Format:
XVIII, 279 S.
,
Ill.
ISBN:
0520238621
,
0520238915
Note:
Includes bibliographical references and index
,
The beginnings of film narrative: D. W. Griffith's The birth of a nation -- The art of montage: Sergei Eisenstein's The battleship Potemkin -- Expressionism and realism in film form: F. W. Murnau's The last laugh and Charles Chaplin's The adventurer -- The conversion to sound and the classical Hollywood film: Howard Hawks's His girl friday -- Expressive realism: Orson Welles's Citizen Kane -- Italien neorealism: Vittorio de Sica's The bicycle thief -- Auteur theory and the French new wave: Francois Truffaut's The 400 blows -- Hollywood auteur: Alfred Hitchcock's Notorious -- The european art film: Federico Fellini's 8 1/2 -- Film and postmodernism: Woody Allen's Annie Hall -- Political cinema: Spike Lee's Do the right thing -- Feminism and film form: Patricia Rozema's I've heard the mermaids singing -- Digital video and new forms of narrative in Mike Figgis's Timecode
Language:
English
Subjects:
General works
Keywords:
Filmanalyse
;
Film
;
Erzähltechnik
;
Filmästhetik
;
Einführung
URL:
Contributor biographical information
URL:
Publisher description
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