UID:
edoccha_9958128795402883
Format:
1 online resource (257 pages)
Edition:
1st ed. 2014.
ISBN:
9781137269959
,
1-137-26995-2
,
9781137269942
,
1-137-26994-4
,
1-322-40209-4
,
1-349-44417-0
Series Statement:
Palgrave Close Readings in Film and Television,
Content:
Styles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples.
Note:
Description based upon print version of record.
,
Cover; Half-Title ; Title; Copyright; Dedication; Contents; List of Figures; Acknowledgements; Prologue: At the Ballet Ruse; 1 A Term That Means Everything, and Nothing Very Specific; 2 Aesthetic Economies: The Expressive and the Excessive; 3 What Was Mise en scène ?; 4 The Crises (1): Squeezed and Stretched; 5 The Crises (2): The Style It Takes; 6 Sonic Spaces; 7 A Detour via Reality: Social Mise en scène; 8 Cinema, Audiovisual Art of the 21st Century; 9 The Rise of the Dispositif; Epilogue: Five Minutes and Fifteen Seconds with Ritwik Ghatak; Bibliography; Index
,
English
Additional Edition:
ISBN 1-322-40209-4
Additional Edition:
ISBN 1-137-26994-4
Language:
English
DOI:
10.1057/9781137269959
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