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  • 2005-2009  (5)
Type of Medium
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  • 2005-2009  (5)
Year
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Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    A NEW VOICE, A NEW 20TH CENTURY? AN EXPERIMENT WITH SÁNDOR VERESS
    Cambridge University Press (CUP) ; 2008
    In:  Tempo Vol. 62, No. 243 ( 2008-01), p. 36-41
    Details
    In: Tempo, Cambridge University Press (CUP), Vol. 62, No. 243 ( 2008-01), p. 36-41
    Abstract: The project of introducing an unknown repertory into discourses on music can be approached in a range of ways. The writer can make a case about its regrettable neglect and its unjustified exclusion from a historical canon, or can argue for its (political) relevance to the present. Or s/he can simply try to persuade readers of its aesthetic qualities: this third desire might well drive the first two, however covertly. The path I take here is unabashedly more ambitious. In attempting to open the hearts and minds of the uninitiated reader to a composer little-known outside Switzerland and Hungary, I will suggest that he offers us a significantly new way of thinking about music history in the 20th century as a whole.
    Type of Medium: Online Resource
    ISSN: 0040-2982 , 1478-2286
    URL: Article
    DOI: 10.1017/S004029820800003X
    RVK:
    LD 8700
    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 2008
    detail.hit.zdb_id: 2067089-8
    SSG: 9,2
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  • 2
    Online Resource
    Online Resource
    Sound initiative
    JSTOR ; 2005
    In:  The Musical Times Vol. 146, No. 1890 ( 2005-04-01), p. 100-
    Details
    In: The Musical Times, JSTOR, Vol. 146, No. 1890 ( 2005-04-01), p. 100-
    Type of Medium: Online Resource
    ISSN: 0027-4666
    URL: Article
    DOI: 10.2307/30044075
    Language: English
    Publisher: JSTOR
    Publication Date: 2005
    detail.hit.zdb_id: 2671876-5
    detail.hit.zdb_id: 2239456-4
    detail.hit.zdb_id: 2123391-3
    SSG: 9,2
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  • 3
    Online Resource
    Online Resource
    Paris, Théâtre du Châtelet: Péter Eötvös's ‘Angels in America’
    Cambridge University Press (CUP) ; 2005
    In:  Tempo Vol. 59, No. 232 ( 2005-04), p. 74-75
    Details
    In: Tempo, Cambridge University Press (CUP), Vol. 59, No. 232 ( 2005-04), p. 74-75
    Abstract: Tony Kushner's play Angels in America is now secure in the canon of 20th-century US (and probably world) drama, but its subject-matter has not often been explored in the opera house. The play centres around questions about racial identity, connubial relationships and politics (that's all very operatic, of course); but also a type of intolerance and spiritualism that is peculiar to parts of the USA; and, most dramatically and provocatively, homosexual partnerships and AIDS. Aside from the historical examples provided by certain operas by Benjamin Britten (among others), the only operas on gay themes known to this writer are Matthias Pintscher's Thomas Chatterton (1994–97), Stewart Wallace's Harvey Milk (premièred 1995), Paula M. Kimper's Patient and Sarah (premièred 1998) and Estele Pizer's Perverse (premièred 2002) – and none addresses AIDS. So Péter Eötvös's new opera, to a libretto by Mari Mezei, directed by Philippe Calvario and premiered under the composer's baton on 29 November, seems nothing if not an intervention.
    Type of Medium: Online Resource
    ISSN: 0040-2982 , 1478-2286
    URL: Article
    DOI: 10.1017/S0040298205210173
    RVK:
    LD 8700
    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 2005
    detail.hit.zdb_id: 2067089-8
    SSG: 9,2
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  • 4
    Online Resource
    Online Resource
    The Parallax Worlds of the West–Eastern Divan Orchestra
    Cambridge University Press (CUP) ; 2009
    In:  Journal of the Royal Musical Association Vol. 134, No. 2 ( 2009), p. 319-347
    Details
    In: Journal of the Royal Musical Association, Cambridge University Press (CUP), Vol. 134, No. 2 ( 2009), p. 319-347
    Abstract: The West–Eastern Divan Orchestra – founded in 1999 by Daniel Barenboim with the support of Edward W. Said in response to the Israel–Palestine conflict – brings together young Arabs, Jews and Spaniards for a workshop and concert tour every year. It displays a tension between repertoire (exclusively the Western classical tradition) and marketing (as an expression of inter-cultural dialogue). Drawing on fieldwork from 2006, the article analyses this tension as it evolves for players who shift repeatedly between the demands of Western orchestral playing and political discussion. It exposes the way the hierarchy of musical roles and the discourse elaborated around them create an environment that erases the political identities of players; and discusses the ways in which this environment is punctured at certain moments by a discursive or practical intervention, causing political allegiances to rise back to the surface explosively (only to be subsumed once again into music). Although the orchestra is set up to oppose the violence of war in the Middle East, it can be seen to contain its own disconcertingly coercive regime, one emerging from its hierarchical constitution with Barenboim as omnipotent leader, the professional ambitions of players, and the power that music can have in confounding the conceptual sphere.
    Type of Medium: Online Resource
    ISSN: 0269-0403 , 1471-6933
    URL: Article
    DOI: 10.1080/02690400903109109
    RVK:
    LD 8700
    Language: English
    Publisher: Cambridge University Press (CUP)
    Publication Date: 2009
    detail.hit.zdb_id: 2049101-3
    SSG: 9,2
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  • 5
    Online Resource
    Online Resource
    Whose Utopia? Perspectives on the West-Eastern Divan Orchestra
    University of Michigan Library ; 2009
    In:  Music and Politics Vol. III, No. 2 ( 2009-12-01)
    Details
    In: Music and Politics, University of Michigan Library, Vol. III, No. 2 ( 2009-12-01)
    Type of Medium: Online Resource
    ISSN: 1938-7687
    URL: Article
    DOI: 10.3998/mp.9460447.0003.201
    Language: English
    Publisher: University of Michigan Library
    Publication Date: 2009
    detail.hit.zdb_id: 2412456-4
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