Format:
XII, 593 Seiten :
,
Illustrationen, Diagramme ;
,
25 cm.
ISBN:
978-0-19-538894-7
,
0-19-538894-1
,
978-0-19-999581-3
,
0-19-999581-8
Note:
Contributors ; List of Figures ; Introduction: New Keys to the World of Sound - Trevor Pinch and Karin Bijsterveld ; SECTION I: REWORKING MACHINE SOUND: SHOP FLOOR & TEST SITES ; 1. The Garden in the Machine: Listening to Early American Industrialization - Mark M. Smith ; 2. Turning a Deaf Ear? Industrial Noise and Noise Control in Germany since the 1920s - Hans-Joachim Braun ; 3. "Sobbing, whining, rumbling": Listening to Automobiles as Social Practice - Stefan Krebs ; 4. Selling Sound: Testing, Designing, and Marketing Sound in the European Car Industry - Eefje Cleophas and Karin Bijsterveld ; SECTION II: STAGING SOUND FOR SCIENCE AND ART: THE FIELD ; 5. Sound Sterile: Making Scientific Field Recordings in Ornithology - Joeri Bruyninckx ; 6. Underwater Music: Tuning Composition to the Sounds of Science - Stefan Helmreich ; 7. A Grey Box: The Phonograph in Laboratory Experiments and Field Work, 1900-1920 - Julia Kursell ; SECTION III. STAGING SOUND FOR SCIENCE AND ART: THE LAB ; 8. From Scientific Instruments to Musical Instruments: The Tuning Fork, Metronome, and Siren - Myles W. Jackson ; 9. Conversions: Sound and Sight, Military and Civilian - Cyrus Mody ; 10. The Search for the 'Killer Application': Drawing the Boundaries Around the Sonification of Scientific Data - Alexandra Supper ; SECTION IV: SPEAKING FOR THE BODY: THE CLINIC ; 11. Inner and Outer Sancta: Ear Plugs and Hospitals - Hillel Schwartz ; 12. Sounding Bodies: Medical Studies and the Acquisition of Stethoscopic Perspectives - Tom Rice ; 13. Do Signals Have Politics? Inscribing Abilities in Cochlear Implants - Mara Mills ; SECTION V: EDITING SOUND: THE DESIGN STUDIO ; 14. Sound and Player Immersion in Digital Games - Mark Grimshaw ; 15. The Sonic Playpen: Sound Design and Technology in Pixar's Animated Shorts - William Whittington ;
,
16. The Avant-garde in the Family Room: American Advertising and the Domestication of Electronic Music in the 1960s and 1970s - Timothy Taylor ; SECTION VI: CONSUMING SOUND AND MUSIC: THE HOME AND BEYOND ; 17. Visibly Audible: The Radio Dial as Mediating Interface - Andreas Fickers ; 18. From Listening to Distribution: Non-official Music Practices in Hungary and Czechoslovakia from the 1960s to the 1980s - Trever Hagen with Tia DeNora ; 19.The Amateur in the Age of Mechanical Music - Mark Katz ; 20. Online Music Sites as Sonic Sociotechnical Communities: Identity, Reputation, and Technology at ACIDplanet.com - Trevor Pinch and Katherine Athanasiades ; SECTION VII: MOVING SOUND AND MUSIC: DIGITAL STORAGE ; 21. Analog turns Digital: Hip-hop, Technology, and the Maintenance of Racial Authenticity - Ray Fouche ; 22. iPod Culture: The Toxic Pleasures of Audiotopia - Michael Bull ; 23. The Recording that Never Wanted to be Heard, and Other Stories of Sonification - Jonathan Sterne and Mitchell Akiyama ; Index
Language:
English
Subjects:
Physics
,
Musicology
Keywords:
Klang
;
Lärm
;
Geräusch
;
Musik
;
Schall
;
Aufsatzsammlung
;
Aufsatzsammlung
;
Aufsatzsammlung
URL:
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024461795&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
URL:
http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024461795&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
Author information:
Pinch, Trevor J., 1952-2021
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