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  • 1
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    edocfu_9958352780402883
    Format: 1 online resource (392 pages) : , illustrations.
    Edition: Course Book.
    Edition: Electronic reproduction. Princeton, N.J. : Princeton University Press, 2010. Mode of access: World Wide Web.
    Edition: System requirements: Web browser.
    Edition: Access may be restricted to users at subscribing institutions.
    ISBN: 9781400836475
    Series Statement: The Bard Music Festival
    Content: Alban Berg and His World is a collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. His allegiance to the austere rigor of Arnold Schoenberg's musical revolution was balanced by a lifelong devotion to the warm sensuousness of Viennese musical tradition and a love of lyric utterance, the emotional intensity of opera, and the expressive nuance of late-Romantic tonal practice. The essays in this collection explore the specific qualities of Berg's brand of musical modernism, and present newly translated letters and documents that illuminate his relationship to the politics and culture of his era. Of particular significance are the first translations of Berg's newly discovered stage work Night (Nocturne), Hermann Watznauer's intimate account of Berg's early years, and the famous memorial issue of the music periodical 23. Contributors consider Berg's fascination with palindromes and mirror images and their relationship to notions of time and identity; the Viennese roots of his distinctive orchestral style; his links to such Viennese contemporaries as Alexander Zemlinsky, Franz Schreker, and Erich Wolfgang Korngold; and his attempts to maneuver through the perilous shoals of gender, race, and fascist politics. The contributors are Antony Beaumont, Leon Botstein, Regina Busch, Nicholas Chadwick, Mark DeVoto, Douglas Jarman, Sherry Lee, and Margaret Notley. Bard Music Festival: Berg and His World Bard CollegeAnnandale-on-Hudson, New YorkAugust 13-15, 2010 and August 20-22, 2010.
    Note: Frontmatter -- , Contents -- , Preface and Acknowledgments -- , Permissions and Credits -- , Berg’s Worlds / , Hermann Watznauer’s Biography of Alban Berg / , A Descriptive Overview of Berg’s Night (Nocturne) / , Berg and the Orchestra / , "... deinen Wuchs wie Musik": Portraits, Identities, and the Dynamics of Seeing in Berg’s Operatic Sphere / , "Remembrance of things that are to come": Some Reflections on Berg’s Palindromes / , 1934, Alban Berg, and the Shadow of Politics: Documents of a Troubled Year / , Alban Berg zum Gedenken: The Berg Memorial Issue of 23: A Viennese Music Journal / , Alban Berg and the Memory of Modernism / , Index -- , Notes on the Contributors -- , Backmatter. , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Princeton, N.J. :Princeton University Press,
    UID:
    edocfu_9959231865902883
    Format: 1 online resource (381 p.)
    Edition: Course Book
    ISBN: 1-282-93646-8 , 9786612936463 , 1-4008-3647-6
    Series Statement: The Bard music festival
    Content: Alban Berg and His World is a collection of essays and source material that repositions Berg as the pivotal figure of Viennese musical modernism. His allegiance to the austere rigor of Arnold Schoenberg's musical revolution was balanced by a lifelong devotion to the warm sensuousness of Viennese musical tradition and a love of lyric utterance, the emotional intensity of opera, and the expressive nuance of late-Romantic tonal practice. The essays in this collection explore the specific qualities of Berg's brand of musical modernism, and present newly translated letters and documents that illuminate his relationship to the politics and culture of his era. Of particular significance are the first translations of Berg's newly discovered stage work Night (Nocturne), Hermann Watznauer's intimate account of Berg's early years, and the famous memorial issue of the music periodical 23. Contributors consider Berg's fascination with palindromes and mirror images and their relationship to notions of time and identity; the Viennese roots of his distinctive orchestral style; his links to such Viennese contemporaries as Alexander Zemlinsky, Franz Schreker, and Erich Wolfgang Korngold; and his attempts to maneuver through the perilous shoals of gender, race, and fascist politics. The contributors are Antony Beaumont, Leon Botstein, Regina Busch, Nicholas Chadwick, Mark DeVoto, Douglas Jarman, Sherry Lee, and Margaret Notley. Bard Music Festival: ? Berg and His WorldBard CollegeAnnandale-on-Hudson, New YorkAugust 13-15, 2010 and August 20-22, 2010
    Note: Description based upon print version of record. , Frontmatter -- , Contents -- , Preface and Acknowledgments -- , Permissions and Credits -- , Berg's Worlds / , Hermann Watznauer's Biography of Alban Berg / , A Descriptive Overview of Berg's Night (Nocturne) / , Berg and the Orchestra / , " . . . deinen Wuchs wie Musik": Portraits, Identities, and the Dynamics of Seeing in Berg's Operatic Sphere / , "Remembrance of things that are to come": Some Reflections on Berg's Palindromes / , 1934, Alban Berg, and the Shadow of Politics: Documents of a Troubled Year / , Alban Berg zum Gedenken: The Berg Memorial Issue of 23: A Viennese Music Journal / , Alban Berg and the Memory of Modernism / , Index -- , Notes on the Contributors -- , Backmatter , Issued also in print. , English
    Additional Edition: ISBN 0-691-14855-4
    Additional Edition: ISBN 0-691-14856-2
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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