Kooperativer Bibliotheksverbund

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Format: 527 Seiten , Notenbeispiele

Edition: Revised and expanded edition

ISBN: 9783837650952

Series Statement: Music and sound culture volume 43

Uniform Title: Komponieren im Kontext der Globalisierung

Note: Erscheint auch als Open Access bei De Gruyter

Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-3-8394-5095-6 10.14361/9783839450956

Additional Edition: 10.1515/9783839450956

Language: English

Subjects: Musicology

Keywords: Kunstmusik ; Komposition ; Globalisierung ; Westliche Welt ; Ostasien ; Kunstmusik ; Komposition ; Musikgeschichtsschreibung ; Globalisierung ; Geschichte 1900-2014

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Volltext  (kostenfrei)

URL: Inhaltsverzeichnis

URL: Unbekannt

URL: Inhaltsverzeichnis

Author information: Utz, Christian 1969-

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Format: 1 Online-Ressource (528 p)

Edition: [Online-Ausgabe]

ISBN: 9783839450956

Series Statement: Musik und Klangkultur Band 43

Content: Frontmatter -- Table of Contents -- Preface -- Preface to the Revised and Expanded English Edition -- Acknowledgements -- List of Examples, Figures, and Tables -- I. Introduction: Art Music, Identity, and Reflexive Globalization -- 1. Art Music in a Global Context -- 2. Identity Criticism and Reflexive Globalization -- 3. Discourses of Intercultural Composition -- II. Toward an Entangled History of Twentieth-Century Music in a Global Context -- 1. Preliminaries of an Intercultural Music Historiography -- 2. Internationalism and Universalism: Repercussions of Political and Cultural History -- 3. The Ambivalence of the Local in Twentieth-Century Music -- 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- 6. Categories of Intercultural Reception in Western Composition -- III. Studies on the History and Analysis of New East Asian Music -- 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- 5. Intercultural Narrativity in East Asian Art Music since the 1990s -- 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- IV. The shō Context -- 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- V. New Music and Beyond: Music-Historical and Cultural Entanglements -- 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- VI. Reflections on My Own Composing as a Search for Traces in the In-Between -- 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- 2. Stratification and Analysis -- 3. Intercultural and Multilingual Trajectories of the Human Voice -- 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- Bibliography -- Appendix -- Index

Content: Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, music history has to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st centuries. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society is placed at the center of attention and considered a pivotal music-historical dynamic

Note: Mode of access: Internet via World Wide Web. , In English

Additional Edition: ISBN 9783837650952

Additional Edition: Erscheint auch als print ISBN 9783837650952

Language: English

Subjects: Musicology

Keywords: Westliche Welt ; Ostasien ; Kunstmusik ; Komposition ; Musikgeschichtsschreibung ; Globalisierung

DOI: 10.14361/9783839450956

URL: Open Access

URL: kostenfrei

URL: Cover

URL: Cover

Author information: Utz, Christian 1969-

UID:

Format: 1 Online-Ressource

ISBN: 9783837650952

Content: This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic

Content: Dieses Buch diskutiert die Auswirkungen der kulturellen Globalisierung auf Prozesse der Komposition und Verbreitung von Kunstmusik im 20. und 21. Jahrhundert. Christian Utz liefert die Grundlagen einer globalen Musikhistoriographie, die auf neuen Modellen wie Transnationalismus, Verflechtungsgeschichte und reflexiver Globalisierung aufbaut. Das Verhältnis zwischen Musik und breiteren gesellschaftlichen Veränderungen bildet den zentralen Fokus der Studien und wird als zentrale musikgeschichtliche Dynamik begriffen

Note: English

Language: English

URL: kostenfrei

UID:

ISBN: 978-3-8394-5095-6

Series Statement: Music and sound culture volume 43

Content: Long description: Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, music history has to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st centuries. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society is placed at the center of attention and considered a pivotal music-historical dynamic

Content: Biographical note: Christian Utz is a professor for music theory and music analysis at the University of Music and Performing Arts Graz and an associate professor at the University of Vienna. He directed the FWF-funded research projects »A Context-Sensitive Theory of Post-tonal Sound Organization« (2012-2014) and »Performing, Experiencing and Theorizing Augmented Listening« (2017-2020)

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8376-5095-2

Language: English

Subjects: Musicology

Keywords: Kunstmusik ; Komposition ; Musikgeschichtsschreibung ; Globalisierung

DOI: 10.14361/9783839450956

Author information: Utz, Christian, 1969-

UID:

Format: 1 online resource (543 pages)

Edition: 1st ed.

ISBN: 9783839450956

Series Statement: Musik und Klangkultur Series ; v.43

Additional Edition: Print version: Utz, Christian Musical Composition in the Context of Globalization Bielefeld : transcript Verlag,c2021 ISBN 9783837650952

Language: English

Keywords: Electronic books.

URL: Click to View

URL: lizenzpflichtig

UID:

ISBN: 9783839450956

Series Statement: Musik und Klangkultur 43

Content: Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, music history has to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st centuries. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society is placed at the center of attention and considered a pivotal music-historical dynamic.

Additional Edition: ISBN 9783837650952

Additional Edition: Erscheint auch als Druckausgabe ISBN 9783837650952

Language: English

Subjects: Musicology

URL: kostenfrei

UID:

Format: 470 Seiten , 24 cm

Edition: 1. Auflage

ISBN: 9783837650952

Series Statement: Musik und Klangkultur 43

Content: Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, music history has to be conceived globally ? a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st centuries. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society is placed at the center of attention and considered a pivotal music-historical dynamic.

Note: Englisch

Language: English

Keywords: Westliche Welt ; Ostasien ; Kunstmusik ; Komposition 〈Musik〉 ; Musikgeschichtsschreibung ; Globalisierung ; Geschichte 1900-2014

Author information: Utz, Christian

UID:

Format: 1 online resource (528 p.)

Edition: 1st ed.

ISBN: 3-8394-5095-0

Series Statement: Musik und Klangkultur 43

Content: Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.

Note: Frontmatter -- , Table of Contents -- , Preface -- , Preface to the Revised and Expanded English Edition -- , Acknowledgements -- , List of Examples, Figures, and Tables -- , I. Introduction: Art Music, Identity, and Reflexive Globalization -- , 1. Art Music in a Global Context -- , 2. Identity Criticism and Reflexive Globalization -- , 3. Discourses of Intercultural Composition -- , II. Toward an Entangled History of Twentieth-Century Music in a Global Context -- , 1. Preliminaries of an Intercultural Music Historiography -- , 2. Internationalism and Universalism: Repercussions of Political and Cultural History -- , 3. The Ambivalence of the Local in Twentieth-Century Music -- , 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- , 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- , 6. Categories of Intercultural Reception in Western Composition -- , III. Studies on the History and Analysis of New East Asian Music -- , 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- , 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- , 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- , 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- , 5. Intercultural Narrativity in East Asian Art Music since the 1990s -- , 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- , IV. The shō Context -- , 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- , 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- , V. New Music and Beyond: Music-Historical and Cultural Entanglements -- , 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- , 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- , 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- , VI. Reflections on My Own Composing as a Search for Traces in the In-Between -- , 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- , 2. Stratification and Analysis -- , 3. Intercultural and Multilingual Trajectories of the Human Voice -- , 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- , Bibliography -- , Appendix -- , Index , In English.

Additional Edition: ISBN 3-8376-5095-2

Language: English

Subjects: Musicology

DOI: 10.14361/9783839450956

UID:

Format: 1 online resource (528 p.)

Edition: 1st ed.

ISBN: 3-8394-5095-0

Series Statement: Musik und Klangkultur 43

Content: Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.

Note: Frontmatter -- , Table of Contents -- , Preface -- , Preface to the Revised and Expanded English Edition -- , Acknowledgements -- , List of Examples, Figures, and Tables -- , I. Introduction: Art Music, Identity, and Reflexive Globalization -- , 1. Art Music in a Global Context -- , 2. Identity Criticism and Reflexive Globalization -- , 3. Discourses of Intercultural Composition -- , II. Toward an Entangled History of Twentieth-Century Music in a Global Context -- , 1. Preliminaries of an Intercultural Music Historiography -- , 2. Internationalism and Universalism: Repercussions of Political and Cultural History -- , 3. The Ambivalence of the Local in Twentieth-Century Music -- , 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- , 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- , 6. Categories of Intercultural Reception in Western Composition -- , III. Studies on the History and Analysis of New East Asian Music -- , 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- , 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- , 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- , 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- , 5. Intercultural Narrativity in East Asian Art Music since the 1990s -- , 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- , IV. The shō Context -- , 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- , 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- , V. New Music and Beyond: Music-Historical and Cultural Entanglements -- , 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- , 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- , 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- , VI. Reflections on My Own Composing as a Search for Traces in the In-Between -- , 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- , 2. Stratification and Analysis -- , 3. Intercultural and Multilingual Trajectories of the Human Voice -- , 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- , Bibliography -- , Appendix -- , Index , In English.

Additional Edition: ISBN 3-8376-5095-2

Language: English

Subjects: Musicology

DOI: 10.14361/9783839450956

UID:

Format: 1 online resource (528 p.)

Edition: 1st ed.

ISBN: 3-8394-5095-0

Series Statement: Musik und Klangkultur 43

Content: Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally - a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.

Note: Frontmatter -- , Table of Contents -- , Preface -- , Preface to the Revised and Expanded English Edition -- , Acknowledgements -- , List of Examples, Figures, and Tables -- , I. Introduction: Art Music, Identity, and Reflexive Globalization -- , 1. Art Music in a Global Context -- , 2. Identity Criticism and Reflexive Globalization -- , 3. Discourses of Intercultural Composition -- , II. Toward an Entangled History of Twentieth-Century Music in a Global Context -- , 1. Preliminaries of an Intercultural Music Historiography -- , 2. Internationalism and Universalism: Repercussions of Political and Cultural History -- , 3. The Ambivalence of the Local in Twentieth-Century Music -- , 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- , 5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, Berio -- , 6. Categories of Intercultural Reception in Western Composition -- , III. Studies on the History and Analysis of New East Asian Music -- , 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- , 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- , 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- , 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- , 5. Intercultural Narrativity in East Asian Art Music since the 1990s -- , 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- , IV. The shō Context -- , 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- , 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- , V. New Music and Beyond: Music-Historical and Cultural Entanglements -- , 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- , 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- , 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- , VI. Reflections on My Own Composing as a Search for Traces in the In-Between -- , 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- , 2. Stratification and Analysis -- , 3. Intercultural and Multilingual Trajectories of the Human Voice -- , 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- , Bibliography -- , Appendix -- , Index , In English.

Additional Edition: ISBN 3-8376-5095-2

Language: English

Subjects: Musicology

DOI: 10.14361/9783839450956