In:
Tempo, Cambridge University Press (CUP), , No. 207 ( 1998-12), p. 15-21
Abstract:
During the 20 years that followed the completion of his first vocal work, The sayings of Páter Boniemisza op.7 (1963–68), György Kurtág established himself as a composer with an exceptional aptitude for vocal writing. His compositions for voice outweigh those for instruments alone in both quantity and substance throughout this period, during which his second string quartet, Hommage à Mihály András (12 Microludes) op. 13 (1977), is a ravishingly beautiful anomaly.
Type of Medium:
Online Resource
ISSN:
0040-2982
,
1478-2286
DOI:
10.1017/S0040298200006811
Language:
English
Publisher:
Cambridge University Press (CUP)
Publication Date:
1998
detail.hit.zdb_id:
2067089-8
SSG:
9,2
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