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ROUTLEDGE COMPANION TO ART IN THE PUBLIC REALM

Gespeichert in:
Bibliographische Angaben
Beteiligte: Cartiere, Cameron, (HerausgeberIn) , Tan, Leon, (HerausgeberIn)
Sprache: Englisch
Veröffentlicht:[S.l.] : ROUTLEDGE, 2020
Schriftenreihe:Routledge art history and visual studies companions
Routledge Art History and Visual Studies Companions Ser
Umfang:1 online resource
Gedruckte Ausgabe:Erscheint auch als:
ISBN:9780429833816
0429833814
0429833806
9780429833809
9780429833793
0429833792
9780429450471
0429450478
1138325309
9781138325302
Schlagwörter:
Art and society
Art and social action
Electronic books
ART / History / Contemporary (1945-)
ART / Art & Politics
DOI:

10.4324/9780429450471

wird zitiert von: 1 Titel im Zitationsindex COCI
Zusammenfassung:<P><STRONG>PART I: </STRONG><STRONG>Introduction</STRONG></P><P>1. Expanding Our Collective Imagination Through Public Art and Social Practice</P><P><EM>Cameron Cartiere and Leon Tan</EM></P><P><STRONG>PART II: </STRONG><STRONG>Activation</STRONG></P><P>2. Towards a Public of 'the Otherwise'</P><P><EM>Meenakshi Thirukode</EM></P><P>3. Japan's Rural Art Festivals: The Echigo-Tsumari Paradigm</P><P><EM>Justin Jesty</EM></P><P>4. Shaking the Snow Globe and Changing the City</P><P><EM>Melissa Laing</EM></P><P>5. Political Art and Metaphoric Exchange</P><P><EM>Steven Cottingham</EM></P><P>6. Gardens and Grains: Design Activations in the Public Realm</P><P><EM>Gretchen Coombs</EM></P><P>7. ACT: Activating City Transience</P><P><EM>Maggie McCormick</EM></P><P><STRONG>PART III: </STRONG><STRONG>Social Justice</STRONG></P><P>8. Art as Protest: The Forced Eviction of the Shijhou and Sa'owac Urban Indigenous Tribes in Taiwan</P><P><EM>Lu Pei-Yi</EM></P><P>9. Participation Problematises: Together in Violence</P><P><EM>Anthony Schrag</EM></P><P>10. As If: An Embodied Account</P><P><EM>Beatrice Catanzaro</EM></P><P>11. Quiet Gestures, Gift Exchange, and Public Formations: The Work of D.A.N.C.E. Art Club and Public Share</P><P><EM>Lana Lopesi</EM></P><P>12. Surviving Institutionalised Care: Accessibility as Social Practice</P><P><EM>Carmen Papalia</EM></P><P><STRONG>PART IV: </STRONG><STRONG>Memory and Identity</STRONG></P><P>13. Suspended Memory: Ebbs and Flows in Attempts at Memorialising in Post-Apartheid South Africa</P><P><EM>Jay Pather</EM></P><P>14. The Double Act of Flower Time</P><P><EM>Raqs Media Collective</EM></P><P>15. (In)famous: Contemporary Lessons from History's Heroes</P><P><EM>Jennifer Wingate</EM></P><P>16. Public Art, Cultural Identity, and the River of Oblivion</P><P><EM>José Quaresma</EM></P><P>17. Luanda's Emotional Geography</P><P><EM>Fabio Vanin</EM></P><P>18. The Imaginary Institution of Place: Notes on Art-led Place-Making as Aesthetic, Social, and Temporal Engineering</P><P><EM>Giusy Checola</EM></P><P>19. The Battle of Public Sculptures: On Three Sculptures in Hong Kong</P><P><EM>Oscar Ho Hing-Kay</EM></P><P>20. Public Art, Gentrification, and the Preservation of Black and BrownUrban Identity: The Case of Little Haiti, Miami -- an Interview with Muralist Serge Toussaint</P><P><EM>Martin Zebracki</EM></P><P><STRONG>PART V: </STRONG><STRONG>Ecology</P></STRONG><P>21. Digging in the World: Art and Emergent Forms for Living</P><P><EM>Susanne Cockrell</EM></P><P>22. Landscape, Eco-Arts Practice, and Digital Technology in the Public Art Realm</P><P><EM>Laura Lee Coles</EM></P><P>23. Changing Space</P><P><EM>Lesia Prokopenko</EM></P><P>24. Ensemble Practices</P><P><EM>Iain Biggs</EM></P><P>25. Public Art Visions and Possibilities: From the View of a Practising Artist</P><P><EM>Betsy Damon</EM></P><P>26. A Compass Rose for the Anthropocene: New Maps for Old -- the Art of Transforming Cultures for Sustainable Futures</P><P><EM>Beth Carruthers</EM></P><P>27. In the Time of Art with Policy: The Practice of Helen Mayer Harrison and Newton Harrison Alongside Global Environmental Policy Since the 1970s</P><P><EM>Chris Fremantle, Anne Douglas, and Dave Pritchard</EM></P><P>28. The Harrisons' Practice in the Context of Global Environmental Policy and Politics from the 1960s to 2019: A Timeline</P><P><EM>Chris Fremantle, Anne Douglas, and Dave Pritchard</EM></P><P><STRONG>PART VI: </STRONG><STRONG>Mapping Social Change</STRONG></P><P>29. Mapping Art in the Public Realm 2008-2018</P><P><EM>Cameron Cartiere, Leon Tan, and Elisha Masemann (map design, Geo</EM><EM>ff Campbell)</P></EM>