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  • Filmuniversität Babelsberg  (10)
  • BLDAM-Baudenkmalpflege
  • Licensed  (10)
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  • 1
    UID:
    b3kat_BV047348991
    Format: 1 Online-Ressource (xxvi, 466 Seiten) , Illustrationen, Karten
    ISBN: 9780429321108 , 9781000342246
    Series Statement: Routledge art history and visual studies companions
    Content: Extractivism -- Climate violence -- Sensing climates -- In/Visibilities -- Multispecies justice -- Ruptures, insurgencies, worldings
    Note: Includes bibliographical references and index
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-367-22110-2
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-367-70116-1
    Language: English
    Subjects: General works
    RVK:
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    Keywords: Kunst ; Klimaänderung ; Visuelle Kommunikation ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Demos, T. J. 1966-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    b3kat_BV047520893
    Format: 1 Online-Ressource (xxx, 460 Seiten) , Illustrationen
    ISBN: 9780231553193
    Content: William Greaves is one of the most significant and compelling American filmmakers of the past century. Best known for his experimental film about its own making, Symbiopsychotaxiplasm: Take One, Greaves was an influential independent documentary filmmaker who produced, directed, shot, and edited more than a hundred films on a variety of social issues and on key African American figures ranging from Muhammad Ali to Ralph Bunche to Ida B. Wells. A multitalented artist, his career also included stints as a songwriter, a member of the Actors Studio, and, during the late 1960s, a producer and cohost of Black Journal, the first national television show focused on African American culture and politics.This volume provides the first comprehensive overview of Greaves's remarkable career. It brings together a wide range of material, including a mix of incisive essays from critics and scholars, Greaves's own writings, an extensive meta-interview with Greaves, conversations with his wife and collaborator Louise Archambault Greaves and his son David, and a critical dossier on Symbiopsychotaxiplasm. Together, they illuminate Greaves's mission to use filmmaking as a tool for transforming the ways African Americans were perceived by others and the ways they saw themselves. This landmark book is an essential resource on Greaves's work and his influence on independent cinema and African-American culture
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-19958-2
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-19959-9
    Language: English
    Subjects: General works
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    Keywords: Greaves, William 1926-2014 ; Dokumentarfilm ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    New York : Columbia University Press
    UID:
    b3kat_BV045926152
    Format: 1 Online-Ressource (XXIII, 270 Seiten) , Illustrationen
    Edition: Second edition
    ISBN: 9780231546379
    Uniform Title: L'audio-vision
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-18589-9
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-18588-2
    Language: English
    Subjects: General works
    RVK:
    Keywords: Ton ; Bild ; Film ; Tonfilm ; Filmmusik ; Kino ; Film ; Ton ; Geschichte 1895-2010 ; Musik ; Film
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Chion, Michel 1947-
    Author information: Murch, Walter 1943-
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  • 4
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    UID:
    b3kat_BV043937571
    Format: 1 online resource (234 pages)
    ISBN: 9780748695485
    Content: The emergence of these media enables new modes of perception that create 'special' sensations of wonder, astonishment, marvel and the fantastic. Such affections subsequently become mined by consumer industries for profit, thereby explaining the connection between media and consumerism that today seems inherent to the culture industry. Such modes and their affections are also translated into ideology, as American culture seeks to make sense of the sociocultural changes accompanying these new media, particularly as specific versions of American Dream narratives. Special Affects is the first extended exploration of the connection between media and consumerism, and the first book to extensively apply Deleuzian film theory to animation. Its exploration of the connection between the animated form and consumerism, and its re-examination of twentieth-century animation from the perspective of affect, makes this an engaging and essential read for film-philosophy scholars and students
    Note: Title from publisher's bibliographic system (viewed on 08 Aug 2016) , Introduction -- Astonishment and the fantastic in live-action cinema -- Say cheese! The cinematic lifestyle consumer -- Animation's marvel and the graphic narrative mode -- Of mice and mimesis: the wondrous spark of Disney -- Mutual affection-images and daydreaming consumers -- The Disney version of the American dream -- Walt and Wall-E in control society
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-0-7486-9547-8
    Language: English
    Subjects: General works
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    Keywords: Walt Disney Productions ; Animationsfilm ; Affekt ; Popkultur ; Geschichte 1937-1954
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    UID:
    b3kat_BV043937402
    Format: 1 online resource (xiv, 362 pages)
    ISBN: 9780748694181
    Series Statement: Traditions in world cinema
    Content: The first book to address the vast diversity of Northern circumpolar cinemas from a transnational perspective, Films on Ice: Cinemas of the Arctic presents the region as one of great and previously overlooked cinematic diversity. With chapters on polar explorer films, silent cinema, documentaries, ethnographic and indigenous film, gender and ecology, as well as Hollywood and the USSR's uses and abuses of the Arctic, this book provides a groundbreaking account of Arctic cinemas from 1898 to the present. Challenging dominant notions of the region in popular and political culture, it demonstrates how moving images (cinema, television, video, and digital media) have been central to the very definition of the Arctic since the end of the nineteenth century. Bringing together an international array of European, Russian, Nordic, and North American scholars, Films on Ice radically alters stereotypical views of the Arctic region, and therefore of film history itself. "Gathering leading scholars across the three continents meeting in the Arctic, MacKenzie and Stenport open up the utopian, dystopian and heterotopian dimensions of Arctic film, a shimmering, crystalline view not only on the contest over the meanings of polar space, but onto the possibilities for reconceptualising world cinema." - Sean Cubitt, Professor of Film and Television, Goldsmiths, University of London
    Note: Title from publisher's bibliographic system (viewed on 09 Sep 2016) , pt. I. Global indigeneity -- pt. II. Hollywood hegemony -- pt. III. Ethnography and the documentary dilemma -- pt. IV. Myths and modes of exploration
    Additional Edition: Erscheint auch als Druckausgabe ISBN 978-0-7486-9417-4
    Language: English
    Subjects: Scandinavian Studies , General works
    RVK:
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    Keywords: Film ; Arktis ; Geschichte ; Arktis ; Film ; Geschichte ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 6
    Online Resource
    Online Resource
    New York : New York University Press
    UID:
    b3kat_BV046727019
    Format: 1 Online-Ressource (x, 406 Seiten) , Illustrationen, Diagramme
    Edition: Second edition
    ISBN: 9781479837441
    Series Statement: User's guides to popular culture
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4798-9063-7
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-4798-9881-7
    Language: English
    Subjects: General works
    RVK:
    Keywords: USA ; Fernsehprogramm ; Gesellschaft ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    UID:
    b3kat_BV048704038
    Format: 253 S.
    Content: Cultural Performance in China: beyond resistance in the 1990s adopts a multi-disciplinary and critical approach in engaging issues of cultural performance, global/local cultural subjectivities, and transnationalism within and between different media, including film, television, drama, fiction, and folk dance in China during the late 1990s. Theories of globalization and transnationalism, key to the dissertation's theoretical framework, are in part developed from the works of Arjun Appadurai, Homi Bhabha, Rob Wilson, and Wimal Dissanayake. Theories of performativity and performance, adapted from a range of scholars (including Victor Turner, Richard Schechner, and Judith Butler), show how performance is an apt metaphor for cultural production in the 1990s as cultural bipolarities (e.g., local/global; official/anti-official; socialism/capitalism) are obscured by cultural hybridity. The introduction, through a discussion of Li Yang's feature film Blind Shaft, details my rationale and goals for applying performance theory to cultural production in China. Chapter 2 "Staged Ethnography in Guo Shixing's Birdman and Bad Talk Street" discusses how Guo's staging of ethnographic practices and cultural (re)presentation reveals the hybridity inscribed within a post-colonial discursive practice. Chapter 3 "The Re-cycling of Yang'ge by Senior Citizen Street Performers" illustrates how an urbanized folk dance performance provides the opportunity for individuals in a social sub-group to assert their subjectivities in a process involving imagined and real individual and social transformation. Chapter 4 "Titanic in China: Transnational Capitalism as Official Ideology?" examines the emerging synergies between commercial and official cultural practices and discourses and suggests that such complicity between official discourse, global commodification of culture, and the traffic of transnational capitalism plays a critical role in China's contemporary cultural production ...
    Note: Columbus, Ohio State Univ., East Asian Languages and Literatures, Diss., 2003
    Language: German
    Keywords: Hochschulschrift
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  • 8
    UID:
    b3kat_BV047010399
    Format: 1 online resource
    ISBN: 9781315099347 , 1315099349
    Content: "Introduction to Media Distribution offers a clear, direct and comprehensive overview of the entire film, television and new media distribution business, valuable to both students and professionals. In this book, author Scott Kirkpatrick uses his decade of experience in the distribution arena to explore what fuels the distribution process and explains in real-world terms how the business works from beginning to end--not merely what happens to a film or television series after a distributor acquires it, but how distributors pre-sell the content. Kirkpatrick covers deal structures, release strategies, acquisition approaches, rights sales, tax credits, audience research, global regulatory boards, and even 'behind closed doors' monetization practices"--
    Language: English
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 9
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    UID:
    b3kat_BV043016227
    Format: 1 Online-Ressource , Illustrationen
    ISBN: 9780231538039
    Series Statement: Film and culture series
    Additional Edition: Erscheint auch als Druckausgabe, cloth ISBN 978-0-231-16346-0
    Additional Edition: Erscheint auch als Druckausgabe, pbk ISBN 978-0-231-16347-7
    Language: English
    Subjects: General works
    RVK:
    Keywords: USA ; Film ; Tod ; Sterben ; Geschichte 1900-2005
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  • 10
    UID:
    b3kat_BV048890197
    Format: 1 Online-Ressource (304 pages) , 33 B/W illustrations
    ISBN: 9781474496599
    Series Statement: ReFocus: The American Directors Series : RFADS
    Content: The first critical work to emphasize Richard Brook's literariness"Offers a critical assessment by well-known film scholarsExplores Brooks's engagement with intellectual and cultural trendsDiscusses Brooks's engagement with genresReFocus: The Literary Films of Richard Brooks highlights the accomplishments of one of postwar America's most important and successful directors, with an emphasis on the "literary" aspects of his career, including his work as a screenwriter and adaptor of such modern classics as Cat on a Hot Tin Roof, Lord Jim, and The Brothers Karamazov.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) , In English
    Language: English
    URL: Volltext  (URL des Erstveröffentlichers)
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