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1
Online Resource
Online Resource
Cambridge [u.a.] : Cambridge Univ. Press
UID:
gbv_1374625868
Edition: Online-Ausg. 2008 Online-Ressource Cambridge histories online
Additional Edition: Druckausg. The Cambridge history of American literature Cambridge : Cambridge Univ. Pr., 19XX
Language: English
Subjects: American Studies
RVK:
Keywords: USA ; Literatur ; Geschichte
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Associated Volumes
  • 2
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    gbv_1374626120
    Edition: Online-Ausg. 2008 Online-Ressource
    ISBN: 9781139054690
    Content: Volume I of The Cambridge History of American Literature was originally published in 1997, and covers the colonial and early national periods and discusses the work of a diverse assemblage of authors, from Renaissance explorers and Puritan theocrats to Revolutionary pamphleteers and poets and novelists of the new republic. Addressing those characteristics that render the texts distinctively American while placing the literature in an international perspective, the contributors offer a compelling new evaluation of both the literary importance of early American history and the historical value of early American literature
    In: 1
    Additional Edition: ISBN 052130105X
    Additional Edition: Druckausg. The Cambridge history of American literature ; 1: 1590 - 1820 Cambridge : Cambridge Univ. Pr., 1994 ISBN 052130105X
    Additional Edition: Print version ISBN 9780521301053
    Language: English
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  • 3
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    gbv_1374626546
    Edition: Online-Ausg. 2008 Online-Ressource
    ISBN: 9781139054706
    Content: This is the fullest and richest account of the American Renaissance available in any literary history. The narratives in this volume made for a four-fold perspective on literature: social, cultural, intellectual and aesthetic. Michael D. Bell describes the social conditions of the literary vocation that shaped the growth of a professional literature in the United States. Eric Sundquist draws upon broad cultural patterns: his account of the writings of exploration, slavery, and the frontier is an interweaving of disparate voices, outlooks and traditions. Barbara L. Packer's sources come largely from intellectual history: the theological and philosophical controversies that prepared the way for transcendentalism. Jonathan Arac's categories are formalist: he sees the development of antebellum fiction as a dialectic of prose genres, the emergence of a literary mode out of the clash of national, local and personal forms. Together, these four narratives constitute a basic reassessment of American prose-writing between 1820 and 1865. It is an achievement that will remain authoritative for our time and that will set new directions for coming decades in American literary scholarship
    In: 2
    Additional Edition: ISBN 0521301068
    Additional Edition: Druckausg. The Cambridge history of American literature ; 2: 1820 - 1865 Cambridge : Cambridge Univ. Pr., 1995 ISBN 0521301068
    Additional Edition: Print version ISBN 9780521301060
    Language: English
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  • 4
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    gbv_1374626686
    Edition: Online-Ausg. 2008 Online-Ressource
    ISBN: 9781139053914
    Content: This volume covers a pivotal era in the formation of American identity. Four leading scholars connect the literature with the massive historical changes then underway. Richard Brodhead describes the foundation of a permanent literary culture in America. Nancy Bentley locates the origins of nineteenth century Realism in an elite culture's responses to an emergent mass culture, embracing high literature (writers like William Dean Howells and Henry James) as well as a wide spectrum of cultural outsiders: African Americans, women, and Native Americans. Walter Benn Michaels emphasizes the critical role that turn-of-the-century fiction played in the re-evaluation of the individual at the advent of modern bureaucracy. Susan L. Mizruchi analyzes the literary responses to a new national heterogeneity that helped shape the multicultural future of modern America. Together, these narratives constitute the richest, most detailed account to date of American literature and culture between 1860 and 1920
    Content: Introduction Sacvan Bercovitch; Part I. The American Literary Field, 1860-1890 Richard H. Brodhead: 1. Cultures of letters; 2. After the American Renaissance; 3. Domestic literary culture; 4. Books for the millions; 5. Onstage; 6. Literary high culture; 7. Out of the center; 8. A case study: literary regionalism; 9. Regional writing and the role of the author; Part II. Literary Forms and Mass Culture, 1870-1920 Nancy Bentley: 1. Museum realism; 2. Howells, James, and the aesthetic republic; 3. Women and realist authorship; 4. Chesnutt and imperial spectacle; 5. Wharton, travel, and modernity; 6. Adams, James, DuBois, and social thought; Part III. Promises of American Life, 1880-1920 Walter Benn Michaels: 1. An American tragedy, or the promise of American life; 2. The production of visibility; 3. The contracted heart; 4. Success; Part IV. Becoming Multicultural: Culture, Economy, and the Novel, 1860-1920 Susan L. Mizruchi: 1. Introduction; 2. Remembering civil war; 3. Social death and the reconstruction of slavery; 4. Cosmopolitan variations; 5. Native American sacrifice in an age of progress; 6. Marketing culture; 7. Varieties of work; 8. Corporate America; 9. Realist utopias; Chronology; Bibliography
    In: 3
    Additional Edition: ISBN 0521301076
    Additional Edition: ISBN 9780521301077
    Additional Edition: Druckausg. The Cambridge history of American literature ; 3: Prose writing, 1860 - 1920 Cambridge [u.a.] : Cambridge Univ. Press, 2005 ISBN 0521301076
    Additional Edition: ISBN 9780521301077
    Additional Edition: Print version ISBN 9780521301077
    Language: English
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  • 5
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    gbv_1374627348
    Edition: Online-Ausg. 2008 Online-Ressource
    ISBN: 9781139054041
    Content: This is the first complete narrative history of nineteenth-century American poetry. Barbara Packer explores the neoclassical and satiric forms mastered by the early Federalist poets; the creative reaches of once-celebrated, and still compelling, poets like Longfellow and Whittier; the distinctive lyric forms developed by Emerson and the Transcendentalists. Shira Wolosky provides a new perspective on the achievement of female poets of the period, as well as a close appreciation of African-American poets, including the collective folk authors of the Negro spirituals. She also illuminates the major works of the period, from Poe through Melville and Crane, to Whitman and Dickinson. The authors of this volume discuss this extraordinary literary achievement both in formal terms and in its sustained engagement with changing social and cultural conditions. In doing so they recover and elucidate American poetry of the nineteenth century for our twenty-first century pleasure, profit, and renewed study
    In: 4
    Additional Edition: ISBN 0521301084
    Additional Edition: Druckausg. The Cambridge history of American literature ; 4: Nineteenth-century poetry, 1800 - 1910 Cambridge : Cambridge Univ. Pr., 2004 ISBN 0521301084
    Additional Edition: Print version ISBN 9780521301084
    Language: English
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  • 6
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    gbv_1374627607
    Edition: Online-Ausg. 2008 Online-Ressource
    ISBN: 9781139053587
    Content: This is the fullest account to date of American poetry and literary criticism in the Modernist period. Andrew Dubois and Frank Lentricchia examine the work of Robert Frost, T. S. Eliot, Ezra Pound, and Wallace Stevens. They show how the conditions of literary production in a democratic, market-driven society forced the boldest of the Modernists to try to reconcile their need for commercial remuneration with their knowledge that their commitment to high art might never pay. Irene Ramalho Santos broadens the scope of the poetic scene through attention to a wide diversity of writers - with special emphasis on writers including Gertrude Stein, Marianne Moore, and Langston Hughes. William Cain traces both the rise of an internationalist academic aesthetics and the process by which the study of a distinctive national literature was instituted. Considered together, these three narratives convey the astonishing Modernist poetic achievement in its full cultural, institutional, and aesthetic complexity
    Content: Acknowledgments; Introduction; Part I. Modernist Lyric in the Culture of Capital Andrew Dubois and Frank Lentricchia: 1. Anthologies and audience, genteel to modern; 2. Robert Frost; 3. Wallace Stevens; 4. T.S. Eliot; 5. Ezra Pound; Epilogue; Part II. Poetry in the Machine Age Irene Ramalho Santos: 1. Gertrude Stein: the poet as master of repetition; 2. William Carlos Williams: in search of a western dialect; 3. H.D.: a poet between worlds; 4. Marianne Moore: a voracity of contemplation; 5. Hart Crane: tortured with history; 6. Langston Hughes: the color of modernism; Part III. Literary Criticism William Cain: Preface; 1. Inventing American literature; 2. Intellectuals, cultural critics, men and women of letters; 3. Southerners, agrarians, and New Critics: the institutions of a modern criticism
    In: 5
    Additional Edition: ISBN 0521301092
    Additional Edition: Druckausg. The Cambridge history of American literature ; 5: Poetry and criticism, 1900 - 1950 Cambridge : Cambridge Univ. Pr., 2003 ISBN 0521301092
    Additional Edition: Print version ISBN 9780521301091
    Language: English
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  • 7
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    gbv_137462778X
    Edition: Online-Ausg. 2008 Online-Ressource
    ISBN: 9781139053594
    Content: Volume 6 of The Cambridge History of American Literature explores the emergence and flowering of modernism in the United States. David Minter provides a cultural history of the American novel from the 'lyric years' to World War I, through post-World War I disillusionment, to the consolidation of the Left in response to the mire of the Great Depression. Rafia Zafar tells the story of the Harlem Renaissance, detailing the artistic accomplishments of such diverse figures as Zora Neal Hurston, W. E. B. Du Bois, Langston Hughes, Nella Larsen, and Richard Wright. Werner Sollors examines canonical texts as well as popular magazines and hitherto unknown immigrant writing from the period. Taken together these narratives cover the entire range of literary prose written in the first half of the twentieth century, offering a model of literary history for our times, focusing as they do on the intricate interplay between text and context
    In: 6
    Additional Edition: ISBN 0521497310
    Additional Edition: Druckausg. The Cambridge history of American literature ; 6: Prose writing 1910 - 1950 Cambridge : Cambridge Univ. Press, 2002 ISBN 9780521497312
    Additional Edition: ISBN 0521497310
    Additional Edition: Print version ISBN 9780521497312
    Language: English
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  • 8
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    gbv_1374628174
    Edition: Online-Ausg. 2008 Online-Ressource
    ISBN: 9781139053679
    Content: Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions
    Content: The drama 1940-1990 / Christopher Bigsby -- Fiction and society, 1940-1970 / Morris Dickstein -- After the southern renascence / John Burt -- Postmodern fictions, 1970-1990 / Wendy Steiner -- Emergent Literatures / Cyrus R.K. Patell
    In: 7
    Additional Edition: ISBN 0521497329
    Additional Edition: Druckausg. The Cambridge history of American literature ; 7: Prose writing, 1940 - 1990 Cambridge : Cambridge Univ. Pr., 1999 ISBN 0521497329
    Additional Edition: ISBN 9780521497329
    Additional Edition: Print version ISBN 9780521497329
    Language: English
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  • 9
    Online Resource
    Online Resource
    Cambridge [u.a.] : Cambridge Univ. Press
    UID:
    gbv_137462831X
    Edition: Online-Ausg. 2008 Online-Ressource
    ISBN: 9781139054713
    Content: The Cambridge History of American Literature addresses the broad spectrum of new and established directions in all branches of American writing, and includes the work of scholars and critics who have shaped, and who continue to shape, what has become a major area of literary scholarship. The authors span three decades of achievement in Americanist literary criticism, thereby speaking for the continuities as well as the disruptions sustained between generations of scholarship. Generously proportioned narratives permit a broader vision of American literary history than has previously been possible, allowing the implicit voice of traditional criticism to join forces with the diversity of interests that characterise contemporary literary studies. Volume VIII, concerned with works of poetry and criticism written between 1940 and the present, brings together two different sets of materials and narrative forms, the aesthetic and the institutional. Discarding the traditional synoptic overview of major figures, von Hallberg, Graff, and Carton settle in favour of a history from the inside - a history of interstices and relations, equal to the task of considering the contexts of art, power, and criticism in which it is set
    In: 8
    Additional Edition: ISBN 0521497337
    Additional Edition: Druckausg. The Cambridge history of American literature ; 8: Poetry and criticism, 1940 - 1995 Cambridge : Cambridge Univ. Press, 1996 ISBN 9780521497336
    Additional Edition: ISBN 0521497337
    Additional Edition: Print version ISBN 9780521497336
    Language: English
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