soy Cuba / Andrei Rogatchevski -- Chapter 2. Brazil's Open Cities: Mimicry, Sexuality, and Class Dynamics in the Urban Landscape of Cinema Novo / Bruce Williams -- Chapter 3. "Unreal City": The Aesthetics of Commitment in Pratidwandi and Interview / Koel Banerjee -- Chapter 4: The Peruvian Kuntur Group: A Marxist- Indigenist Filmmaking Practice / Isabel Seguí -- Chapter 5. Third Cinema in the 21st century: political utopia in the new documentary films of Fernando Solanas / Mariano Paz -- Chapter 6. Third Cinema after the turn of the millennium: Reification of the sign and the possibility of transformation / Paulina Aroch and André Dorcé -- Chapter 7. We Have Never Been Transnational: The Female Condition in Socialist Realism, Postsocialism, and Third Cinema / Lucian Tion -- Chapter 8. Dialogical Encounters on the Cinema of Revolution: Save the Children Fund Film and Metalepsis in Black / David Archibald and Finn Daniels-Yeomans -- Chapter 9. Newsreel Front: A Revived Vision of Third Cinema in Slovenia / Andrej éSprah -- Chapter 10. Listening to the Future: The Film-Philosophy of Abderrahmane Sissako / William Brown -- Chapter 11. Class, Gender and Ethnicity in Alfonso Cuarón's Roma / Ewa Mazierska -- Chapter 12. 'After' or Back to Third Cinema? Plebeian Film, the National Popular, Fingernails and the Resilient Behemoth / Enrique Uribe-Jongbloed and Toby Miller.
    Note: Includes bibliographical references and index , Also published in print. , Mode of access: World Wide Web.
    Additional Edition: ISBN 1
    Additional Edition: Erscheint auch als Druck-Ausgabe
    Language: English
    Keywords: Electronic books
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  • 5
    UID:
    gbv_1758113979
    Format: 1 Online-Ressource (304 Seiten) , Illustrationen
    ISBN: 9781501366390 , 9781501366383
    Content: Preface: Growing UP with EDM Graham Massey -- Introduction: The Past and Future of Electronic Dance Music Ewa Mazierska, University of Central Lancashire, UK, Les Gillon, University of Central Lancashire, UK, Tony Rigg, University of Central Lancashire, UK Part -- 1: Discursive and Technological Production of EDM -- 1. The Meanings of EDM Anita J ri, Berlin University of the Arts, Germany -- 2. This is Electro Mathieu Guillien, University of Evry, France -- 3. UK Sampling Practice: Past, Present and Future Justin Morey, Leeds Beckett University, UK -- 4. EDM, Meet AI: Cognitive Tools and (Non) Biological Artists in Electronic Dance Music Andrew Fry, Independent Scholar, USA Part -- 2: EDM Stars and Stardom -- 5. Avicii and Mental Health of EDM Stars Melanie Ptatscheck, University of Paderborn and Osnabrueck University, Germany -- 6. Where's the Drop? Identifying EDM Trends Through the Career of Deadmau5 Tristan Kneschke, Independent Scholar, USA -- 7. Deadmau5 s Relationships with Authenticity and Fame Jeremy W Smith, University of Louisville, USA -- 8. Second-hand Stardom: Connotations of Sampling for Electro Swing Chris Inglis, University of South Wales, UK Part -- 3: Dance Music Scenes -- 9. We Wanna Be Free to Do What We Wanna Do : The Evolution of Dance Music in Leeds Stuart Moss, Leeds Beckett University, UK -- 10. Ageism and Sexism in Manchester s Club Culture Kamila Rymajdo, Manchester University, UK -- 11. Transformation of Dance Culture in Poland Ewa Mazierska, University of Central Lancashire, UK References -- Index"
    Content: "The Evolution of Electronic Dance Music establishes EDM's place on the map of popular music. The book accounts for various ambiguities, variations, transformations, and manifestations of EDM, pertaining to its generic fragmentation, large geographical spread, modes of consumption and, changes in technology. It focuses especially on its current state, its future, and its borders between EDM and other forms of electronic music, as well as other forms of popular music. It accounts for the rise of EDM in places that are overlooked by the existing literature, such as Russia and Eastern Europe, and examines the multi-media and visual aspects such as the way EDM events music are staged and the specificity of EDM music videos. Divided into four parts - concepts, technology, celebrity, and consumption - this book takes a holistic look at the many sides of EDM culture."--
    Additional Edition: ISBN 9781501366369
    Additional Edition: ISBN 9781501379598
    Additional Edition: Erscheint auch als Druck-Ausgabe The evolution of electronic dance music New York : Bloomsbury Academic, 2021 ISBN 9781501366369
    Additional Edition: ISBN 9781501379598
    Language: English
    Keywords: Tanzmusik ; Elektronische Musik ; Electronic books
    Author information: Mazierska, Ewa 1964-
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  • 6
    UID:
    gbv_1806266121
    Format: 1 Online-Ressource (XVI, 374 p.)
    ISBN: 9783110707816
    Series Statement: Film, Class, Society 1
    Content: This volume brings together renowned scholars and early career-researchers in mapping the ways in which European cinema —whether arthouse or mainstream, fictional or documentary, working with traditional or new media— engages with phenomena of precarity, poverty, and social exclusion. It compares how the filmic traditions of different countries reflect the socioeconomic conditions associated with precarity, and illuminates similarities in the iconography of precarious lives across cultures. While some of the contributions deal with the representations of marginalized minorities, others focus on work-related precarity or the depictions of downward mobility. Among other topics, the volume looks at how films grapple with gender inequality, intersectional struggle, discriminatory housing policies, and the specific problems of precarious youth. With its comparative approach to filmic representations of European precarity, this volume makes a major contribution to scholarship on precarity and the representation of social class in contemporary visual culture
    Note: In English
    Additional Edition: ISBN 9783110707915
    Additional Edition: ISBN 9783110707724
    Additional Edition: Erscheint auch als EPUB ISBN 9783110707915
    Additional Edition: Erscheint auch als print ISBN 9783110707724
    Language: English
    URL: Cover  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Berghahn Books
    UID:
    gbv_1778636128
    Format: 1 Online-Ressource
    ISBN: 9781789204742
    Content: Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, Dušan Makavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others
    Note: English
    Language: English
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  • 8
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1778548377
    Format: 1 Online-Ressource (29 p.)
    ISBN: 9781315230627
    Content: A large proportion of artists considered in this study at some stage of their career veered towards ‘serious’ or experimental music. This also refers to Peter Rehberg and Christian Fennesz. However, they differ from those considered previously, because unlike them, they did not cross the boundary between the popular and academic now and then but made it their personal signature. Their music also challenges our concept of electronic music, as well as studio and stage and even music and non-music. To contextualise their work, it is worth locating it first against the concept of ‘noise music’ or rather ‘noise as music’
    Note: English
    Language: English
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  • 9
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Taylor & Francis
    UID:
    gbv_1778545785
    Format: 1 Online-Ressource (20 p.)
    ISBN: 9781315230627
    Content: When Cruise , the film whose dialogue I used as an epigraph for this chapter, was released in 1970, these words were seen as capturing Polish inability to move beyond the safe zone of a well-known repertoire of images, melodies and symbols. Austrians allegedly are also stuck in the past (see Chapter 1 ). This would explain Kruder and Dorfmeister’s penchant for making capital from our pleasure of listening to melodies we already know, if not for the fact that they gained fame not from capitalising on Vienna’s music history but remixing songs coming from the Anglo-American centre of popular music, such as those by Depeche Mode, Madonna and David Holmes. Theirs is thus an interesting case of colonisation, which includes self-colonisation and reverse colonisation: taking something from the centre, reworking it and returning to the centre an improved version. Depending on the perspective, their productions can be seen as proof of the hegemony of the centre or a sign that the periphery can not only resist the centre’s power but also penetrate it on its own terms. Equally, they can be seen as a sign of the end of authenticity and originality in popular music (and art at large) in the postmodern era or a need to rework these concepts to fit the art of creative recycling
    Note: English
    Language: English
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  • 10
    UID:
    gbv_1679151045
    Format: 1 Online-Ressource (vi, 24 pages)
    ISBN: 9781501337208 , 9781501337185 , 9781501337192
    Content: "Popular Music and the Moving Image in Eastern Europe is the first collection to discuss the ways in which popular music has been used cinematically, from musicals to music videos to documentary film, in Eastern Europe from 1945 to the present day. It argues that during the period of state socialism, moving image was an important tool of promoting music in the respective countries and creating popular cinema. Yet despite this importance, filmmakers who specialized in musicals lacked the social prestige of leading 'auteurs' and received little critical attention. The resulting scholarly prejudice towards pop culture created a severe shortage of critical studies of the genre. With the fall of state socialism - and with it, the need for economically viable film and media industries - brought about an unprecedented upsurge of films utilizing popular music, and a greater recognition of popular cinema as a legitimate object of study. Popular Music and the Moving Image in Eastern Europe fills the gap and demonstrates why the popular music-cinema interface needs to be theorized with respect to the political, ideological, and social forces invested in popular culture"--Bloomsbury Publishing
    Content: Table of Contents -- Introductions: Popular Music and the Moving Image in Eastern Europe -- Ewa Mazierska (University of Central Lancashire, UK) and Zsolt Gyori (University of Debrecen, Hungary) -- Chapter 1 -- 1968 Leftist Utopianism in The Young Girls of Rochefort and Hot Summer -- Evan Torner (University of Cincinnati, USA) -- Chapter 2 -- Representing Modern Romania in the Musical of State Socialist Period Gabriela Filippi -- (I.L. Caragiale National University of Theatre and Film, Romania) -- Chapter 3 -- Worlds That Never Were: Contemporary Eastern European Musical Comedies and the Memory of Socialism -- Balázs Varga (Eötvös Loránd University, Hungary) -- Chapter 4 -- Pop Music, Nostalgia and Melancholia in Dollybirds and Liza, the Fox Fairy -- Hajnal Király (Insitute for Hungarian Literary and Cultural Studies, Eötvös Lóránd University, Hungary) -- Chapter 5 -- When the Golden Kids Met the Bright Young Men and Women: Rebellion, Innovation and Cultural Tradition in the Czech 1960s Music Film -- Jonathan Owen (Courtauld Institute of Art, UK) -- Chapter 6 -- 'Music Isn't Music, Words Aren't Words': Underground Music in the Hungarian Cinema of the New Sensibility -- Zsolt Gyori -- Chapter 7 -- Socialist Night Fever: Yugoslav Disco on Film and Television -- Marko Zubak (Croatian Institute of History, Croatia) -- Chapter 8 -- Disco Polo and Techno according to Maria Zmarz-Koczanowicz -- Ewa Mazierska -- Chapter 9 -- Musical Variations in Karpo Godina's Alternative Cinema -- Andrej Šprah (Slovenian Cinematheque, Slovenia) -- Chapter 10 -- Polish Music Videos: Between Parochialism and Universalism -- Ewa Mazierska -- Chapter 11 -- 'She Stole It from Beyoncé!' - Transnational Borrowing in Bulgarian Pop-Folk Music Videos and Audience Reaction to the Practice -- Maya Nedyalkova (Oxford Brookes University, UK) -- Chapter 12 -- Postsocialist Social Reality in Hungarian Rap Music Videos -- Anna Batori (Babes-Bolyai University, Cluj-Napoca, Romania) -- List of Contributors -- Index.
    Additional Edition: ISBN 9781501337178
    Additional Edition: Erscheint auch als Druck-Ausgabe Popular music and the moving image in Eastern Europe New York : Bloomsbury Academic, 2019 ISBN 9781501337178
    Additional Edition: Erscheint auch als Druck-Ausgabe Popular music and the moving image in Eastern Europe New York : Bloomsbury Academic, 2020 ISBN 9781501365027
    Additional Edition: ISBN 9781501337178
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Filmmusik ; Popmusik ; Unterhaltungsmusik
    Author information: Mazierska, Ewa 1964-
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