Format:
1 Online-Ressource (xiii, 316 pages)
,
digital, PDF file(s)
ISBN:
9780511570469
Series Statement:
Cambridge studies in American literature and culture 97
Content:
This is a critical and historical interpretation of 'Oriental' influences on American modernist poetry. Kern equates Fenollosa and Pound's 'discovery' of Chinese writing with the American pursuit of a natural language for poetry, what Emerson had termed the 'language of nature'. This language of nature is here shown to be a mythic conception continuous with the Renaissance idea of the language of Adam - a language lacking any difference between what it is and what it means. Through analysing and contextualising the nineteenth-century works of Ralph Waldo Emerson and Ernest Fenollosa and the twentieth-century creations of Ezra Pound and Gary Snyder, Kern sheds light on the three contemporary nexuses of his search: the cultural study of Orientalism and the West, the evolution of Indo-European linguistic theory, and the intellectual tradition of American modernist poetry
Content:
1. Introduction: The European Hallucination -- 2. Emerson and the Language of Nature -- 3. Character Assassination: Representing Chinese in Nineteenth-Century Linguistics -- 4. Otto Jespersen and Chinese as the Future of Language -- 5. Language in Its Primary Use: Fenollosa and the Chinese Character -- Interchapter: Pound, Emerson, and the Poetics of Creative Reading -- 6. Modernizing Orientalism/Orientalizing Modernism: Ezra Pound, Chinese Translation, and English-as-Chinese -- 7. Seeing the World without Language: Gary Snyder and Chinese as American Speech
Note:
Title from publisher's bibliographic system (viewed on 05 Oct 2015)
Additional Edition:
ISBN 9780521496131
Additional Edition:
ISBN 9780521105552
Additional Edition:
Print version ISBN 9780521496131
Language:
English
DOI:
10.1017/CBO9780511570469
URL:
Volltext
(lizenzpflichtig)
Bookmarklink
