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  • 1
    UID:
    almahu_BV041554015
    Format: XII, 817 S. : , Ill., Notenbeisp.
    ISBN: 978-0-19-975764-0
    Note: Includes index.. - This collection surveys the contemporary landscape of audiovisual media. Contributors from image and sound studies explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media, experimental film, video art, pornography, theater, and electronic music.
    Language: English
    Subjects: General works , Musicology
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    Keywords: Elektronische Medien ; Audiovisuelle Medien ; Bild ; Ton ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 2
    UID:
    almahu_BV047293422
    Format: 1 Online-Ressource (xvii, 510 Seiten) : , Illustrationen, Notenbeispiele.
    ISBN: 978-1-5013-3926-4 , 978-1-5013-3928-8
    Content: "Transmedia Directors focuses on artist-practitioners who work across media, platforms, and disciplines, including film, television, music video, commercials, and the internet. Working in the age of media convergence, today's em/impresarios project a distinctive style that points toward a new contemporary aesthetics. The media they engage with enrich their practices - through film and television (with its potential for world-building and sense of the past and future), music video (with its audiovisual aesthetics and rhythm), commercials (with their ability to project a message quickly), the internet (with its refreshed concepts of audience and participation), to larger forms like restaurants and amusement parks (with their materiality alongside today's digital aesthetics). These directors encourage us to reassess concepts of authorship, assemblage, transmedia, audiovisual aesthetics, and world-building"--
    Note: Bevorzugte Informationsquelle: Landingpage (Bloomsbury Collections), da weder Titelblatt noch Impressum vorhanden und Printausgabe
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-5013-4100-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-5013-3927-1
    Language: English
    Keywords: Film ; Fernsehen ; Musikvideo ; Produktion ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
  • 4
    Online Resource
    Online Resource
    New York, New York State :Oxford University Press,
    UID:
    almafu_9959245746902883
    Format: 1 online resource : , illustrations
    ISBN: 0-19-998471-9 , 0-19-931469-1
    Content: This collection surveys the contemporary landscape of audiovisual media. Contributors from image and sound studies explore the history and the future of moving-image media across a range of formats including blockbuster films, video games, music videos, social media, experimental film, video art, pornography, theatre, and electronic music.
    Note: Includes index. , English
    Additional Edition: ISBN 0-19-975764-X
    Additional Edition: ISBN 1-322-02777-3
    Language: English
    URL: Volltext  (lizenzpflichtig)
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  • 5
    UID:
    gbv_771014341
    Format: X, 735 S. , Ill., Notenbeisp.
    ISBN: 0199733864 , 9780199733866
    Note: Introduction , Michel Chion: The audio-logo-visual and the sound of languages in recent film ; Nicholas Cook: Beyond music: mashup, multimedia mentality, and intellectual property ; Anahid Kassabian: The end of diegesis as we know it? ; Steven Connor: Sounding out film narrative, genre, meaning: changing times, changing practices. Robynn J. Stilwell: Audio-visual space in an era of technological convergence ; Annette Davison: Title Sequences for contemporary television serials ; Carter Burwell: No country for old music ; Janet K. Halfyard: Cue the big theme? the sound of the superhero ; Michael Chanan: Video speech in Latin America ; Animated sounds. Daniel Goldmark: Pixar and the animated soundtrack ; Randy Thom: Notes on sound design in contemporary animated films ; Lisa Perrott: Zig Zag: re-animating Len Lye as improvised theatrical performance and immersive visual music ; Musical moments and transformations. Caryl Flinn: The mutating musical ; Ying Xiao: Chinese rock 'n ' roll film and Cui Jian on screen ; John Richardson: The neosurrealist metamusical: Tsai's The wayward cloud ; Philip Brophy: Parties in your head: from the acoustic to the psycho-acoustic ; Emerging audiovisual forms: music video and beyond. Carol Vernallis: Music video's second aesthetic ; Stan Hawkins: Aesthetics and hyperembodiment in pop videos: Rihanna's "Umbrella" ; Paula Hearsum & Ian Inglis: The emancipation of music video: YouTube and the cultural politics of supply and demand ; Mathias Bonde Korsgaard: Music video transformed ; Video Art. Holly Rogers: "Betwixt and between" worlds: spatial and temporal liminality in video ; Art-music. Maureen Turim and Michael Walsh: Sound events: innovation in projection and installation ; Gaming. Rob Bridgett: Contextualizing game audio aesthetics ; Karen Collins: Implications of interactivity: What does it mean for sound to be "Interactive"? ; Mark Kerins: Multi-channel gaming aesthetics of interactive surround ; Expanded soundtracks. Michel Chion: Sensory aspects of contemporary cinema ; Jeff Smith: The sound of intensified continuity ; K.J. Donnelly: Paratexts of the audio-visual: paratexts of the audio-visual soundtrack ; Extensions beyond the film. Susanna Välimäki: The audiovisual construction of transgender identity in Transamerica ; Meri Kytö: Soundscapes of Istanbul in Turkish film soundtracks ; Charles Kronengold: Audiovisual objects, multisensory people and the intensified ordinary in Hong Kong action films ; Audiovisuality in daily life. Philip Auslander: sound and vision: the audio/visual economy of musical performance ; Joseph Lanza: foreground flatland ; Michael Bull: Remaking the urban: the audio-visual aesthetics of ipod use ; Helmi Järviluoma and Noora Vikman: On soundscape methods and audiovisual sensibility ; Mariko Hara and Tia Denora: Leaving something to the imagination: "seeing" new places through a musical lens. , Includes bibliographical references and index
    Additional Edition: Erscheint auch als Online-Ausgabe The Oxford handbook of new audiovisual aesthetics New York, NY : Oxford University Press, 2013 ISBN 9780199984268
    Language: English
    Subjects: General works , Musicology
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    Keywords: Ästhetik ; Neue Medien ; Aufsatzsammlung
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  • 6
    Online Resource
    Online Resource
    Oxford :Oxford University Press, USA,
    UID:
    almafu_9959238067702883
    Format: 1 online resource (365 p.)
    Edition: 1st ed.
    ISBN: 0-19-024073-3 , 0-19-932217-1
    Content: Unruly Media argues that we are the crest of a new international style in which sonic and visual parameters become heightened and accelerated. This audiovisual turn calls for new forms of attention. Post-classical cinema, with its multi-plot narratives and flashy style, fragments under the influence of audiovisual numbers and music-video-like sync. Music video becomes more than a way of selling songs. YouTube's brief, low-res clips encompass many forms and foreground reiteration, graphic values and affective intensity. These three media are riven by one another: a trajectory from YouTube throu
    Note: Description based upon print version of record. , Cover; Contents; Acknowledgments; Introduction; PART I: NEW DIGITAL CINEMA; CHAPTER 1. The New Cut-Up Cinema; CHAPTER 2. The Audiovisual Turn and Post-Classical Cinema; CHAPTER 3. Music Video into Post-Classical Cinema; CHAPTER 4. Moulin Rouge!: Delirious Cinema; CHAPTER 5. Music Video, Songs, Sound: Eternal Sunshine of the Spotless Mind; CHAPTER 6. Reciprocity, Bollywood, and Music Video: Mani Ratnam's Dil Se and Yuva; PART II: YOUTUBE; CHAPTER 7. YouTube Aesthetics; CHAPTER 8. Audiovisual Change: Viral Web Media and the Obama Campaign , CHAPTER 9. Reconfiguring Music Video: Beyoncé's "Video Phone"PART III: MUSIC VIDEO; CHAPTER 10. Music Video's Second Aesthetic?; CHAPTER 11. Digital Style: Francis Lawrence and Dave Meyers; CHAPTER 12. A Music Video Canon?; Afterword: Accelerated Aesthetics: A New Lexicon of Time, Space, and Rhythm; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z
    Additional Edition: ISBN 0-19-976700-9
    Language: English
    Keywords: Electronic books.
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  • 7
    UID:
    gbv_1802229051
    Format: 1 Online-Ressource (472 pages)
    Edition: First edition
    Edition: Also published in print
    ISBN: 9781501357077 , 9781501357039
    Series Statement: New approaches to sound, music, and media
    Content: "We're experiencing a time when digital technologies and advances in artificial intelligence, robotics, and big data are redefining what it means to be human. How do these advancements affect contemporary media and music? This collection traces how media, with a focus on sound and image, engages with these new technologies. It bridges the gap between science and the humanities by pairing humanists' close readings of contemporary media with scientists' discussions of the science and math that inform them. This text includes contributions by established and emerging scholars performing across-the-aisle research on new technologies, exploring topics such as facial and gait recognition; EEG and audiovisual materials; surveillance; and sound and images in relation to questions of sexual identity, race, ethnicity, disability, and class and includes examples from a range of films and TV shows including Blade Runner , Black Mirror , Mr. Robot , Morgan , Ex Machina, and Westworld . Through a variety of critical, theoretical, proprioceptive, and speculative lenses, the collection facilitates interdisciplinary thinking and collaboration and provides readers with ways of responding to these new technologies."--
    Note: Acknowledgments -- Contributors -- Introduction Jonathan Leal and Carol Vernallis Part I: AI and Robotics -- 1. Could the AI of Our Dreams Ever Become Reality? Jay McClelland -- 2. Director Alex Garland Converses with Cybermedia's Scientists and Media Scholars Jonathan Leal and Carol Vernallis -- 3. (S)Ex Machina and the Cartesian Theater of the Absurd Simon D. Levy and Charles W. Lowney -- 4. Epiphany, Infinity and Transcendent AI Zachary Mason Part II: Big Data, Sentience, and the Universe -- 5. A MASSIVE Swirl of Pixels: Algorithms in Radiohead's 'Go to Sleep' Steen Ledet Christiansen -- 6. The Rise of the Machine: Body-Knowing, Neural Nets, and Emergent Freedom Charles W. Lowney -- 7. The Quantum Computer as Sci-Fi's Favorite Character Leonardo P. G. De Assis -- 8. Composer Ben Salisbury Discusses Scoring Science for Alex Garland Holly Rogers, John McGrath, Carol Vernallis, and Dale Chapman -- 9. Ex Machina and the Question of Consciousness Murray Shanahan -- Part III: The Neuroscience of Affect and Event Perception -- 10. 'A Solid Popularity Arc': Affective Economies in Black Mirror's 'Nosedive' Dale Chapman -- 11. Cognitive Boundaries, 'Nosedive' and Under the Skin: Interview with Jeffrey Zacks Carol Vernallis, Jonathan Leal, and Dale Chapman -- 12. Toward an AI Future of Comics Study and Creation: A Cognitive-Affective Approach Frederick Aldama and Laura Wagner -- Part IV: The Digital West -- 13. The Philosophy of Westworld Paul Skokowski -- 14. New Visions of the Old West: A.I., Self, and Other in Westworld Christopher Minz -- 15. Scoring Music for Westworld Then and Now: A Cognitive Perspective Annabel J. Cohen Part V: Interface, Desire, Collectivity -- 16. Director Terence Nance Discusses Random Acts of Flyness Carol Vernallis, Jonathan Leal, Holly Rogers, Liz Reich and the contributors of Cybermedia -- 17. The Gift of Black Sonics: Interface and Ontology in Sorry to Bother You and Random Acts of Flyness Liz Reich -- 18. Technology, Chaos, and the Nimble Subversion of Random Acts of Flyness Eric Lyon -- 19. Expecting the Twist: How Media Navigate the Intersections Among Different Sources of Prior Knowledge Noah Fram , 20. Face Color Bevil Conway Part VI: Productive Neuropathologies 21. Digital Vitalism Marta Figlerowicz 22. Neuroplasticity: From Experience to Healing Sara Ferrando Colomer 23. Where is My Mind? Mr. Robot and the Digital Neuropolis Patricia Pisters 24. Dopamine Circuits: Wanting, Liking, Habits, and Goals. An Interview about Mr. Robot with Neuroscientist Talia Lerner Jonathan Leal, Carol Vernallis, and Patricia Pisters 25. The Taste of Cybermedia: An Interview with Hojoon Lee, The Lee Lab at Northwestern University Julia Peres Guimaraes, Selmin Kara, and Carol Vernallis -- Index. , Also published in print , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 1501357034
    Additional Edition: ISBN 1501357042
    Additional Edition: ISBN 9781501357046
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9781501357039
    Language: English
    Keywords: Electronic books
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  • 8
    Online Resource
    Online Resource
    Durham :Duke University Press,
    UID:
    almafu_BV048890204
    Format: 1 Online-Ressource (459 Seiten).
    ISBN: 978-1-4780-2369-2
    Content: From fan-generated content on TikTok to music videos, the contemporary media landscape is becoming ever more vast, spectacular, and intense. In The Media Swirl Carol Vernallis examines short-form audiovisual media-Beyoncé's Lemonade, brief sequences from Baz Luhrmann's Great Gatsby, TikTok challenges, YouTube mashups, commercials, and many other examples-to offer ways of understanding digital media. She analyzes music videos by Beyoncé, Lady Gaga, Janelle Monáe, Kendrick Lamar, Anderson .Paak, and others to outline how sound and image enhance each other and shape a viewer's mood. Responding to today's political-media landscape through discussions of Fox News and Presidential inaugurations, Vernallis shows how a media literacy that exceeds newscasts and campaign advertising is central to engaging with the democratic commons. Forays into industry studies, neuroscience, and ethics also inform her readings. By creating our own media and knowing what corporations, the wealthy, and the government do through media, Vernallis contends that we can create a more just world
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-4780-1906-0
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online Resource
    Online Resource
    London [England] : Bloomsbury Academic | [London, England] : Bloomsbury Publishing
    UID:
    gbv_1694755444
    Format: 1 Online-Ressource (xvii, 510 pages) , Fotografien
    Edition: First edition
    ISBN: 9781501339295 , 9781501339288 , 9781501339264
    Series Statement: New approaches to sound, music, and media
    Content: "Transmedia Directors focuses on artist-practitioners who work across media, platforms, and disciplines, including film, television, music video, commercials, and the internet. Working in the age of media convergence, today's em/impresarios project a distinctive style that points toward a new contemporary aesthetics. The media they engage with enrich their practices - through film and television (with its potential for world-building and sense of the past and future), music video (with its audiovisual aesthetics and rhythm), commercials (with their ability to project a message quickly), the internet (with its refreshed concepts of audience and participation), to larger forms like restaurants and amusement parks (with their materiality alongside today's digital aesthetics). These directors encourage us to reassess concepts of authorship, assemblage, transmedia, audiovisual aesthetics, and world-building"--
    Content: 26. Diamonds, Wagner, the Gesamtkunstwerk and Lars von Trier's Depression Films -- Linda Badley (Middle Tennessee State University, USA) -- 27 Lars von Trier, Brecht and the Baroque Gesture -- Donald Greig (University of Nottingham, UK) -- Notes -- Bibliography -- Index.
    Content: Acknowledgements -- Notes on Contributors -- 1. Introduction: Intensified Movements -- Carol Vernallis (Stanford University, USA), Holly Rogers (Goldsmiths, University of London, UK), and Lisa Perrott (University of Waikato, New Zealand) -- PART ONE: Collaborative Authorship: Wes Anderson -- 2. The Wes Anderson Brand: New Sincerity Across Media -- Warren Buckland (Oxford Brooks University, UK) -- 3. The World of Wes Anderson and Mark Mothersbaugh: Between Childhood and Adulthood in The Royal Tenenbaums -- Theo Cateforis (Syracuse University, USA) -- 4. Analogue Authenticity and the Sound of Wes Anderson -- Ben Winters (Open University, UK) -- 5. The Instrumentarium of Wes Anderson and Alexandre Desplat -- Ewan Clark (Victoria University of Wellington, Australia) -- PART TWO: Cross-Medial Assemblage and the Making of the Director -- 6. Our Lives in Pink: Sofia Coppola as Transmedia Audiovisual Stylist -- Jeff Smith (University of Wisconsin-Madison, USA) -- 7. Short-form Media as Style Lab: The Education of Michael Bay -- Mark Kerins (Southern Methodist University, USA) -- PART THREE: Transmedial Relations and Industry -- 8. Whirled Pieces: Bong Joon Ho's Snowpiercer and the Components of Global Transmedia Production -- J.D. Connor (School of Cinematic Arts, USA) -- 9. David Fincher's Righteous Workflow: Design and the Transmedial Director -- Graig Uhlin (Oklahoma State University, USA) -- PART FOUR: Music Video's Forms, Genres and Surfaces -- 10. A Conversation with Emil Nava -- Carol Vernallis (Stanford University, USA) -- 11. Risers, Drops and a Fourteen-foot Cube: A Transmedia Analysis of Emil Nava, Calvin Harris and Rihanna's "This Is What You Came For" -- Brad Osborn (University of Kansas, USA) -- 12. On Colour Magic: Emil Nava's 'Feels' and 'Nuh Ready Nuh Ready' -- Jonathan Leal (Stanford University, USA) -- PART FIVE: Music Video's Centrifugal Forces -- 13. Dave Meyers's Moment of Audiovisual Bliss -- Carol Vernallis (Stanford University, USA) -- 14. The Alchemical Union of David Bowie and Floria Sigismondi: 'Transmedia Surrealism' and 'Loose Continuity'.
    Content: Lisa Perrott (University of Waikato, New Zealand) -- 15. Filmic Resonance and Dispersed Authorship in Sigur Rs' Transmedial Valtari Mystery Film Experiment -- Gareth Schott and Karen Barbour (University of Waikato, New Zealand) -- PART SIX: Audiovisual Emanations: David Lynch -- 16. The Audiovisual Eerie: Transmediating Thresholds in the Work of David Lynch -- Holly Rogers (Goldsmiths, University of London, UK) -- 17. When Is a Door Not a Door?: Transmedia to the nth Degree in David Lynch's Multiverse -- Greg Hainge (University of Queensland, Australia) -- 18. On (vari-)Speed Across David Lynch's Work -- John McGrath (University of Surrey, UK) -- 19. Journeying into the Land of the Formless Real with Lynch and Simondon -- Elena Del RƯo (University of Alberta, Canada) -- PART SEVEN: Multi-vocality, Synchronicity and Transcendent Cinematics: Barry Jenkins -- 20. 'Let Me Show You What That Song Really Is': Nicholas Britell on the Music of Moonlight -- Dale Chapman (Bates College, USA) -- 21. If Beale Street Could Talk, What'd Be Playing in the Background?: First Notes on Music, Film, Time and Memory -- Kwami Coleman (New York University, USA) -- 22 The Shot and the Cut: Joi McMillon's and Barry Jenkins's Artistry -- Carol Vernallis (Stanford University, USA) -- PART EIGHT: Community, Identity and Transmedial Aspirations across the Web -- 23. Multimodal and Transmedia Subjectivity in Animated Music Video: Jess Cope and Steven Wilson's 'Routine' from Hand. Cannot. Erase. (2015) -- Lori Burns (School of Music, Canada) -- 24. Jay Versace's Instagram Empire: Queer Black Youth, Social Media and New Audiovisual Possibilities -- Gabrielle Veronique (University of California, Berkeley, USA) -- PART NINE: Diagramatic, Signaletic and Haptic Unfoldings across Forms and Genres: Lars Von Trier -- 25. The Demonic Quality of Darkness in The House That Jack Built: Haptic Transmedial Affects Throughout the Work of Lars von Trier -- Bodil Marie Stavning Thomsen (School of Communication and Culture, Denmark).
    Note: Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Additional Edition: ISBN 9781501341007
    Additional Edition: ISBN 9781501339271
    Additional Edition: Erscheint auch als Druck-Ausgabe Transmedia directors New York : Bloomsbury Academic, 2019
    Additional Edition: Erscheint auch als Druck-Ausgabe Transmedia directors New York : Bloomsbury Academic, 2020 ISBN 9781501341007
    Additional Edition: ISBN 9781501339271
    Language: English
    Keywords: Film ; Fernsehen ; Musikvideo ; Produktion ; Electronic books
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  • 10
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    almafu_BV047588087
    Format: 1 Online-Ressource (xvi, 450 Seiten).
    ISBN: 978-1-5013-5705-3 , 978-1-5013-5706-0
    Series Statement: New approaches to sound, music, and media
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-5013-5704-6
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-5013-5703-9
    Language: English
    Subjects: General works
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    Keywords: Künstliche Intelligenz ; Roboter ; Technischer Fortschritt ; Film ; Fernsehserie ; Musik ; Aufsatzsammlung ; Aufsatzsammlung
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