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  • 1
    Book
    Book
    The social history of art (1999)
    London : Routledge
    Details
    UID:
    (DE-627)253928184
    Format: 4 v , ill , 22 cm
    Edition: 3rd ed
    ISBN: 041519945X , 0415199468 , 0415199476 , 0415199484 , 041521386X
    Uniform Title: Sozialgeschichte der Kunst und Literatur 〈engl.〉
    Note: Includes bibliographical references and indexes , v. 1. From prehistoric times to the Middle Ages -- v. 2. Renaissance, mannerism, baroque -- v. 3. Rococo, classicism and romanticism -- v. 4. Naturalism, impressionism, the film age. , v. 1. From prehistoric times to the Middle Ages -- v. 2. Renaissance, mannerism, baroque -- v. 3. Rococo, classicism and romanticism -- v. 4. Naturalism, impressionism, the film age
    Language: English
    URL: http://www.loc.gov/catdir/enhancements/fy0650/98054602-d.html
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    GBV
  • 2
    Online Resource
    Online Resource
    Social History of Art, Volume 4 : Naturalism, Impressionism, The Film Age (2005)
    Hoboken : Taylor and Francis
    Details
    UID:
    (DE-627)780945565
    Format: Online-Ressource (321 p)
    Edition: 3rd ed
    ISBN: 9780415199483
    Content: First published in 1951 Arnold Hausers commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to the Film Age. This new edition of a classic work offers a contemporary introduction
    Note: Description based upon print version of record , THE SOCIAL HISTORY OF ART Naturalism, Impressionism, The Film Age; Copyright; Contents; List of illustrations; General introduction; Introduction to volume IV; Chapter I Naturalism and impressionism; 1 The generation of 1830; The foundations of the nineteenth century; The rule of capital; The permanent revolution; Journalism and literature; The serial novel; 'L'art pour l'art'; Stendhal as spokesman of post-revolutionary youth; The idea of the class struggle; Classical-romantic and modern psychology; Balzac's sociology; The pathology of capitalism , The discovery of the ideological determination of thoughtThe 'triumph of realism'; The renewal of cyclical form; The secret of Balzac's art; 2 The Second Empire; Eclecticism; The naturalism of the mid-century; Courbet; Art as relaxation; The reinterpretation of 'l'art pour l'art'; Flaubert's wrestling with the spirit of romanticism; Aesthetic nihilism; The struggle for the 'mot juste'; 'Bovarysm'; Flaubert's conception of time; Zola; The 'idealism' of the bourgeoisie; The new theatre public; The apotheosis of the family in the drama; The 'pièce bien faite'; The operetta; 'Grand opera' , Richard Wagner3 The social novel in England and Russia; Idealists and utilitarians; The second romantic movement; The pre-Raphaelites; Ruskin; Morris; The cultural problem of technics; The antecedents of the social novel in England; The novel in monthly instalments and the new reading public; Dickens; The novel of the mid-Victorian period; The bourgeoisie and the intelligentsia; The Russian intelligentsia; Westernizers and Slavophils; The activism of the Russian novel; The psychology of self-estrangement; Dostoevsky; Tolstoy; 4 Impressionism; The modern dynamic attitude to life , Impressionism and naturalismThe predominance of painting; The crisis of naturalism; Aesthetic hedonism; The 'vie factice'; The decadent movement; The artist and the bourgeois outlook on life; The escape from civilization; The transformation of the bohème; Symbolism; 'Poésie pure'; Modernism in England; Dandyism; The aesthetic movement; Intellectualism; International impressionism; Chekhov; The problem of the naturalistic drama; Ibsen; Shaw; The psychology of exposure; Freud; Pragmatism; Bergson and Proust; Chapter II The Film Age; The crisis of capitalism; 'Mass democracy'; Anti-impressionism , 'Terrorists' and 'rhetoricians'Dadaism and surrealism; The crisis of the psychological novel; Space and time in the film; The experience of simultaneity; The problem of collectivism in art production; The cinema public; Russian montage; The film as an instrument of propaganda; Film and technics; The democratization of art; Notes; Index
    Additional Edition: 9780203981825
    Additional Edition: Print version Social History of Art, Volume 4 : Naturalism, Impressionism, The Film Age
    Language: English
    Keywords: Electronic books
    URL: Volltext
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    Online Access
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  • 3
    Book
    Book
    The social history of art; Vol. 4.: Naturalism, impressionism, the film age (1999)
    London : Routledge
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    Details
    UID:
    (DE-101)960181814
    Format: XLIV, 267 S. , Ill.
    Edition: 3. ed.
    ISBN: 041521386X , 0415199484
    Language: English
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    DNB
  • 4
    Book
    Book
    The social history of art; 4: Naturalism, Impressionism, the film age (1999)
    London : Routledge
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    Details
    UID:
    (DE-604)BV025795342
    Format: XLIV, 267 S. , Ill.
    Edition: 3. ed.
    ISBN: 0415199484
    Uniform Title: Sozialgeschichte der Kunst und Literatur
    In: 4
    Language: English
    RVK:
    LH 60200
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    HU Berlin get availability status
    BVB
  • 5
    Book
    Book
    The social history of art; 4: Naturalism, impressionism, the film age (1999)
    London : Routledge
    Show associated volumes
    Details
    UID:
    (DE-627)1168131197
    Format: XLIV, 267 S. , Ill.
    Edition: 3. ed.
    ISBN: 0415199484
    In: 4
    Language: English
    Subjects: Sociology
    RVK:
    MS 8000
    RVK:
    LH 60200
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    BSZ
  • 6
    Book
    Book
    The social history of art; 4: Naturalism, Impressionism, the film age (1999)
    London : Routledge
    Show associated volumes
    Details
    UID:
    (DE-602)b3kat_BV025795342
    Format: XLIV, 267 S. , Ill.
    Edition: 3. ed.
    ISBN: 0415199484
    Uniform Title: Sozialgeschichte der Kunst und Literatur
    In: 4
    Language: English
    RVK:
    LH 60200
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
    Book
    HU Berlin get availability status
    KOBV
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