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  • 1
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    UID:
    (DE-602)b3kat_BV041394086
    Format: X, 683 S. , Ill.
    ISBN: 9780195328493 , 0195328493 , 9780190250591
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references and index , Overview -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visual palimpsests -- Performance practices and music in early cinema outside hollywood -- Performing prestige Overview -- Music and the ontology of the sound film -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visu
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    Keywords: Filmmusik ; Aufsatzsammlung ; Aufsatzsammlung
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  • 2
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    UID:
    (DE-604)BV041394086
    Format: X, 683 S. , Ill.
    ISBN: 9780195328493 , 0195328493 , 9780190250591
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Includes bibliographical references and index , Overview -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visual palimpsests -- Performance practices and music in early cinema outside hollywood -- Performing prestige Overview -- Music and the ontology of the sound film -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visu
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    Keywords: Filmmusik ; Aufsatzsammlung
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  • 3
    Book
    Book
    Oxford : Oxford University Press
    UID:
    (DE-627)739888129
    Format: X, 683 Seiten , Illustrationen, Notenbeispiele , 25,5 cm
    ISBN: 9780190250591 , 0195328493 , 9780195328493 , 9780195328493
    Note: Literaturverzeichnis: Seite 637- 638, - Index , Overview , Overview , Opera and film , Visual representation of film sound as analytical tool , Film music from the perspective of cognitive science , Composing for film , Ontological, formal, and critical theories of film music and sound , Drawing a new narrative for cartoon music , Genre theory and the film musical , The tunes they are a-changing , The compilation soundtrack from the 1960s to the present , The origins of musical style in video games, 1977-1983 , Classical music, virtual bodies, narrative film , Gender, sexuality, and the soundtrack , Psychoanalysis, apparatus theory, and subjectivity , Case studies--introduction , Case study 1, The order of sanctity , Case study 2, Strange recognitions and endless loops , Transformational theory and the analysis of film music , Listening in film , Auteurship and agency in television music , When the music surges , Audio-visual palimpsests , Performance practices and music in early cinema outside hollywood , Performing prestige , Music and the ontology of the sound film , Opera and film , Visual representation of film sound as analytical tool , Film music from the perspective of cognitive science , Composing for film , Ontological, formal, and critical theories of film music and sound , Drawing a new narrative for cartoon music , Genre theory and the film musical , The tunes they are a-changing , The compilation soundtrack from the 1960s to the present , The origins of musical style in video games, 1977-1983 , Classical music, virtual bodies, narrative film , Gender, sexuality, and the soundtrack , Psychoanalysis, apparatus theory, and subjectivity , Case studies--introduction , Case study 1, The order of sanctity , Case study 2, Strange recognitions and endless loops , Transformational theory and the analysis of film music , Listening in film , Auteurship and agency in television music , When the music surges , Audio-visual palimpsests , Performance practices and music in early cinema outside hollywood , Performing prestige
    Additional Edition: Erscheint auch als Online-Ausgabe The Oxford handbook of film music studies New York, NY : Oxford University Press, 2013 9780199983667
    Language: English
    Subjects: Musicology , General works
    RVK:
    RVK:
    Keywords: Filmmusik ; Aufsatzsammlung
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  • 4
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    UID:
    (DE-627)1654806269
    Format: Online Ressource (x, 683 pages) , illustrations
    ISBN: 9780199338474 , 0199338477 , 9780199983667 , 0199983666
    Content: This book charts the interdisciplinary activity around music in visual media, addressing the primary areas of inquiry: history, genre and medium, analysis and criticism, and interpretation. Part I cover the range most broadly, from the relations of music and the soundtrack to opera and film, textual representation of film sound, film music as studied by cognitive scientists, and Hanns Eisler's work as film composer and co-author of the foundational text Composing for the Films. Part II addresses genre and medium with chapters focusing on cartoons and animated films, the film musical, music in arcade and early video games, and the interplay of film, music, and recording over the past half century. Part III offer case studies in interpretation along with extended critical surveys of theoretical models of gender, sexuality, and subjectivity as they impinge on music and sound. Part IV is on analysis of systematically models harmonies used in recent films, issues of music and film temporality, and an analysis focuses on television. Part V covers topics including musical antecedents in nineteenth-century theater, the complex issues in sychronization of music in performance of early silent films, international practices in early film exhibition, and the symphony orchestra in film
    Note: Includes bibliographical references and index. - Print version record
    Additional Edition: 9780195328493
    Additional Edition: 0195328493
    Additional Edition: 9780195328493
    Additional Edition: Erscheint auch als Druck-Ausgabe Oxford handbook of film music studies
    Language: English
    Keywords: Electronic books ; Electronic books
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    UID:
    (DE-605)HT018475549
    Format: X, 683 S. , Ill., Notenbeisp
    ISBN: 9780195328493 , 0195328493
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Overview -- Opera and film -- Visual representation of film sound as analytical tool -- Film music from the perspective of cognitive science -- Composing for film -- Ontological, formal, and critical theories of film music and sound -- Drawing a new narrative for cartoon music -- Genre theory and the film musical -- The tunes they are a-changing -- The compilation soundtrack from the 1960s to the present -- The origins of musical style in video games, 1977-1983 -- Classical music, virtual bodies, narrative film -- Gender, sexuality, and the soundtrack -- Psychoanalysis, apparatus theory, and subjectivity -- Case studies--introduction -- Case study 1, The order of sanctity -- Case study 2, Strange recognitions and endless loops -- Transformational theory and the analysis of film music -- Listening in film -- Auteurship and agency in television music -- When the music surges -- Audio-visual palimpsests -- Performance practices and music in early cinema outside hollywood -- Performing
    Additional Edition: Erscheint auch als Online-Ausgabe 〈〈The〉〉 Oxford handbook of film music studies 9780199983667
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Filmmusik ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    Book
    Book
    New York [u.a.] : Oxford Univ. Press
    UID:
    (DE-603)333816501
    Format: X, 683 S. , Ill., graph. Darst., Notenbeisp.
    ISBN: 9780195328493
    Language: English
    Subjects: General works
    RVK:
    Keywords: Aufsatzsammlung
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  • 7
    Book
    Book
    New York : Oxford University Press
    UID:
    (DE-603)359064329
    Format: X, 683 S. , Ill., Notenbeisp.
    ISBN: 9780190250591 , 9780195328493
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    Keywords: Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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