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  • Berlin International  (2)
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  • 1
    UID:
    kobvindex_INT0000212
    Format: xix, 284 pages ; , 20 x 13 cm.
    ISBN: 9781911344728 (pbk.) , 1911344722 (pbk.) , 9780262036351 (hbk.) , 0262036355 (hbk.)
    Uniform Title: Spazieren in Berlin.
    Content: MACHINE-GENERATED SUMMARY NOTE: "Franz Hessel was an observer par excellence of the increasingly hectic metropolis that was Berlin in the late 1920s. In Walking in Berlin, originally published in Germany in 1929, he captures the rhythm of Weimar-era Berlin, recording evidence of the seismic shifts shaking German culture at the time. Nearly all of the pieces take the form of a walk or outing, focusing either on a theme or part of the city, and many end at a theatre, cinema, or club. Hessel effortlessly weaves historical information into his observations, displaying his extensive knowledge of the city. Today, many years after the Nazi era and the postwar reconstruction that followed, the areas he visited are all still prominent and interesting. From the Alexanderplatz to Kreuzberg, his record of them has become priceless. Superbly written, and as fresh today as when it first appeared, this is a book to be savoured."
    Content: MACHINE-GENERATED SUMMARY NOTE: "The first English translation of a lost classic that reinvents the flaneur in Berlin. Franz Hessel (1880-1941), a German-born writer, grew up in Berlin, studied in Munich, and then lived in Paris, where he moved in artistic and literary circles. His relationship with the fashion journalist Helen Grund was the inspiration for Henri-Pierre Roche's novel Jules et Jim (made into a celebrated 1962 film by Francois Truffaut). In collaboration with Walter Benjamin, Hessel reinvented the Parisian figure of the flaneur. This 1929 book--here in its first English translation--offers Hessel's version of a flaneur in Berlin. In Walking in Berlin, Hessel captures the rhythm of Weimar-era Berlin, recording the seismic shifts in German culture. Nearly all of the essays take the form of a walk or outing, focusing on either a theme or part of the city, and many end at a theater, cinema, or club. Hessel deftly weaves the past with the present, walking through the city's history as well as its neighborhoods. Even today, his walks in the city, from the Alexanderplatz to Kreuzberg, can guide would-be flaneurs. Walking in Berlin is a lost classic, known mainly because of Hessel's connection to Benjamin but now introduced to readers of English. Walking in Berlin was a central model for Benjamin's Arcades Project and remains a classic of "walking literature" that ranges from Surrealist perambulation to Situationist "psychogeography." This MIT Press edition includes the complete text in translation as well as Benjamin's essay on Walking in Berlin, originally written as a review of the book's original edition."
    Content: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "Franz Hessel, Berlin-born son of a Jewish banking family, was a writer and translator, translating works by Casanova, Stendhal, and Balzac, as well as collaborating with Walter Benjamin on a translation of Proust's La Recherche du temps perdu into German. Hessel died in early 1941, shortly after his release from an internment camp."
    Content: MACHINE-GENERATED REVIEWS NOTE: "An absolutely epic book, a walking remembrance." -- Walter Benjamin "Reading Walking in Berlin is the next best thing to traveling back in time to visit the capital of the Weimar Republic as it was in 1929." -- PopMatters--Reviews
    Note: EDITORIAL NOTE: this translation: hardback edition published 2016, paperback edition published 2018. , MACHINE-GENERATED CONTENTS NOTE: Translator's Foreword -- The Flaneur's Return / by Walter Benjamin -- The Suspect -- I Learn a Thing or Two -- A Bit of Work -- Fashion -- Lust for Life -- A Tour -- The Animal Palaces -- Berlin's Boulevard -- The Old West -- Tiergarten -- The Landwehr Canal -- Kreuzberg -- Tempelhof -- Hasenheide -- Through Neukölln Toward Britz -- Steamship Music -- To the East -- The North -- The Northwest -- Friedrichstadt -- Dönhoffplatz -- The Newspaper District -- The Southwest -- Afterword. , LANGUAGE NOTE: translation from the German language edition: Spazieren in Berlin. Berlin-Steglitz : (Officina Serpentis), 1929.
    Language: English
    Keywords: Guidebooks
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  • 2
    UID:
    kobvindex_INT0002084
    Format: [111] pages ; , 18 cm.
    ISBN: 9780141036199 (pbk.) , 0141036192 (pbk.)
    Series Statement: Great ideas ; 56
    Uniform Title: Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit.
    Content: MACHINE-GENERATED SUMMARY NOTE: "One of the most important works of cultural theory ever written, Walter Benjamin's groundbreaking essay explores how the age of mass media means audiences can listen to or see a work of art repeatedly - and what the troubling social and political implications of this are. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are."
    Note: EDITORIAL NOTE: first published in 1936 in a shortened French translation with the title: L'œuvre d'art à l'époque de sa reproduction mécanisée. In: Zeitschrift für Sozialforschung. , EDITORIAL NOTE: the revised German edition was published in 1939. , LANGUAGE NOTE: translation from the German language edition: Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit. 1939.
    Language: English
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