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Royal umbrellas of stone : memory, politics, and public identity in Rajput funerary art
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Autor:in: | |
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Sprache: | Englisch |
Veröffentlicht: | Leiden : Brill, 2015 |
Schriftenreihe: | Brill's Indological library
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Umfang: | 1 Online-Ressource ( xxii, 320 pages) |
Gedruckte Ausgabe: | Erscheint auch als:
Belli Bose, Melia : Royal umbrellas of stone. - Leiden : Brill, 2015. - XXI, 319 Seiten
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ISBN: | 9789004300569 9004300562 9789004300545 9004300546 |
Anmerkungen: | Includes bibliographical references and index |
Schlagwörter: | |
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Zusammenfassung: | Preliminary Material -- Introduction: Rajputs and Their Royal Umbrellas -- 1 Interrupted Continuities: The Chatrīs of the Kachhwaha Rajputs of Amber and Jaipur -- 2 Keeping Up with the Kachhwahas: The Chatrīs of the Narukas of Alwar, the Dadu Panthis, and the Shekhawati Merchants -- 3 A Deceptive Message of Resistance: Nostalgia and the Early Jodha Rathores’ Renaissant Devals -- 4 Shifting Allegiances, Shifting Styles: Later Jodha Rathore Memorials -- 5 Devi Kund Sagar: The Iconography of Satī and Its Absence in Bikaner’s Chatrīs -- 6 Eklingji’s Divine Darbār: The Sisodia Chatrīs of Mewar -- 7 Conclusion: Beyond Rajasthan -- Glossary -- Bibliography -- Index. In Royal Umbrellas of Stone: Memory, Politics, and Public Identity in Rajput Funerary Art , Melia Belli Bose provides the first analysis of Rajput chatrī s (\'umbrellas\'; cenotaphs) built between the sixteenth to early-twentieth centuries. New kings constructed chatrī s for their late fathers as statements of legitimacy. During periods of political upheaval patrons introduced new forms and decorations to respond to current events and evoke a particular past. Offering detailed analyses of individual cenotaphs and engaging with art historical and epigraphic evidence, as well as ethnography and ritual, this book locates the chatrī s within their original social, political, and religious milieux. It also compares the chatrī s to other Rajput arts to understand how arts of different media targeted specific audiences |