| Whittall, Arnold Opera in transition | S. 3- |
| Deathridge, John Wagner and beyond | S. 14- |
| Bernardoni, Virgilio Puccini and the dissolution of the Italian tradition | S. 26- |
| Harvey, Caroline Words and actions | S. 47- |
| Weller, Philip Symbolist opera: trials, triumphs, tributaries | S. 60- |
| Street, Alan Expression and construction: the stage works of Schoenberg and Berg | S. 85- |
| Walton, Chris Neo-classical opera | S. 105- |
| Simeone, Nigel France and the Mediterranean | S. 125- |
| Heldt, Guido Austria and Germany, 19181960 | S. 146- |
| Willson, Rachel Beckles Eastern Europe | S. 165- |
| Frolova-Walker, Marina Russian opera: between modernism and romanticism | S. 181- |
| Kirk, Elise K. American opera: innovation and tradition | S. 197- |
| Mark, Christopher Opera in England: taking the plunge | S. 209- |
| Adlington, Robert Music theatre since the 1960s | S. 225- |
| Ashby, Arved Minimalist opera | S. 244- |
| Cooke, Mervyn Opera and film | S. 267- |
| Banfield, Stephen Popular musical theatre (and film) | S. 291- |
| Payne, Nicholas Opera in the marketplace | S. 306- |
| Sutcliffe, Tom Technology and interpretation: aspects of modernism | S. 321- |
© 2000- Österr. Bibliothekenverbund & Service GmbH [generated: 2006.05.02]