Format:
1 Online-Ressource (xvi, 351 pages)
,
digital, PDF file(s)
ISBN:
9781316411766
Series Statement:
Music since 1900
Content:
Profound transformations in the composition, performance and reception of modernist music have taken place in recent decades. This collection brings fresh perspectives to bear upon key questions surrounding the forms that musical modernism takes today, how modern music is performed and heard, and its relationship to earlier music. In sixteen chapters, leading figures in the field and emerging scholars examine modernist music from the inside, in terms of changing practices of composition, musical materials and overarching aesthetic principles, and from the outside, in terms of the changing contextual frameworks in which musical modernism has taken place and been understood. Shaped by a 'rehearing' of modernist music, the picture that emerges redraws the map of musical modernism as a whole and presents a full-scale re-evaluation of what the modernist movement has all been about
Note:
Title from publisher's bibliographic system (viewed on 11 Nov 2015)
,
Introduction
,
Part I. Rethinking modernism. The lure of the sublime : revisiting the modernist project
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Part II. Rewriting modernism. Ritual and Eros in James Dillon's Come live with me
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Part III. Replaying Modernism. Playing with transformations : Boulez's Improvisation III sur Mallarmé
Additional Edition:
ISBN 9781107127210
Additional Edition:
ISBN 9781107566095
Additional Edition:
Erscheint auch als Druck-Ausgabe Transformations of musical modernism Cambridge, United Kingdom : Cambridge University Press, 2015 ISBN 9781107127210
Language:
English
Subjects:
Musicology
Keywords:
Aufsatzsammlung
DOI:
10.1017/CBO9781316411766
URL:
Volltext
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