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  • 1
    UID:
    b3kat_BV040982904
    Format: X, 257 S. , Ill., Notenbeisp.
    Edition: 1. publ.
    ISBN: 9781843838104 , 1843838109
    Series Statement: Music in society and culture
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-78204-168-9
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Frankreich ; Musik ; Avantgarde ; Geschichte 1913-1939 ; Frankreich ; Neue Musik ; Moderne ; Geschichte 1913-1939 ; Frankreich ; Neuklassizismus ; Säkularismus
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Suffolk : Boydell & Brewer
    UID:
    gbv_883297388
    Format: 1 Online-Ressource (x, 257 pages) , digital, PDF file(s).
    ISBN: 9781782041689
    Content: Music and Ultra-Modernism in France examines the priorities of three generational groupings: the pre-war Société Musicale Indépendente of Ravel and his circle, Les Six in the 1920s and Jeune France in 1936. Exploring the ideas of consensus, resistance and rupture, the book contributes an important and nuanced reflection to the current debate on modernism in music. It considers the roles composers, critics and biographers played in shaping debates about contemporary music, showing how composers including Ravel, Poulenc, Milhaud, Jolivet and Messiaen and critics such as Paul Landormy, André Coeuroy and Roland-Manuel often worked in partnership to bring their ideas to a public forum. It also expands the notion of 'interwar' through the essential inclusion of World War I and the years before, reconfiguring the narrative for that period. This book challenges some of the stereotypes that characterise the period, in particular, neo-classicism and the dominance of secularism. It shows how Stravinsky worked closely with Ravel, Satie and Poulenc and invited audiences and critics to rethink what it meant to be modern. The interwar years were also marked by commemoration and loss. Debussy's wartime death in 1918 stimulated competing efforts (by Emile Vuillermoz, Léon Vallas and Henry Prunières) to shape his legacy. They were motivated by nostalgia for a lost and glorious generation and a commitment to building a legacy of French achievement. Music and Ultra-Modernism in France argues for the vitality of French music in the period 1913-39 and challenges the received view that the period and its musical culture lacked dynamism, innovation or serious musical debate. BARBARA L. KELLY is Professor of Music at Keele University.
    Content: Introduction: consensus, resistance and new music in France -- Remembering Debussy: nostalgia and modernism in interwar France -- Musical allegiances and factions: Ravel, Satie and the question of leadership -- Polemics and publicity: composer-critic partnerships -- Musical continuities: sonority, exoticism and abstraction -- In search of the Musical esprit du temps -- Surface division, deep consensus: classicism and secularism and their challenges -- Conclusions: music for the Patrimoine -- remembering interwar music in France
    Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015)
    Additional Edition: ISBN 9781843838104
    Additional Edition: ISBN 9781843838104
    Additional Edition: Erscheint auch als Kelly, Barbara Music and ultra-modernism in France Woodbridge : Boydell Press, 2013 ISBN 1843838109
    Additional Edition: ISBN 9781843838104
    Additional Edition: Print version ISBN 9781843838104
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Société Musicale Indépendante ; Groupe des Six ; La Jeune France ; Frankreich ; Musik ; Geschichte 1913-1939
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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