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  • 1
    Online Resource
    Online Resource
    Oakland, California :University of California Press,
    UID:
    almahu_9948325243802882
    Format: 1 online resource (341 pages) : , illustrations, maps, photographs.
    ISBN: 9780520958531 (e-book)
    Series Statement: American Crossroads ; 41
    Additional Edition: Print version: Steptoe, Tyina L., 1975- Houston bound : culture and color in a Jim Crow city. Oakland, California : University of California Press, c2016 ISBN 9780520282582
    Language: English
    Keywords: Electronic books.
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Berkerley : University of California Press
    UID:
    gbv_1696326060
    Format: 1 online resource (341 pages)
    Edition: 1st ed.
    ISBN: 9780520958531
    Series Statement: American Crossroads Ser. v.41
    Content: Beginning after World War I, Houston was transformed from a black-and-white frontier town into one of the most ethnically and racially diverse urban areas in the United States. Houston Bound draws on social and cultural history to show how, despite Anglo attempts to fix racial categories through Jim Crow laws, converging migrations--particularly those of Mexicans and Creoles--complicated ideas of blackness and whiteness and introduced different understandings about race. This migration history also uses music and sound to examine these racial complexities, tracing the emergence of Houston's blues and jazz scenes in the 1920s as well as the hybrid forms of these genres that arose when migrants forged shared social space and carved out new communities and politics. This interdisciplinary book provides both an innovative historiography about migration and immigration in the twentieth century and a critical examination of a city located in the former Confederacy.
    Content: Cover -- Contents -- List of Illustrations -- Introduction: When Worlds Collide -- PART ONE -- 1 The Bayou City in Black and White -- 2 Old Wards, New Neighbors -- PART TWO -- 3 Jim Crow-ing Culture -- 4 "We Were Too White to Be Black and Too Black to Be White" -- PART THREE -- 5 "All America Dances to It" -- 6 "Blaxicans" and Black Creoles -- Conclusion: Race in the Modern City -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780520282582
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780520282582
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Oakland, California : University of California Press
    UID:
    gbv_826560199
    Format: ix, 327 pages , Illustrationen, Karten
    ISBN: 9780520282575 , 0520282574 , 9780520282582 , 0520282582
    Series Statement: American crossroads 41
    Content: "From World War I through the 1960s, Houston was transformed into one of the most ethnically and racially diverse urban areas in the United States. Houston Bound draws on social and cultural history to show how, despite Anglo attempts to fix racial categories through Jim Crow laws, converging migrations--particularly those of Mexicans and Creoles--complicated ideas of blackness and whiteness and introduced different understandings about race. This migration history also traces the emergence of Houston's blues and jazz scenes in the 1920s as well as the hybrid forms of these genres--like zydeco and Tejano soul--that arose when migrants forged shared social space. Houston's location on the Gulf Coast, poised between the American South and the West, provides for a particularly rich examination of how the histories of colonization, slavery, and segregation produced divergent ways of thinking about race"--Provided by publisher
    Content: "From World War I through the 1960s, Houston was transformed into one of the most ethnically and racially diverse urban areas in the United States. Houston Bound draws on social and cultural history to show how, despite Anglo attempts to fix racial categories through Jim Crow laws, converging migrations--particularly those of Mexicans and Creoles--complicated ideas of blackness and whiteness and introduced different understandings about race. This migration history also traces the emergence of Houston's blues and jazz scenes in the 1920s as well as the hybrid forms of these genres--like zydeco and Tejano soul--that arose when migrants forged shared social space. Houston's location on the Gulf Coast, poised between the American South and the West, provides for a particularly rich examination of how the histories of colonization, slavery, and segregation produced divergent ways of thinking about race"--Provided by publisher
    Note: Includes bibliographical references and index , Introduction : when worlds collideThe Bayou City in black and white -- Old wards, new neighbors -- Jim Crowing culture -- "We were too white to be black and too black to be white" -- "All America dances to it" -- "Blaxicans" and Black Creoles -- Conclusion : race in modern Houston.
    Additional Edition: ISBN 9780520958531
    Language: English
    Keywords: USA ; Houston, Tex. ; Ethnische Beziehungen ; Kulturleben ; Musik ; Geschichte 1918-1964
    Library Location Call Number Volume/Issue/Year Availability
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