Skip to main content Accessibility help
×
  • Cited by 13
Publisher:
Cambridge University Press
Online publication date:
September 2017
Print publication year:
2017
Online ISBN:
9781316471388

Book description

What does it mean to display war? Examining a range of different exhibitions in Britain, Canada and Australia, Jennifer Wellington reveals complex imperial dynamics in the ways these countries developed diverging understandings of the First World War, despite their cultural, political and institutional similarities. While in Britain a popular narrative developed of the conflict as a tragic rupture with the past, Australia and Canada came to see it as engendering national birth through violence. Narratives of the war's meaning were deliberately constructed by individuals and groups pursuing specific agendas: to win the war and immortalise it at the same time. Drawing on a range of documentary and visual material, this book analyses how narratives of mass violence changed over time. Emphasising the contingent development of national and imperial war museums, it illuminates the way they acted as spaces in which official, academic and popular representations of this violent past intersect.

Reviews

'Exhibiting War is an exhaustively researched and highly persuasive work. It synthesises a vast field of scholarship and successfully examines a formidable body of archives located in three different countries. The prose is engaging, the analysis sharp and … its content fresh and original.'

Bruce Scates Source: Australian Historical Studies

'Packed with valuable insights and analyses, Wellington’s study provides a lively, engaging and persuasive addition to the literature on the way the First World War was experienced, interpreted and understood.'

Mark Connelly Source: The English Historical Review

'As a richly contextualised account of the origins of three major war museums of the British and Dominion experience, Exhibiting War captures the continuities and deeper cultural currents that animated the more familiar institutional story in each case.'

Geoffrey A.C. Ginn Source: Australian Journal of Politics and History

Refine List

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
×

Contents

Bibliography

Archives

Brisbane

  • State Library of Queensland

    • John Oxley Library

Canberra

  • Australian War Memorial

    • Art Collection

    • Bean Papers

    • Ephemera Collections

    • Museum Archive

    • Photograph Collection

    • Treloar Papers

    • War Artists files

  • National Library of Australia

    • Ephemera collections

    • F. S. Kelly papers

    • Newspaper collections

    • Photograph collections

Edinburgh

  • National Archives of Scotland

    • Ministry of Works Papers

    • National War Savings Committee Papers

    • Scottish Home Department Papers

  • National Library of Scotland

    • Atholl Papers

  • Scottish National War Memorial

    • SNWM records

    • SNWM papers deposited by Lady Atholl

    • Sir Hector Munro Papers

Halifax

  • Provincial Archive of Nova Scotia

    • Red Cross Papers

Ottawa

  • Canadian War Museum

    • Ephemera collections

    • Exhibition catalogues

  • Library and Archives Canada

    • Arthur Doughty fonds

    • Department of National Defence

    • Newspaper collections

    • Photograph collections

    • Poster collections

    • Public Archives of Canada files

    • War trophies collection

  • National Gallery of Canada

    • Exhibition catalogues

    • Official War Art Collection

London

  • British Library

    • Exhibition catalogues

    • Newspaper collections

  • Imperial War Museum

    • Art

    • Department of Documents

    • Department of Printed Books

    • Museum History

    • Photograph Collection

  • Museum of London

    • Letter Books

  • National Archives, United Kingdom

    • Files kept by:

      • Air Ministry

      • Colonial Office

      • Education

      • Treasury

      • War Office

  • UK Parliament

    • Beaverbrook Papers

    • Lloyd George Papers

Melbourne

  • State Library of Victoria

  • University of Melbourne archives

Sydney

  • State Library of New South Wales

    • Dixson Library

    • Mitchell Library

Toronto

  • Canadian National Exhibition Archive

  • Thomas Fisher Rare Book Library, University of Toronto

    • Sir Edmund Walker Papers

Primary Sources Published

* This includes scholarly works published before 1945

Australian War Memorial. Australian War Memorial Museum: The Relics and Records of Australia's Effort in the Defence of the Empire, 1914–1918, 2nd ed. Sydney: Australian Government Printers, 1925.
Australian War Memorial. The Gate of Eternal Memories: Menin Gate at Midnight – The Story of Captain Will Longstaff's Great Allegorical Painting. Melbourne, c. 1928.
Australian War Memorial Act 1925 (Cth).
Baedeker, Karl. London and Its Environs: Handbook for Travellers, 19th revised ed. Leipzig: Karl Baedeker and London: George Allen & Unwin Ltd., 1930.
Bean, C. E. W. Official History of Australia in the War of 1914–1918, Vol. I: The Story of Anzac from the Outbreak of War to the End of the First Phase of the Gallipoli Campaign, May 4, 1915. Sydney: Angus & Robertson, 1921.
Bean, C. E. W. Official History of Australia in the War of 1914–1918, Vol. III: The Australian Imperial Force in France 1916. Sydney: Angus & Robertson, 1929.
Bean, C. E. W.The Writing of the Australian Official History of the Great War – Sources, Methods, and Some ConclusionsJournal of the Royal Australian Historical Society XXIV (1938): 85112.
Bean, C. E. W. and Gullett, H. S., eds. Official History of Australia in the War of 1914–1918, Vol. XII, Photographic Record of the War: Reproductions of Pictures Taken by the Australian Official Photographers. Sydney: Angus & Robertson, 1923.
Bean, Charles. ‘Australia's Record: Preserved as Sacred Things: Pictures, Relics, WritingsThe Anzac Bulletin 40 (10 October 1917): 1415.
Blackett, Basil P.England's Effort to Pay for the War out of SavingsProceedings of the Academy of Political Science in the City of New York 7 (February 1918): 5970.
Brittain, Vera. Testament of Youth. London: Penguin, 2005 (1933).
Brittain, Vera M. Verses of a V.A.D. London: Erskine McDonald, 1918.
Broken, Hill and District War Memorial Committee, Unveiling of the Broken Hill and District War Memorial on Sunday 11th October, 1925 at 2.30 p.m. by Lieut. General Sir John Monash. Broken Hill: War Memorial Committee, 1925.
Canadian War Records Office. Art & War. Canadian War Memorials. A selection of works executed for the Canadian War Memorials Fund. With an article ‘On War Memorials’ by P. G. Konody. London: Canadian War Records Office, n.d.
Dafoe, John W. Over the Canadian Battlefields. Notes of a Little Journey in France in March 1919. Toronto: Thomas Allen, 1919.
Doughty, A. G.Canada's Record of the WarUniversity Magazine 15 (December 1916): 474.
Doughty, A. G. The Preservation of Historical Documents in Canada. From the Transactions of the Royal Society of Canada. Third Series 1924. Vol. XVIII. Ottawa: Printed for the Royal Society of Canada, 1924.
Duncan, W. G. K., ed. Trends in Australian Politics. Sydney: Angus & Robertson in conjunction with the Australian Institute of Political Science, 1935.
Duncan-Clark, S. J. and Plewman, W. R. Pictorial History of the Great War, 3rd ed. Toronto: John A. Hertel Co., Ltd, 1919.
Falls, Cyril. Military Operations: Egypt and Palestine from June 1917 to the End of the War. London: HMSO, 1930.
Falls, Cyril. War Books: A Critical Guide. London: Peter Davies, 1930.
ffoulkes, Charles. Armour & Weapons. Oxford: Clarendon Press, 1909.
ffoulkes, Charles. The Armourer and His Craft: From the XIth to the XVIth Century. London: Methuen, 1912.
ffoulkes, Charles J. Inventory and Survey of the Armouries of the Tower of London, Vol. 1. London: His Majesty's Stationery Office, 1916.
Ffoulkes, Charles J. Inventory and Survey of the Armouries of the Tower of London, Vol. 2. London: His Majesty's Stationery Office, 1916.
First Annual Report of the Committee of the Imperial War Museum. 19171918.
Grose, Frank. A Rough Y. M. Bloke. Melbourne: The Specialty Press, 1918.
Gullett, H. S. The A.I.F. in Sinai and Palestine, 1914–1918. Sydney: Angus & Robertson, 1923.
Hay, Ian. Their Name Liveth: The Book of the Scottish National War Memorial. With a Foreword by Earl Haig. Edinburgh: Trustees of the Scottish National War Memorial, 1931.
Holman, W. A. (Premier of NSW). ‘What We Are Fighting For. Presidential Address given at the opening of the First Annual Conference of the National Association of NSW in Sydney on July 1, 1918’. Pamphlet. Sydney: National Association of NSW, 1918.
Hurley, Frank. Argonauts of the South, by Captain Frank Hurley ... Being a Narrative of Voyagings and Polar Seas and Adventures in the Antarctic with Sir Douglas Mawson and Sir Ernest Shackleton; With 75 Illustrations and Maps. New York, London: G.P. Putnam's Sons, 1925.
Hurley, Frank. Pearls and Savages; Adventures in the Air, on Land and Sea – In New Guinea, by Capt. Frank Hurley; with Eighty Illustrations. New York and London: G. P. Putnam's Sons, 1924.
Hurley, Frank. South with Endurance: Shackleton's Antarctic Expedition 1914–1917: The Photographs of Frank Hurley. London: Bloomsbury, 2001.
Gullett, H. S. The A.I.F. in Sinai and Palestine, 1914–1918. Sydney: Angus & Robertson, 1923.
Imperial War Museum. First Annual Report of the Committee of the Imperial War Museum. 1917–1918. London: Imperial War Museum, 1918.
Imperial War Museum. 8th Annual Report (5th Report of the Board of Trustees) 1924–1925. London: Imperial War Museum, 1925.
Konody, P. G.The Canadian War Memorials’. Canadian War Memorials Number. Colour September 1918.
MacMunn, George and Falls, Cyril. Military Operations: Egypt and Palestine from the Outbreak of War with Germany to June 1917. London: HMSO, 1928.
Montagu-Marsden, Maurice Arthur. A Short History of Captured Guns: The Great European War 1914–1918. The British Columbia Regiment (7th Bn C.E.F.). The Seaforth Highlanders of Canada (72nd Bn C.E.F.), 1926.
Muirhead, Findlay, ed. The Blue Guides: London and Its Environs. London: Macmillan and Co Ltd and Paris: Librairie Hachette & CIE, 1918.
Nasmith, George G. Canada's Sons and Great Britain in the World War. Introduction by General Sir Arthur Currie. Toronto: Thomas Allen, 1919.
Nevinson, C. R. W. Paint and Prejudice. New York: Harcourt, Brace and Company, 1938.
Orpen, Sir William. An Onlooker in France, 1917–1919. London: Williams and Norgate, 1921.
Overseas Military Forces of Canada. Report of the Ministry. London: Printed by the Authority of the Minister, Overseas Military Forces of Canada, 1918.
Phillips, Duncan.The Allied War SalonAmerican Magazine of Art X (February 1919): 115–23.
Program. Presentation of the Imperial Air Fleet. City of Glasgow – Canada Aeroplane by the Citizens of Glasgow 26th October, 1918. London: St Clements Press, 1918.
Raemaekers, Louis. Raemaekers’ Cartoons. With Accompanying Notes by Well-Known English Writers. With an Appreciation by H. H. Asquith, Prime Minister of England. Garden City, NY: Doubleday, Page & Company, 1916. Accessed via Project Gutenberg at www.gutenberg.org/files/19126/19126-h/19126-h.htm.
Raemaekers, Louis. The Great War: A Neutral's Indictment: One Hundred Cartoons. London: The Fine Art Society Ltd, 1916.
Returned Soldiers Association of New South Wales. Anzac Memorial. Sydney: Returned Soldiers Association, 1916.
Sassoon, Siegfried. The Heart's Journey. London: W. Heinemann, 1928.
Schooling, William. ‘National Saving in the United KingdomAnnals of the American Academy of Political and Social Science 87 (January 1920): 197204.
The Death of Edith Cavell’, Pamphlet. London and Manchester: The Daily News and Leader, 1919.
Treloar, J. L., ed. Australian Chivalry: Reproductions in Colour and Duo-Tone of Official War Paintings. Canberra: Published under the auspices of the Board of Management of the Australian War Memorial, 1933.
Victoria and Albert Museum. Publication No. 133. Inscriptions Suggested for War Memorials. London: HMSO, 1919.
Willson, Beckles. From Quebec to Piccadilly and Other Places. Some Anglo-Canadian Memories. London: Jonathan Cape, 1929.
Willson, Beckles. In the Ypres Salient: the Story of a Fortnight's Canadian Fighting, June 2–16, 1916. London: Simpkin, Marshall, Hamilton, Kent & Co Ltd., 1916.
Willson, Beckles. Redemption. London and New York: G. P. Putnam's Sons, 1924.
Willson, Beckles. Ypres: The Holy Ground of British Arms. Bruges: Beyaert, 1920.
Zabel, Morton Dauwen. ‘After. The Heart's Journey by Siegfried Sassoon; Memoirs of a Fox-Hunting Man by Siegfried Sassoon’ (Review) Poetry 34 (5) (1929): 288–91.

Exhibition Catalogues

A Catalogue of War Trophies, Relics and Souvenirs Collected for the Canadian War Museum Illustrating the Campaigns in France and Belgium of the Canadian Corps of the British Expeditionary Force Commanded by Lieut.-Gen. Sir A. W. Currie, K.C.B., G.C.M.G, 1919.
Australia at the War. Catalogue of Exhibition of War Photographs in Color Embracing Egypt, Gallipoli, Palestine, France, Belgium, Germany, &c. Arranged by Capt. W. D. Joynt, V.C. Chap-Col. W. E. Dexter D.S.O., M.C., D.C.M., M.A. Melbourne: Queen City Printers, n.d., 1921?.
Australia at the War. Catalogue of Exhibition of War Photographs in Color Embracing Egypt, Gallipoli, Palestine, France, Belgium, Germany, &c. Arranged by B. M. O'Connor. Melbourne: Fine Art Societies Galleries, 1920.
Australia at War. Drawings on the Western Front by Lieut. Will Dyson, Official Artist, A.I.F. Exhibited for the Australian Commonwealth by Ernest Brown & Phillips, the Leicester Galleries, Leicester Square, London, 5–9 January 1918.
Australian War Memorial Museum, The Relics and Records of Australia's Effort in the Defence of the Empire, 1914–1918, 2nd ed. Sydney: Guidebook to Australian War Museum. 1925.
Australian War Museum. Descriptive Catalogue. Exhibition of Enlargements. Official War Photographs. Sydney Town Hall Basement, 4 March to 15 April 1922.
Australian War Museum. The Relics and Records of Australia's Effort in the Defence of the Empire, 1914–1918. Melbourne: Guidebook to Australian War Museum, 1922.
Brittany in War-Time. Sketches in Colour by the late Douglas W. Almond, R. A. With a Prefatory Note by James Greig. Ernest Brown & Phillips, the Leicester Galleries, Leicester Square, London, May 1916.
Bryant, Charles. Exhibition of Marine and War Paintings. Catalogue for Exhibition 15 November to 5 December 1922, Anthony Horden's Fine Art Gallery, Sydney.
Canadian War Memorials Exhibition. Burlington House, Piccadilly, W. January and February 1919.
Canadian War Memorials Exhibition, 1919.
Canadian War Records Office, Canada in Action. A Souvenir of the Canadian War Memorials Exhibition. Containing reproductions of some of the principal mural decorations, battle pictures, portraits, etc. which are to constitute Canada's permanent war memorial. Canada: Canadian War Memorials Fund, 1919.
Catalogue of an Exhibition of the Canadian War Memorials. The Art Gallery of Toronto, Grange Park, October 1926.
Catalogue of an Exhibition of Modern Posters. Collected by C. Lloyd Jones. Held at the Education Department's Art Gallery Sydney, 11–28 May 1918, in aid of the Citizen's ‘War Chest’ Fund.
Catalogue of an Exhibition of Paintings and Etchings by Members of the Artists’ Rifles. Ernest Brown & Phillips, the Leicester Galleries, Leicester Square, London, January–February 1916.
Catalogue of an Exhibition of War Photographs by Capt. F. Hurley late Official Photographer with the AIF, held at the Kodak Salon, Sydney, 1919.
Catalogue of an Exhibition of Water-Colour Drawings of the British Firing-Line by 2nd Lieut. E. Handley-Read (Machine Gun Corps, Late Artists’ Rifles). Ernest Brown & Phillips, the Leicester Galleries, Leicester Square, London, Leicester Square, London, May 1917.
Crozier, F. R. (Frank). Catalogue. Exhibition of Paintings in Oils by F.R. Crozier, Late Official War Artist: Athenaeum Hall, Collins Street, Melbourne, 1st to 11th September. Melbourne, 1920(?).
Descriptive Catalogue of Exhibition of Enlargements Official War Photographs: in Sepia and Colour. Arranged by the Australian War Museum. Embracing the Work of the A.I.F. on Gallipoli and in France, Belgium and Palestine. Opened on 20 August 1921. 2nd ed. Melbourne: Australian War Museum, 1921.
Dyson, Will. Australia at War: Exhibition of Drawings Made on the Western Front. Exhibited for the Australian Commonwealth by Ernest Brown & Phillips, the Leicester Galleries, Leicester Square, London, 519 January 1918.
Dyson, Will. ‘Kultur Cartoons1915. Exhibition of War Satires and Other Cartoons, by Will Dyson, with an Introductory Note by HG Wells. At the Fine Art Gallery. Anthony Horden & Sons Ltd., Palace Emporium, Brickfield Hill, Sydney, 30 September–30 October, n.y.
For France's Day: Exhibition of War Trophies Organised by the Red Cross Section of the French Village Fair: Souvenir Catalogue. Art Gallery of the Education Department, Sydney, 1917.
Glimpses of the Great War: An Exhibition of Paintings by Lady Butler. Ernest Brown & Phillips, the Leicester Galleries, Leicester Square, London. May–June 1917.
Imperial War Museum. Catalogue of Paintings, Drawings and Sculpture. London: His Majesty's Stationery Office and Harrison and Sons, Ltd., 1924.
Imperial War Museum. Catalogue of the Sea-Power Exhibition of Naval Relics, Paintings, and Trophies Lent by the Imperial War Museum. London: Imperial War Museum, 1919.
Imperial War Museum. The Nation's War Paintings and Other Records. Exhibition at the Galleries of the Royal Academy of Arts, Burlington House, Piccadilly, London, December 1919–January 1920.
Italian Artists and the War. Ernest Brown & Phillips, the Leicester Galleries, Leicester Square, London, June–July 1916.
Modern War Paintings by C. R. W. Nevinson. With an Essay by P. G. Konody. London: Grant Richards Limited, St. Martin's Street, 1917.
Official Catalogue. British Government Exhibition. 1918. New York: British Information Bureau, 1918.
Preston, Margaret. Catalogue of Exhibits, Exhibition of Paintings, etc. by Misses Margaret R. MacPherson and Gladys Reynell together with a display of Pottery Made at the Seale-Hayne Military Neurological Hospital, Devonshire. Preece's Gallery of Australian Art, 36 King William Street, Adelaide. Adelaide: G. Hassell & Son, Currie St, 1919.
Royal Academy of Arts. War Memorials Exhibition 1919. London: William Clowes and Sons, 1919.
Royal Academy of Arts War Memorial Committee and Victoria and Albert Museum. Catalogue of the War Memorials Exhibition 1919. London: HMSO, 1919.
Royal British-Colonial Society of Artists. Exhibition, War And Peace: Including the War Pictures Painted for and Lent by Commonwealth of Australia at the Royal Academy of Arts, 1918. London: Royal Academy, 1918.
Souvenir. New Exhibition of Canadian Official Photographs in Colour. London: Canadian War Records Office, 1918.
The British Firing-Line; Water-Colours by Qtr.-Master Sergt.-Instructor E. Hanley-Read (Machine Gun Corps, Late Artists’ Rifles). Ernest Brown & Phillips, the Leicester Galleries, Leicester Square, London, May 1916.
The Canadian War Memorials. Under Direction Canadian War Records Office. Toronto Exhibition, 1919.
The Glory that was Reims: An Exhibition of Photographic Pictures of Reims Cathedral Before and Since the Bombardment. Ernest Brown & Phillips, the Leicester Galleries, Leicester Square, London, July–August 1915.
The Grafton Galleries. Catalogue of the Canadian Official War Photographs Exhibition. For benefit of the Canadian War Memorials Fund. December 1916. London: Grafton Galleries, 1916.
The Navy in Peace and War. Catalogue of an Exhibition of Paintings, Drawings, and Other Works of Art. Portsmouth Navy Week 1–18 August 1936. Published by The Navy Week Committee, R.N. Barracks, Portsmouth, Printed by Gale and Polden, Ltd., Aldershot, 1936.
Void of War: An Exhibition of Pictures by Lieut. Paul Nash (An Official Artist on the Western Front) with a Preparatory Note by Arnold Bennett. Ernest Brown & Phillips (W. L. Phillips, C. L. Phillips, O. F. Brown), the Leicester Galleries, Leicester Square, London, May 1918.
Napier, Waller. War Sketches on the Somme Front by Bombadier Waller, 11th Howitzer Battery 4th Division A.I.F. Catalogue for an exhibition of war sketches at the Horden and Sons Art Gallery, Brickfield Hill, Sydney. Sydney, Anthony Horden & Sons Ltd., 1918.

Periodicals

  • Advertiser (Adelaide)

  • Argus (Melbourne)

  • Baltimore American

  • Baltimore Sun

  • Chicago Daily Tribune

  • Illustrated London News

  • Illustrated War News

  • Kansas City Star

  • Manchester Guardian

  • Montreal Gazette

  • Museums Journal

  • Newcastle Morning Herald

  • Ottawa Journal

  • Reveille

  • San Francisco Chronicle

  • Scotsman

  • Singleton Argus

  • Sydney Morning Herald

  • Tatler

  • The Age (Melbourne)

  • The Brisbane Courier

  • The Daily Graphic

  • The Daily Mail

  • The Independent

  • The Mercury (Hobart)

  • The Newcastle Sun

  • The Observer (Manchester)

  • The Register (Adelaide)

  • The Times (London)

  • Toronto Globe

  • Toronto Star

  • Washington Herald

  • Washington Times

Secondary Sources

Anderson, Margaret and Reeves, Andrew. ‘Contested Identities: Museums and The Nation in Australia’ in Kaplan, Flora, ed. Museums and the Making of ‘Ourselves’: The Role of Objects in National Identity. London and New York: Leicester University Press, 1994.
Arendt, Hannah. On Violence. Orlando, FL and New York: Harcourt, 1970.
Ashplant, T.G., Dawson, Graham and Roper, Trevor, eds. The Politics of War Memory and Commemoration. London and New York: Routledge, 2000.
Audoin-Rouzeau, Stéphane. Combattre: une anthropologie historique de la guerre moderne, XIXe-XXIe siècle. Paris: Seuil, 2008.
Audoin-Rouzeau, Stéphane. ‘Extreme Violence in Combat and Wilful BlindnessInternational Social Science Journal 54 (174) (2002): 491–7.
Audoin-Rouzeau, Stéphane and Becker, Annette. 14–18, Understanding the Great War, trans. Catherine, Temerson. New York: Hill and Wang, 2002.
Audoin-Rouzeau, Stéphane and Felser, Michel. Un regard sur la Grande Guerre – Photographies inédites du soldat Marcel Felser. Préface et commentaires de Stéphane Audoin-Rouzeau. Paris: Larousse, 2002.
Auger, Martin F.On the Brink of Civil War: The Canadian Government and the Suppression of the 1918 Quebec Easter RiotsThe Canadian Historical Review 89 (4) (2008): 503–40.
Back, Laura and Webster, Laura. Moments in Time: Dioramas at the Australian War Memorial. Sydney: New Holland Publishers, 2008.
Baker, Steve. ‘Describing Images of the National Self: Popular Accounts of the Construction of Pictorial Identity in the First World War PosterOxford Art Journal 13 (1990): 2430.
Baldin, Damien. ‘De la contiguïté anthropologique entre le combattant et le chevalRevue historique des armées, 249 (2007). http://rha.revues.org/index473.html. Last accessed 27 January 2013.
Barton, Peter. The Battlefields of the First World War: The Unseen Panoramas of the Western Front. London: Constable and Robinson, 2005.
Bar-Yosef, Eitan. The Holy Land in English Culture 1799–1917: Palestine and the Question of Orientalism. Oxford: Oxford University Press, 2005.
Bean, C. E. W. Anzac to Amiens: A Shorter History of the Australian Fighting Services in the First World War. Canberra: Australian War Memorial, 1946.
Beaumont, Joan. ‘Australia's Global Memory Footprint: Memorial Building on the Western Front, 1916–2015Australian Historical Studies 46 (1) (2015): 4563.
Beaumont, Joan. Broken Nation: Australians in the Great War. Sydney: Allen & Unwin, 2013.
Beckett, Ian F. W. The Great War 1914–1918, 2nd ed. London: Routledge, 2007.
Bennett, Lloyd. ‘Politics, Patronage and the Support for Empire as Seen in the 1919 Canadian War Memorials Exhibition, Burlington House, London’. PhD Thesis, The University of Manchester, 2006.
Bernier, Serge. ‘A Brief History of Canadian Forces Military Museums from 1919 to 2004 – Part 1Canadian Military Journal 6 (2005): 5966.
Billett, R. S. (Bill). War Trophies: From the First World War. East Roseville: Kangaroo Press, 1999.
Blom, Philipp. The Vertigo Years: Europe 1900–1914 New York: Basic Books, 2008.
Bormanis, Katrina. ‘What Remains: Repatriating and Entombing a Canadian Unknown Soldier of the Great War in the Nation's CapitalWar & Society 35 (3) (2016): 219–40.
Bourke, Joanna. An Intimate History of Killing: Face-to-Face Killing in Twentieth Century Warfare. London, Granta and New York: Basic Books, 1999.
Bourke, Joanna. Dismembering the Male: Men's Bodies, Britain and the Great War. London: Reaktion Books, 1996.
Boyer, Paul. ‘Whose History Is It Anyway? Memory, Politics, and Historical Scholarship’ in Lienthal, T. and Engelhardt, Tom, eds. History Wars: The ‘Enola Gay’ and Other Battles for the American Past. New York: Metropolitan Books, 1996.
Brandon, Laura. ‘A Unique and Important Asset? The Transfer of the War Art Collections from the National Gallery of Canada to the Canadian War MuseumMaterial History Review 42 (1995): 6774.
Brandon, Laura. ‘Above or Below Ground? Depicting Corpses in First and Second World War Official Canadian War Art’ in Sherrill, Grace, Patrick, Imbert and Tiffany, Johnstone, eds. Bearing Witness: Perspectives on War and Peace. Montreal and Kingston: McGill/Queens University Press, 2012, 93106.
Brandon, Laura. ‘The Canadian War Memorial that Never WasCanadian Military History 7(4) (Autumn 1998): 4554.
Brandon, Laura. ‘Words and Pictures: Writing Atrocity into Canada's First World War Official PhotographsThe Journal of Canadian Art History/Annales d'Histoire de l'Art Canadien 31 (2011): 110–26.
Brandon, Laura and Coulthard-Clark, Chris. Battle Lines: Canadian and Australian Artists in the Field 1917–1919. Canberra: Australian War Memorial, 2001.
Brandt, Susanne. ‘The Historial de la Grande Guerre in Péronne, France: A Museum at a Former First World War BattlefieldMuseum International 56 (2004): 4652.
Brandt, Susanne. ‘The Memory Makers: Museums and Exhibitions of the First World WarHistory and Memory 6 (1994): 95.
Brennan, Patrick. ‘The Other Battle: Imperialist versus Nationalist Sympathies in the Officer Corps of the Canadian Expeditionary Force, 1914–1919’ in Bruckner, Phillip and Francis, R. Douglas, eds. Rediscovering the British World. Calgary: University of Calgary Press, 2005, 251–65.
Brothers, Caroline. War and Photography: A Cultural History. London and New York: Routledge, 1997.
Brown, Eric and Cook, Tim. ‘The 1936 Vimy PilgrimageCanadian Military History 20 (2) (2011): 3754.
Brown, James. Anzac's Long Shadow: The Cost of Our National Obsession. Collingwood: Black Inc, 2014.
Buckner, Phillip, ed. Canada and the British Empire. Oxford and New York: Oxford University Press, 2008.
Buckner, Phillip. ‘Whatever Happened to the British Empire?Journal of the Canadian Historical Association 3 (1994): 332.
Buckner, Phillip and Francis, R. Douglas, eds. Canada and the British World: Culture, Migration, and Identity. Vancouver and Toronto: UBC Press, 2006.
Burke, Peter. Eyewitnessing: The Uses of Images as Historical Evidence. Ithaca, NY: Cornell University Press, 2001.
Burke, Peter. Varieties of Cultural History. Ithaca, NY: Cornell University Press, 1997.
Burness, Peter. ‘Pozieres HellWartime 22 (2003): 1419.
Callister, Sandy. The Face of War: New Zealand's Great War Photography. Auckland: Auckland University Press, 2008.
Campbell, Jean. ‘Australian Painters and the First World War – The Oil PaintingsHemisphere 27 (January/February 1983).
Canadian War Museum. The War Paintings in the Senate Chamber/Les tableaux de guerre de la chamber du Sénat. Ottawa: Library of Parliament, 2002.
Carlebach, Michael J. American Photojournalism Comes of Age. Washington, DC: Smithsonian Institution Press, 1997.
Carmichael, Jane. First World War Photographers. London and New York: Routledge, 1989.
Casey, Dawn. ‘The National Museum of Australia: Exploring the Past, Illuminating the Present and Imagining the Future’ in National Museums: Negotiating Histories: Conference Proceedings. Canberra: National Museum of Australia and Centre for Cross-Cultural Research, Australian National University, 2001.
Chartier, Roger. Cultural History: Between Practices and Representations, trans. Cochrane, Lydia G.. Oxford: Polity Press, 1988.
Chickering, Roger and Förster, Sig, eds. Great War, Total War: Combat and Mobilization on the Western Front, 1914–1918. Washington, DC: German Historical Institute; Cambridge and New York: Cambridge University Press, 2000.
Coates, Colin M.French Canadians’ Ambivalence to the British Empire’ in Buckner, Philip, ed. Canada and the British Empire. Oxford: Oxford University Press, 2008, 181–99.
Coates, Colin M., ed. Imperial Canada, 1867–1917. Edinburgh: The University of Edinburgh Centre of Canadian Studies, 1997.
Condé, Anne-Marie. ‘Capturing the Records of War: Collecting at the Mitchell Library and the Australian War MemorialAustralian Historical Studies 125 (2005): 134–52.
Condé, Anne-Marie. ‘Imagining a Collection: Creating Australia's Records of WarreCollections: The Journal of the National Museum of Australia 2 (2007), available online at http://recollections.nma.gov.au/issues/vol_2_no_1/papers/imagining_a_collection.
Condé, Anne-Marie. ‘John Treloar, Official War Art and the Australian War MemorialAustralian Journal of Politics and History 53 (2007): 451–64.
Condé, Anne-Marie. ‘“War's Wrinkled Front”: Battle Dioramas and Australian Military Memory’, Conference paper given at The Digger and the Larrikin Live On: Anzac Weekend at the Imperial War Museum 26–27 April 2008.
Cook, Tim. ‘Battles of the Imagined Past: Canada's Great War and MemoryThe Canadian Historical Review 95 (3) (2014): 417–26.
Cook, Tim. ‘Documenting the Past and Forging Reputations: Sir Max Aitken and the Canadian War Records Office in the First World WarWar in History 10 (3) (2003): 265–95.
Cook, Tim. ‘Immortalising the Canadian Soldier: Lord Beaverbrook and the Canadian War Records Office in the First World War’ in Busch, Briton C., ed. Canada and the Great War: Western Front Association Papers. Montreal and Kingston: McGill-Queen's University Press, 2003.
Cook, Tim. ‘“Literary Memorials”: The Great War Regimental Histories, 1919–1939Journal of the Canadian Historical Association/Revue de la Société historique du Canada 13 (2) (2002): 167–90.
Cook, Tim. ‘“Tokens of Fritz”: Canadian Soldiers and the Art of Souveneering in the Great WarWar & Society 31 (3) (2012): 211–26.
Cooke, Steven and Jenkins, Lloyd. ‘Discourses of Regeneration in Early Twentieth-Century Britain. From Bedlam to the Imperial War MuseumArea 33 (4) (2001): 382–90.
Cork, Richard. A Bitter Truth: Avant-Garde Art and the Great War. New Haven, CT: Yale University Press in association with the Barbican Art Gallery, 1994.
Cornish, Paul. ‘“Just a Boyish Habit” … ? British and Commonwealth War Trophies in the First World War’ in Saunders, Nicholas J and Cornish, Paul, eds. Contested Objects: Material memories of the Great War. New York: Routledge, 2009, 1125.
Cornish, Paul. ‘“Sacred Relics”: Objects in the Imperial War Museum 1917–39’ in Saunders, Nicholas, ed. Matters of Conflict: Material Culture, Memory and the First World War. London and New York: Routledge, 2004, 3550.
Coulthard-Clark, Chris. Soldiers in Politics: The Impact of the Military on Australian Political Life and Institutions. St. Leonards: Allen & Unwin, 1996.
Courtois, Charles-Philippe and Veyssière, Laurent, eds. Le Québec dans la grande guerre: engagements, refus, héritages. Septentrion: Québec, 2015.
Crane, David. Empires of the Dead: How One Man's Vision Led to the Creation of WWI's War Graves. London: William Collins, 2013.
Crane, Susan A. ‘Memory, Distortion and History in the MuseumHistory and Theory 36 (4) (1997): 4463.
Crimp, Douglas. ‘On the Museum's Ruins’ in Foster, Hal, ed. Postmodern Culture. London: Pluto Press, 1985.
Crotty, Martin. Making the Australian Male: Middle-Class Masculinity 1870–1920. Carlton: Melbourne University Press, 2001.
Crotty, Martin. ‘The Returned Sailors’ and Soldiers’ Imperial League of Australia, 1916–46’ in Martin, Crotty and Marina, Larsson, eds. Anzac Legacies: Australians and the Aftermath of War. Melbourne: Australian Scholarly Publishing, 2010.
Crotty, Martin and Larsson, Marina, eds. Anzac Legacies: Australians and the Aftermath of War. Melbourne: Australian Scholarly Publishing, 2010.
Crotty, Martin and Melrose, Craig. ‘Anzac Day, Brisbane, Australia: Triumphalism, Mourning and Politics in Interwar CommemorationThe Round Table: The Commonwealth Journal of International Affairs 96 (2007): 679–92.
Damousi, Joy. Living with the Aftermath: Trauma, Nostalgia and Grief in Post-war Australia. Melbourne: Cambridge University Press, 2001.
Damousi, Joy. ‘Private Loss, Public Mourning: Motherhood, Memory and Grief in Australia during the Inter-War YearsWomen's History Review 8 (2) (1999): 365–78.
Damousi, Joy. The Labour of Loss: Mourning, Memory and Wartime Bereavement in Australia. Cambridge: Cambridge University Press, 1999.
Danchin, Emmanuelle. ‘Destruction du patrimoine et figure du soldat allemand dans les cartes postales de la Grande GuerreAmnis [En ligne], 10 (2011). http://amnis.revues.org/1371. Last accessed 26 January 2013.
Darwin, John. The Empire Project: The Rise and Fall of the British World-System 1830–1970. Cambridge: Cambridge University Press, 2009.
Das, Santanu, ed. Race, Empire and First World War Writing. Cambridge: Cambridge University Press, 2011.
Das, Santanu. Touch and Intimacy in First World War Literature. Cambridge: Cambridge University Press, 2005.
Deery, Phillip and Bongiorno, Frank. ‘Labor, Loyalty and Peace: Two Anzac Controversies of the 1920sLabour History 106 (2014): 205–28.
Dennis, Peter. ‘Australian Air Corps’ in Oxford Companion to Australian Military History. Melbourne: Oxford University Press, 2008.
Dixon, Robert. Photography, Early Cinema and Colonial Modernity: Frank Hurley's Synchronized Lecture Entertainments. London and New York: Anthem Press, 2012.
Dixon, Robert. ‘Spotting the Fake: C. E. W. Bean, Frank Hurley and the Making of the 1923 Photographic Record of the WarHistory of Photography 31 (2007): 155–79.
Dixon, Robert. ‘“Where are the Dead?”: Spiritualism, Photography and the Great WarHistory of Photography 28 (2004): 247–60.
Dixon, Robert and Lee, Christopher, eds. The Diaries of Frank Hurley 1912–1941. London and New York: Anthem Press, 2011.
Djebabla, Mourad. ‘Historiographie francophone de la Première Guerre mondiale: écrire la Grande Guerre de 1914–1918 en français au Canada et au QuébecThe Canadian Historical Review 95 (3) (2014): 407–17.
Doherty, Charles E.Nevinson's Elegy: Paths of GloryArt Journal 51 (1) (Spring 1992): 6471.
Dower, John W. War without Mercy: Race and Power in the Pacific War. New York: Pantheon books, 1993.
Draffin, Nicholas. ‘Waller, Mervyn Napier’ in Australian National Dictionary of Biography. Vol. 12. (Melbourne: Melbourne University Press, 1990), http://adb.anu.edu.au/biography/waller-mervyn-napier-8963.
Eksteins, Modris. Rites of Spring: The Great War and the Birth of the Modern Age. Boston, MA: Houghton Mifflin, 1989.
Ely, Richard. ‘The First Anzac Day: Invented or Discovered?Journal of Australian Studies 17 (1985): 4158.
Emig, Rainer. ‘Institutionalising Violence, Destruction and Suffering. Pitfalls, Paradoxes and Possibilities of War Museums in BritainJournal for the Study of British Cultures 14 (2007): 5264.
Evans, Raymond. ‘“Some Furious Outbursts of Riot”: Returned Soldiers and Queensland's “Red Flag” Disturbances, 1918–1919’ in Karsten, Peter, ed. The Military-State-Society Symbiosis. New York: Routledge, 2013, 249–50.
Fogarty, Richard S. Race and War in France: Colonial Subjects in the French Army, 1914–1918. Baltimore, MD: The Johns Hopkins University Press, 2008.
Fox, James. British Art and the First World War 1914–1924. Cambridge: Cambridge University Press, 2015.
Fussell, Paul. The Great War and Modern Memory. Oxford: Oxford University Press, 1975.
Gagnon, Jean-Pierre. ‘Les soldats francophones du premier contingent expéditionnaire du Canada en EuropeGuerres mondiales et conflits contemporains 157 (Janvier 1990): 83101.
Gammage, Bill. The Broken Years: Australian Soldiers in the Great War. Ringwood: Penguin, 1975.
Garton, Stephen. ‘Demobilization and Empire: Empire Nationalism and Soldier Citizenship in Australia after the First World War – in Dominion ContextJournal of Contemporary History 50 (1) (2015): 124–43.
Geary, Patrick. ‘Sacred Commodities: The Circulation of Medieval Relics’ in Appadurai, Arjun, ed. The Social Life of Things: Commodities in Cultural Perspective. Cambridge: Cambridge University Press, 1986, 169–94.
Gerster, Robin. Big-Noting: The Heroic Theme in Australian War Writing. Carlton: Melbourne University Press, 1992.
Gerwarth, Robert and Manela, Erez, eds. Empires at War 1911–1923. Oxford: Oxford University Press, 2014.
Goebel, Stefan. ‘Exhibitions’ in Winter, Jay and Robert, Jean-Louis, eds. Capital Cities at War: Paris, London, Berlin 1914–1919 vol. 2, A Cultural History. Cambridge: Cambridge University Press, 2007, 143–87.
Goebel, Stefan. ‘Re-membered and Re-mobilized: The ‘Sleeping Dead’ in Interwar Germany and BritainJournal of Contemporary History 39 (4) (2004): 487501.
Goebel, Stefan. The Great War and Medieval Memory: War, Remembrance and Medievalism in Britain and Germany, 1914–1940. Cambridge: Cambridge University Press, 2007.
Goldsworthy, David. Losing the Blanket: Australia and the End of Britain's Empire. Carlton South: Melbourne University Press, 2002.
Gordon, David L. A. and Osborne, Brian S.Constructing National Identity in Canada's Capital, 1900–2000: Confederation Square and the National War MemorialJournal of Historical Geography 30 (2004): 618–42.
Gough, Paul. A Terrible Beauty: British Artists in the First World War. Bristol: Sansom & Company, 2010.
Graves, Donald E.Booty! The Story of Canada's World War One Trophy CollectionArms Collecting 23(1) (1985): 310.
Grayzel, Susan R.“A Promise of Terror to Come”: Air Power and the Destruction of Cities in British Imagination and Experience, 1908–39’ in Goebel, Stefan and Keene, Derek, eds. Cities into Battlefields. Metropolitan Scenarios, Experiences and Commemorations of Total War. Farnham, Ashgate, 2011, 4762.
Grayzel, Susan R. At Home and Under Fire: Air Raids and Culture in Britain from the Great War to the Blitz. Cambridge and New York: Cambridge University Press, 2012.
Green, Andrew. Writing the Great War: Sir James Edmonds and the Official Histories 1915–1948. London: Frank Cass, 2003.
Greenberg, Allan. ‘Lutyens's CenotaphJournal of the Society of Architectural Historians 48 (1) (1989): 523.
Greenblatt, Stephen. ‘Resonance and Wonder’ in Karp, Ivan and Lavine, Steven D., eds. Exhibiting Cultures: The Poetics and Politics of Museum Display. Washington, DC and London: Smithsonian Institute Press, 1991, 4256.
Gregory, Adrian. The Last Great War: British Society and the First World War. Cambridge and New York: Cambridge University Press, 2008.
Gregory, Adrian. The Silence of Memory: Armistice Day, 1919–1946, Oxford and Providence, RI: Berg, 1994.
Grey, Jeffrey. ‘White, Sir Cyril Brudenell (1876–1940)Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/white-sir-cyril-brudenell-1032/text15983 published first in hardcopy 1990. Last accessed 22 February 2016.
Gullace, Nicoletta F. The Blood of Our Sons: Men, Women and the Renegotiaiton of British Citizenship during the Great War. New York: Palgrave Macmillan, 2002.
Gustafson, Wesley C.Competing Visions: Canada, Britain, and the Writing of the First World War’ in Bruckner, Phillip and Francis, R. Douglas, eds. Canada and the British World: Culture, Migration, and Identity. Vancouver and Toronto: UBC Press, 2006.
Gygi, Fabio. ‘Shattered Experiences – Recycled Relics: Strategies of Representation and the Legacy of the Great War’ in Saunders, Nicholas J., ed. Matters of Conflict: Material Culture, Memory and the First World War. London and New York: Routledge, 2004, 7289.
Halbwachs, Maurice. The Collective Memory, trans. Ditter, Francis J. Jr. and Ditter, Vida Yazdi. New York: Harper & Row, 1980.
Halbwachs, Maurice. On Collective Memory, trans. Coser, Lewis A.. Chicago: University of Chicago Press, 1992.
Hall, Catherine and Rose, Sonya. ‘Introduction: Being at Home with the Empire’ in Hall, Catherine and Rose, Sonya O., eds. At Home with the Empire: Metropolitan Culture and the Imperial World. Cambridge: Cambridge University Press, 2006, 131.
Harries, Meiron and Harries, Susie. The War Artists: British Official War Art of the Twentieth Century. London: Michael Joseph in Association with the Imperial War Museum and the Tate Gallery, 1983.
Harrison, Simon. ‘Skull Trophies of the Pacific War: Transgressive Objects of RemembranceJournal of the Royal Anthropological Institute 12 (2006): 817–36.
Heninger, Jessica. ‘The Exhibition as Memorial: Canada's Travelling War Art Display, 1919–1934’. Unpublished MA thesis, University of Alberta, 2005.
Herrall, Andrew. Popular Culture in London, c. 1890–1918: The Transformation of Entertainment. London and New York: Manchester University Press, 2001.
Hewitt, Tom. ‘Diorama PresentationJournal of the Australian War Memorial 5 (October 1984): 2935.
Hill, Charles C. The Group of Seven: Art for a Nation. Toronto: McLellan & Stuart, 1995.
Hoffenberg, Peter H. An Empire on Display: English, Indian, and Australian Exhibitions from the Crystal Palace to the Great War. Berkeley and Los Angeles, CA: University of California Press, 2001.
Hoffenberg, Peter H.Landscape, Memory and the Australian War Experience, 1915–18Journal of Contemporary History 36 (2001): 111–31.
Holbrook, Carolyn. Anzac: The Unauthorised Biography. Sydney: NewSouth, 2014.
Hoock, Holger. Empires of the Imagination: Politics, War, and the Arts in the British World, 1750–1850. London: Profile Books, 2010.
Hopkins, A. G.Rethinking DecolonisationPast and Present 200 (August 2008) 211–47.
Horne, John, ed. A Companion to World War I. Oxford: Wiley-Blackwell, 2010.
Horne, John. ‘Film and Cultural Demobilization after the Great War: The Two Versions of J'Accuse by Abel Gance (1918 and 1938)’ in Diamond, Hanna and Kitson, Simon, eds. Vichy, Resistance, Liberation: New Perspectives on Wartime France. Oxford: Berg, 2005.
Horne, John. ‘Remobilizing for “Total War”: France and Britain, 1917–1918’ in Horne, John, ed. State, Society, and Mobilization in Europe during the First World War. Cambridge and New York: Cambridge University Press, 1997, 195211.
Horne, John, ed. State, Society, and Mobilization in Europe during the First World War. Cambridge and New York: Cambridge University Press, 1997.
Horne, John and Kramer, Alan. German Atrocities, 1914: A History of Denial. New Haven and London: Yale University Press, 2001.
Hucker, Jacqueline. ‘“Battle and Burial”: Recapturing the Cultural Meaning of Canada's National Memorial on Vimy RidgeThe Public Historian 31(1) (2009): 89109.
Humphries, Mark Osborne. ‘Between Commemoration and History: The Historiography of the Canadian Corps and Military OverseasThe Canadian Historical Review 95 (3) (2014): 384–97.
Hüppauf, Bernd. ‘Introduction: Modernity and Violence: Observations Concerning a Contradictory Relationship’ in Hüppauf, , ed. War, Violence, and the Modern Condition. Berlin and New York: Walter de Gruyter, 1997, 129.
Hutchison, Margaret. ‘“Accurate the Point of Mania”: Eyewitness Testimony and Memory Making in Australia's Official Paintings of the First World WarAustralian Historical Studies 46 (1) (2015): 2744.
Hynes, Samuel. A War Imagined: The First World War and English Culture. London: Bodley Head, 1990.
Hynes, Samuel. The Soldier's Tale: Bearing Witness to Modern War. New York: Penguin, 1997.
Inglis, K. S.A Sacred Place: The Making of the Australian War MemorialWar & Society 3 (2) (1985): 99125.
Inglis, K. S.Bean, Charles Edwin Woodrow (1879–1968)’. Australian Dictionary of Biography, Vol. 7. Melbourne: Melbourne University Press, 1979, 226–9.
Inglis, K. S.Entombing Unknown Soldiers: From London and Paris to BaghdadHistory and Memory 5 (2) (1993): 731.
Inglis, K. S.Men, Women, and War Memorials: Anzac AustraliaDaedalus 116 (Fall 1987): 3559.
Inglis, K. S. Sacred Places: War Memorials in the Australian Landscape, 3rd ed. Carlton: Melbourne University Press, 2008.
Inglis, K. S.The Homecoming: The War Memorial Movement in Cambridge, EnglandJournal of Contemporary History 24 (4) (1992): 588–90.
Inglis, K. S.The Unknown Australian SoldierJournal of Australian Studies 23 (60) (1999): 817.
Irish, Tomás. Trinity in War and Revolution 1912–1923. Dublin: Royal Irish Academy, 2015.
Jalland, Pat. Changing Ways of Death in Twentieth-Century Australia: War, Medicine and the Funeral Business. Sydney: UNSW Press, 2006.
Jasanoff, Maya. Edge of Empire: Lives, Culture and the Conquest in the East 1750–1850. New York: Vintage, 2006.
Jay, Martin. Songs of Experience: Modern American and European Variations on a Universal Theme. Berkeley and Los Angeles: University of California Press, 2005.
Jolly, Martyn. ‘Australian First-World-War Photography: Frank Hurley and Charles BeanHistory of Photography 23 (1999): 141–48.
Kaplan, Flora. Museums and the Making of ‘Ourselves’: The Role of Objects in National Identity. London and New York: Leicester University Press, 1994.
Karp, Ivan, Kratz, Corinne A. et al., eds. Museum Frictions: Public Culture/Global Transformations. Durham and London: Duke University Press, 2006.
Kavanagh, Gaynor. Dream Spaces: Memory and the Museum. London and New York: Leicester University Press, 2000.
Kavanagh, Gaynor. ‘Museum as Memorial: The Origins of the Imperial War MuseumJournal of Contemporary History 23 (1988): 7797.
Kavanagh, Gaynor. Museums and the First World War: A Social History. London and New York: Leicester University Press, 1994.
Keegan, John. The Face of Battle. New York: Viking Press, 1976.
Kelly, Gemey. Arthur Lismer Nova Scotia 1916–1919. Halifax: Dalhousie Art Gallery, 1982.
Keshen, Jeffrey A. Propaganda and Censorship during Canada's Great War. Edmonton: University of Alberta Press, 1996.
King, Alex. Memorials of the Great War in Britain: The Symbolism and Politics of Remembrance. Oxford and New York: Berg, 1998.
Klein, Kerwin Lee. ‘On the Emergence of Memory in Historical DiscourseRepresentations 69 (2000): 127–50.
Koselleck, Reinhart. Futures Past: On the Semantics of Historical Time, trans. Tribe, Keith. New York: Columbia University Press, 2004.
Kramer, Alan. Dynamic of Destruction: Culture and Mass Killing in the First World War. Oxford and New York: Oxford University Press, 2007.
Lake, Marilyn, ed. Memory, Monuments and Museums: The Past in the Present. Carlton: Melbourne University Press, 2006.
Lake, Marilyn. ‘Mission Impossible: How Men Gave Birth to the Australian Nation – and Other Seminal ActsGender & History 4 (3) (1992): 305–22.
Lake, Marilyn. ‘The Power of Anzac’ in McKernan, M. and Browne, M., eds. Australia: Two Centuries of War and Peace. Canberra: Australian War Memorial and Allen & Unwin, 1988.
Lake, Marilyn, Reynolds, Henry et al. What's Wrong with ANZAC?: The Militarisation of Australian History. Sydney: University of NSW Press, 2010.
Lakin, Shaune. Contact: Photographs from the Australian War Memorial Collection. Canberra: Australian War Memorial, 2006.
Laqueur, Thomas W.IntroductionRepresentations, No. 59, Special Issue, Grounds for Remembering (2000): 18.
Laqueur, Thomas W.Memory and Naming in the Great War’ in John, R. Gillis., ed. Commemorations: The Politics of National Identity. Princeton, NJ: Princeton University Press, 1994.
Laqueur, Thomas W. The Work of the Dead: A Cultural History of Mortal Remains. Princeton and Oxford: Princeton University Press, 2015.
Larsson, Marina. Shattered Anzacs: Living with the Scars of War. Sydney: University of New South Wales Press, 2009.
Larsson, Marina. ‘“The Part We Do Not See”: Disabled Australian Soldiers and Family Caregiving after World War I’ in Crotty, Martin and Larsson, Marina, eds. Anzac Legacies: Australians and the Aftermath of War. Melbourne: Australian Scholarly Publishing, 2010.
Lawrence, Jon. ‘Forging a Peaceable Kingdom: War, Violence, and Fear of Brutalization in Post-First World War BritainJournal of Modern History 75 (3) (2003): 557–89.
Lawrence, Jon. ‘Public Space, Political Space’ in Winter, Jay and Robert, Jean-Louis, eds. Capital Cities at War: Paris, London, Berlin 1914–1919. Volume 2: A Cultural History. Cambridge and New York: Cambridge University Press, 2007.
Lawson, Tom: ‘“The Free Masonry of Sorrow”? English National Identities and the Memorialization of the Great War in Britain, 1919–1931History and Memory 20 (1) (2008): 89120.
Lee, Christopher. ‘“War is not a Christian Mission”: Racial Invasion and Religious Crusade’ in H. S. Gullett's Official History of the Australian Imperial Force in Sinai and Palestine’, Journal of the Association for the Study of Australian Literature 7 (2008): 8596.
Leed, Eric J. No Man's Land: Combat and Identity in World War I. Cambridge and New York: Cambridge University Press, 1979.
Leese, Peter. Shell Shock: Traumatic Neurosis and the British Soldiers of the First World War. London: Palgrave Macmillan, 2014.
Lewinski, Jorge. The Camera at War: A History of War Photography from 1848 to the Present. London: W. H. Allen & Co, 1978.
Lindholm, Charles. Culture and Authenticity. Oxford: Blackwell, 2008.
Linenthal, Edward T. and Engelhardt, Tom, eds. History Wars: The Enola Gay and Other Battles for the American Past. New York: Metropolitan Books, 1996.
Lloyd, David W. Battlefield Tourism: Pilgrimage and the Commemoration of the Great War in Britain, Australia and Canada, 1919–1939. Oxford and New York: Berg, 1998.
Luckins, Tanja. The Gates of Memory: Australian People's Experiences and Memories of Loss and the Great War. Fremantle: Curtin University Books, 2004.
Macdonald, Sharon. The Politics of Display: Museums, Science, Culture. London and New York: Routledge, 1998.
Macdonald, Sharon and Fyfe, Gordon, eds. Theorizing Museums: Representing Identity and Diversity in a Changing World. Oxford: Blackwell Publishers/the Sociological Review, 1996.
Macintyre, Stuart. A Concise History of Australia. Melbourne: Cambridge University Press, 1999.
Mackaman, Douglas and Mays, Michael, eds. World War I and the Cultures of Modernity. Jackson, MS: University Press of Mississippi, 2000.
MacKenzie, David, ed. Canada and the First World War: Essays in Honour of Robert Craig Brown. Toronto: University of Toronto Press, 2005.
Mackenzie, John M.Empire and National Identities. The Case of ScotlandTransactions of the Royal Historical Society Sixth Series (8) (1998): 215–31.
Mackenzie, John M. Museums and Empire: Natural History, Human Cultures and Colonial Identities. Manchester: Manchester University Press, 2009.
Macleod, Jenny. ‘“By Scottish Hands, with Scottish Money, on Scottish Soil”: The Scottish National War Memorial and National IdentityJournal of British Studies 49 (January 2010): 7396.
MacMillan, Margaret. ‘Sibling Rivalry: Australia and Canada from the Boer War to the Great War’ in MacMillan, Margaret and McKenzie, Francine, eds. Parties Long Estranged: Canada and Australia in the Twentieth Century. Vancouver: UBC Press, 2003.
MacMillan, Margaret. The War that Ended Peace: How Europe Abandoned Peace for the First World War. London: Profile Books, 2013.
Malvern, Sue. ‘“For King and Country”: Frampton's Edith Cavell 1915–1920 and the Writing of Gender in Memorials to the Great War’ in Getsy, David, ed. Sculpture and the Pursuit of the Modern Ideal in Britain, c. 1880–1930. Aldershot: Ashgate, 2004.
Malvern, Sue. Modern Art, Britain and the Great War: Witnessing, Testimony and Remembrance. New Haven and London: Yale University Press and the Paul Mellon Centre for Studies in British Art, 2004.
Malvern, Sue. ‘War, Memory and Museums: Art and Artefact in the Imperial War MuseumHistory Workshop Journal 49 (2000): 177203.
Malvern, Sue. ‘War Tourisms: “Englishness”, Art, and the First World WarOxford Art Journal 24 (1) (2001): 4766.
McKernan, Michael. Here is Their Spirit: A History of the Australian War Memorial, 1917–1990. St Lucia: University of Queensland Press in association with the Australian War Memorial, 1991.
McKernan, Michael. The Australian People and the Great War. Melbourne: Nelson, 1980.
McNairn, Alan. Behold the Hero: General Wolfe and the Arts in the Eighteenth Century. Montreal & Kingston: McGill-Queen's University Press, 1997.
Melrose, Craig. ‘“A Praise that Never Ages”: The Australian War Memorial and the “National” Interpretation of the First World War, 1922–35’. Unpublished PhD Thesis, the University of Queensland, 2005.
Molson, K.M.German WWI Aircraft in CanadaThe CAHS Journal 15 (4) (1977): 108–11.
Monger, David. Patriotism and Propaganda in First World War Britain: The National War Aims Committee and Civilian Morale. Liverpool: Liverpool University Press, 2012.
Morgan, Anne Lee. The Oxford Dictionary of American Art and Artists. Oxford and New York: Oxford University Press, 2007.
Mosse, George. Fallen Soldiers: Reshaping the Memory of the World Wars. New York: Oxford University Press, 1990.
Mosse, George L.Two World Wars and the Myth of the War ExperienceJournal of Contemporary History 21 (1986): 491513.
Nora, Pierre. ‘Between Memory and History. Les Lieux de MémoireRepresentations 26 Special Issue: Memory and Counter-Memory (Spring 1989), 724.
Nora, Pierre, ed. Les lieux de mémoire, 7 vols. Paris: Gallimard, 1984–92.
Oliver, Dean F. and Brandon, Laura. Canvas of War: Painting the Canadian Experience 1914 to 1945. Ottawa: Douglas and Macintyre, 2000.
Oppenheimer, Melanie. ‘“Fated to a Life of Suffering”: Graythwaite, the Australian Red Cross and Returned Soldiers, 1916–39’ in Crotty, Martin and Larsson, Marina, eds. Anzac Legacies: Australians and the Aftermath of War. Melbourne: Australian Scholarly Publishing, 2010.
Overy, Richard. The Morbid Age: Britain and the Crisis of Civilisation, 1919–1939. London: Penguin, 2010.
Pearce, Susan M. Museums, Objects and Collections: A Cultural Study. Washington, DC: Smithsonian Institution Press, 1993.
Phillips, Jock. ‘The Quiet Western Front: the First World War and New Zealand Memory’ in Das, Santanu, ed. Race, Empire and First World War Writing. Cambridge: Cambridge University Press, 2011, 231–48.
Prior, Robin. Gallipoli: the End of the Myth. New Haven, CT: Yale University Press, 2009.
Prior, Robin and Wilson, Trevor. The Somme. New Haven and London: Yale University Press, 2006.
Prost, Antoine. In the Wake of War: ‘Les Anciens Combattants’ and French Society 1914–1939. Oxford: Berg, 1992.
Prost, Antoine, ed. ‘Memorials to the Dead’ in Republican Identities in War and Peace: Representations of France in the Nineteenth and Twentieth Centuries, trans. Winter, Jay and McPhail, Helen. Oxford and New York: Berg, 2002.
Puiseux, Hélène. Les figures de la guerre: représentations et sensibilités, 1839–1996. Paris: Gallimard, 1997.
Rainbird, Paul. ‘Representing Nation, Dividing Community: The Broken Hill War Memorial, New South Wales, AustraliaWorld Archaeology 35 (1) 2003: 2234.
Reeves, Nicholas. Official British Film Propaganda during the First World War. London: Croom Helm, 1986.
Robertson, Peter. ‘Canadian Photojournalism during the First World WarHistory of Photography 2 (1978): 3752.
Roshwald, Aviel and Stites, Richard. European Culture in the Great War: The Arts, Entertainment, and Propaganda, 1914–1918. Cambridge and New York: Cambridge University Press, 1999.
Rüger, Jan. ‘The Symbolic Value of the Dreadnought’ in Lambert, Andrew D., Blyth, Robert J. and Rüger, Jan, eds. The Dreadnought and the Edwardian Age. Farnham: Ashgate, 2011, 918.
Sanders, M. L.Wellington House and British Propaganda during the First World WarThe Historical Journal 18 (1) (1975): 119–46.
Saunders, Nicholas J.Bodies of Metal, Shells of Memory: “Trench Art”, and the Great War Re-cycledJournal of Material Culture 5 (1) (2000): 4367.
Saunders, Nicholas J.Matter and Memory in the Landscapes of Conflict: The Western Front 1914–1999’ in Bender, Barbara and Winer, Margot, eds. Contested Landscapes: Movement, Exile and Place. Oxford and New York: Berg, 2001, 3753.
Saunders, Nicholas J., ed. Matters of Conflict: Material Culture, Memory and the First World War. London and New York: Routledge, 2004.
Saunders, Nicholas J. Trench Art: Materialities and Memories of War. Oxford and New York: Berg, 2003.
Saunders, Nicholas J. and Cornish, Paul, eds. Contested Objects: Material memories of the Great War. New York: Routledge, 2009.
Scarry, Elaine. The Body in Pain: The Making and Unmaking of the World. New York: Oxford University Press, 1985.
Scates, Bruce. A Place to Remember: A History of the Shrine of Remembrance. Cambridge: Cambridge University Press, 2009.
Schama, Simon. Dead Certainties (Unwarranted Speculations). New York: Vintage, 1992.
Schreuder, Deryck M. and Ward, Stuart. Australia's Empire. Oxford and New York: Oxford University Press, 2008.
Seal, Graham. Inventing Anzac: The Digger and National Mythology. St Lucia: University of Queensland Press, 2004.
Sheets-Pyenson, Susan. Cathedrals of Science: The Development of Colonial Natural History Museums during the Late Nineteenth Century. Kingston and Montreal: McGill-Queen's University Press, 1988.
Sheftall, Mark. ‘Mythologising the Dominion Fighting Man: Australian and Canadian Narratives of the First World War Soldier, 1914–39Australian Historical Studies 46 (1) (2015): 8199.
Sheftall, Mark David. Altered Memories of the Great War: Divergent Narratives of Britain, Australia, New Zealand and Canada. London and New York: I. B. Tauris, 2009.
Sherman, Daniel. ‘Objects of Memory: History and Narrative in French War MuseumsFrench Historical Studies 19 (1) (1995): 4974.
Sherman, Daniel. The Construction of Memory in Interwar France. Chicago, IL: University of Chicago Press, 1999.
Shipley, Robert. To Mark Our Place: A History of Canadian War Memorials. Toronto: NC Press, 1987.
Silcox, David P. The Group of Seven and Tom Thomson. Richmond Hill: Firefly Books, 2003.
Silver, Kenneth E. Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War, 1914–1925. Princeton, NJ: Princeton University Press, 1989.
Smither, Roger. ‘“P'rhaps I Shall See You”: Recognition of Loved Ones in Non-fiction Film of the First World War’ in Saunders, Nicholas J. and Cornish, Paul, eds. Contested Objects: Material memories of the Great War. New York: Routledge, 2009, 178–89.
Sontag, Susan. On Photography. New York: Farrar, Straus and Giroux, 1977.
Sontag, Susan. Regarding the Pain of Others. New York: Picador/Farrar, Straus and Giroux, 2003.
Soye, Edward Peter. ‘Canadian War Trophies: Arthur Doughty and German Aircraft Allocated to Canada after the First World War’. Unpublished M.A. Thesis, Royal Military College, Canada, 2009.
Springhall, John. ‘“Up Guards and At Them!” British Imperialism and Popular Art, 1880–1914’ in Mackenzie, John M., ed. Imperialism and Popular Culture. Manchester: Manchester University Press, 1986, 4972.
Stanley, Peter. ‘Diversity of Visitors, Diversity of Interpretation: The Australian War Memorial's Second World War Gallery’ in McIntyre, Darryl and Wehner, Kirsten, eds. National Museums: Negotiating Histories. Canberra: National Museum of Australia in association with the Centre for Cross-Cultural Research and the Australian Key Centre for Cultural and Media Policy, 2001.
Stephen, Martin. The Price of Pity: Poetry, History and Myth in the Great War. London: Leo Cooper, 1996.
Stephens, John. ‘“The Ghosts of Menin Gate”: Art, Architecture and CommemorationJournal of Contemporary History 44 (2009): 726.
Taylor, A. J. P. Beaverbrook. New York: Simon and Schuster, 1972.
Taylor, John. War Photography: Realism in the British Press. London: Routledge, 1991.
Thomson, Alistair. ‘Memory as a Battlefield: Personal and Political Investments in the National Military PastThe Oral History Review 22 (1995): 5373.
Thompson, Andrew. Imperial Britain: The Empire in British Politics, c. 1880–1932. London: Routledge, 2014.
Tippett, Maria. Art at the Service of War: Canada, Art, and the Great War. Toronto, Buffalo and London: University of Toronto Press, 1984.
Tippett, Maria. Canada, Art and Propaganda during the Great War. London: Canadian High Commission, 1989.
Tippett, Maria. Stormy Weather: F. H. Varley, a Biography. Toronto: McLellan and Stewart, 2000.
Todman, Dan. The Great War: Myth and Memory. London: Hambledon Continuum, 2005.
Trumpener, Katie. ‘Memorials Carved in Granite: Great War Memorials and Everyday LifePMLA 115 (October 2000): 1096–103.
Urry, John. ‘How Societies Remember the Past’ in Macdonald, Sharon and Fyfe, Gordon, eds. Theorizing Museums: Representing Identity and Diversity in a Changing World. Oxford: Blackwell/The Sociological Review, 1996, 4565.
Vance, Jonathan. Death So Noble: Memory, Meaning and the First World War. Vancouver: University of British Columbia Press, 1997.
Vance, Jonathan F. High Flight: Aviation and the Canadian Imagination. Toronto: Penguin, 2002.
Vance, Jonathan. Maple Leaf Empire: Canada, Britain, and Two World Wars. Don Mills: Oxford University Press, 2012.
Vance, Jonathan F.Tangible Demonstrations of a Great Victory: War Trophies in CanadaMaterial History Review 42 (Fall 1995)/Revue d'histoire de la culture materielle 42 (automne 1995): 4756.
Vance, Jonathan F.The Great Response: Canada's Long Struggle to Honour the Dead of the Great WarThe Beaver 76 (5) (1996): 2832.
Vandiver, Elizabeth. Stand in the Trench, Achilles: Classical Receptions in British Poetry of the Great War. Oxford and New York: Oxford University Press, 2010.
Véray, Laurent. ‘Cinema’ in Winter, Jay, ed. The Cambridge History of the First World War, Vol. III: Civil Society. Cambridge: Cambridge University Press, 2014, 475503.
Vogel, Jakob. ‘Military, Folklore, Eigensinn: Folkloric Militarism in Germany and France, 1871–1914Central European History 33 (4) (2000): 487504.
Walsh, Michael. ‘C.R.W. Nevinson: Conflict, Contrast and Controversy in Paintings of WarWar in History 12 (2) (2005): 178207.
Walter, Tony. ‘War Grave Pilgrimage’ in Reader, Ian and Walter, Tony, eds. Pilgrimage in Popular Culture. Basingstoke: Macmillan, 1993, 6391.
Ward, Stuart. Australia and the British Embrace: The Demise of the Imperial Ideal. Carlton South: Melbourne University Press, 2001.
Ward, Stuart. ‘Parallel Lives, Poles Apart: Commemorating Gallipoli in Ireland and Australia’ in Horne, John and Madigan, Edward, eds. Towards Commemoration: Ireland in War and Revolution 1912–1923. Dublin: Royal Irish Academy, 2013, 2937.
Weingarter, James J.Trophies of War: U.S. Troops and the Mutilation of Japanese War Dead, 1941–45Pacific Historical Review LXI (February 1992), 5367.
Wellington, Jennifer. ‘Empire and nation in Canadian and Australian First World War Exhibitions, 1917–18’ in Varnava, Andrekos and Walsh, Michael, eds. The Great War and the British Empire: Culture, Identity, Memory. London: Routledge, 2017.
Wellington, Jennifer. ‘History, Memory and the Law: Representing the High Court of Australia's Mabo Decision’ in Post, Robert, ed. Global Constitutionalism: Constitutional Orders. New Haven, CT: Yale Law School, 2008.
Wellington, Jennifer. ‘Narrative as History, Image as Memory: Exhibiting the Great War in Australia, 1917–41’ in Longair, Sarah and McAleer, John, eds. Curating Empire: Museums and the British Imperial Experience. Manchester: Manchester University Press, 2012, 104–21.
Williams, John F. The Quarantined Culture: Australian Reactions to Modernism 1913–1939. Cambridge: Cambridge University Press, 1995.
Wilson, Keith, ed. Forging the Collective Memory: Governments and International Historians Through Two World Wars. Providence and Oxford: Berghahn Books, 1996.
Wilson, Trevor. ‘The Veterans’ Voice: The Returned Sailors’ and Soldiers’ Imperial League of Australia, 1916–19’ in Ekins, Ashley, ed. 1918 Year of Victory: The End of the Great War and the Shaping of History. Auckland: Exisle Publishing, 2010.
Windschuttle, Keith. ‘How Not to Run a Museum: People's History at the Postmodern MuseumQuadrant September 2001.
Winegard, Timothy C. Indigenous Peoples of the British Dominions and the First World War. Cambridge: Cambridge University Press, 2012.
Winter, Denis. Death's Men: Soldiers of the Great War. London: Penguin, 1979.
Winter, Denis. Making the Legend: The War Writings of C. E. W. Bean. St. Lucia: University of Queensland Press, 1992.
Winter, Denis. ‘Treloar, John Linton (1894–1952)Australian Dictionary of Biography, Vol. 12. Melbourne: Melbourne University Press, 1990, 256–7.
Winter, J. M. The Great War and the British People, 2nd ed. Basingstoke, Hampshire and New York: Palgrave Macmillan, 2003.
Winter, Jay. Remembering War: The Great War between Memory and History in the Twentieth Century. New Haven, CT: Yale University Press, 2006.
Winter, Jay. Sites of Memory, Sites of Mourning: The Great War in European Cultural History. Cambridge: Cambridge University Press, 1995.
Winter, Jay. ‘The Memory Boom in Contemporary Historical StudiesRaritan 21 (2001): 5266.
Winter, Jay. ‘The Performance of the Past: Memory, History, Identity’ in Tilmans, Karin, van Vree, Frank and Winter, Jay, eds. Performing the Past: Memory, History, and Identity in Modern Europe. Amsterdam: Amsterdam University Press, 2010.
Winter, Jay. War beyond Words: Languages of Remembrance from the Great War to the Present. Cambridge: Cambridge University Press, 2017.
Winter, Jay and Robert, Jean-Louis, eds. Capital Cities at War: Paris, London, Berlin, 1914–1919, Vol. 1. Cambridge: Cambridge University Press, 1997.
Winter, Jay and Robert, Jean-Louis, Capital Cities at War: Paris, London, Berlin 1914–1919. Vol. 2, A Cultural History. Cambridge: Cambridge University Press, 2007.
Wittman, Laura. The Tomb of the Unknown Soldier, Modern Mourning, and the Reinvention of the Mystical Body. Toronto: University of Toronto Press, 2011.
Wohl, Robert. A Passion for Wings: Aviation and the Western Imagination, 1908–1918. New Haven and London: Yale University Press, 1994.
Wolfe, Patrick. ‘History and Imperialism: A Century of Theory, from Marx to PostcolonialismAmerican Historical Review 102 (2) (1997): 388420.
Worthy, Scott. ‘Communities of Remembrance: Making Auckland's War Memorial MuseumJournal of Contemporary History 39 (4) (2004): 599618.
Young, Alan. ‘“We Throw the Torch”: Canadian Memorials of the Great War and the Mythology of Heroic SacrificeJournal of Canadian Studies 24 (1989/90): 528.
Zolberg, Vera. ‘Museums as Contested Sites of Remembrance: The Enola Gay Affair’ in Macdonald, Sharon and Fyfe, Gordon, eds. Theorizing Museums: Representing Identity and Diversity in a Changing World. Oxford: Blackwell/The Sociological Review, 1996, 6982.

Metrics

Altmetric attention score

Full text views

Total number of HTML views: 0
Total number of PDF views: 0 *
Loading metrics...

Book summary page views

Total views: 0 *
Loading metrics...

* Views captured on Cambridge Core between #date#. This data will be updated every 24 hours.

Usage data cannot currently be displayed.