Kooperativer Bibliotheksverbund

UID:

Format: 1 Online-Ressource

Edition: [1st electronic ed.]

Edition: Sekundär-Ausgabe North American Immigrant Letters, Diaries, and Oral Histories Sonstige Standardnummer des Gesamttitels: 041032-9

Series Statement: North American immigrant letters, diaries and oral histories

Note: Access restricted to subscribers. - Title from HTML t.p. (viewed May 7, 2007)

Additional Edition: Reproduktion von Berger, Harry, 1924- Ellis Island oral history project, series KECK, no. 063 2003

Language: English

Subjects: History , American Studies , Ethnology , Sociology

Keywords: Electronic books ; Electronic books

URL: Volltext

URL: Volltext  (Deutschlandweit zugänglich)

UID:

Format: 1 Online-Ressource (xii, 351 Seiten) : , Illustrationen.

ISBN: 978-0-226-74048-5

Series Statement: New material histories of music

Content: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions

Content: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-0-226-74034-8

Language: English

Subjects: Musicology

Keywords: Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft

DOI: 10.7208/9780226740485

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: Cover

UID:

Format: 1 Online-Ressource (XVII, 720 Seiten).

ISBN: 978-1-137-30427-8

Series Statement: Palgrave studies in the history of social movements

Additional Edition: Erscheint auch als Druckausgabe ISBN 978-1-137-30425-4

Language: English

Subjects: History , Sociology

Keywords: Soziale Bewegung ; Aufsatzsammlung

DOI: 10.1057/978-1-137-30427-8

URL: Volltext  (URL des Erstveröffentlichers)

Author information: Nehring, Holger 1974-

Author information: Berger, Stefan 1964-

UID:

Format: 1 online resource (xi, 242 pages).

Edition: Second edition.

ISBN: 9781315408583 , 1315408589 , 9781315408576 , 1315408570 , 9781315408552 , 1315408554 , 9781315408569 , 1315408562

Content: Theory for Ethnomusicology: Histories, Conversations, Insights, Second Edition, is a foundational work for courses in ethnomusicological theory. The book examines key intellectual movements and topic areas in social and cultural theory, and explores the way they have been taken up in ethnomusicological research. New co-author Harris M. Berger and Ruth M. Stone investigate the discipline's past, present, and future, reflecting on contemporary concerns while cataloging significant developments since the publication of the first edition in 2008. A dozen contributors approach a broad range of theoretical topics alive in ethnomusicology. Each chapter examines ethnographic and historical works from within ethnomusicology, showcasing the unique contributions scholars in the field have made to wider, transdisciplinary dialogs, while illuminating the field's relevance and pointing the way toward new horizons of research. New to this edition: Every chapter in the book is completely new, with richer and more comprehensive discussions. New chapters have been added on gender and sexuality, sound and voice studies, performance and critical improvisation studies, and theories of participation. New text boxes and notes make connections among the chapters, emphasizing points of contact and conflict among intellectual movements.

Note: Linguistic and semiotic approaches to ethnomusicology: from abstract structure to situated practice / , Marxist approaches to music, political economy, and the culture industries: ethnomusicological perspectives / , Theories of gender and sexuality: from the village to the anthropocene / , Constructing race and engaging power through music: ethnomusicology and critical approaches to race / , Theories of the post-colonial and globalization: ethnomusicologists grapple with power, history, media, and mobility / , Performance studies and critical improvisation studies in ethnomusicology: understanding music and culture through situated practice / , Decentering music: sound studies and voice studies in ethnomusicology / , Phenomenology and phenomenological ethnomusicology: approaches to the lived experience of music / , Theories of participation /

Additional Edition: Print version: Theory for ethnomusicology. New York, NY : Routledge, 2019 ISBN 9781138222137

Language: English

Subjects: Musicology

Keywords: Electronic books. ; Electronic books.

DOI: 10.4324/9781315408583

URL: https://www.taylorfrancis.com/books/9781315408583

URL: Volltext  (lizenzpflichtig)

UID:

Format: 1 online resource (vi, 259 pages) : , digital, PDF file(s).

ISBN: 9781571137364 (ebook)

Content: In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of 'ethnic' Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's 'The Air War and Literature' and Grass's 'Crabwalk' are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety of these texts. An opening section on the 1950s - a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration - provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on 'ordinary Germans,' and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner. Stuart Taberner is professor of contemporary German literature, culture, and society, and Karina Berger, B.A., M.St., is a Ph.D. candidate, both at the University of Leeds, UK.

Note: Title from publisher's bibliographic system (viewed on 02 Oct 2015). , W.G. Sebald and German wartime suffering / , The natural history of destruction : W.G. Sebald, Gert Ledig, and the Allied bombings / , Expulsion novels of the 1950s : more than meets the eye? / , "In this prison of the guard room" : Heinrich Böll's Briefe aus dem Krieg 1939-1945 in the context of contemporary debates / , Family, heritage, and German wartime suffering in Hanns-Josef Ortheil, Stephan Wackwitz, Thomas Medicus, Dagmar Leupold, and Uwe Timm / , Lost Heimat in generational novels by Reinhard Jirgl, Christoph Hein, and Angelika Overath / , "A different family story" : German wartime suffering in women's writing by Wibke Bruhns, Ute Scheub, and Christina von Braun / , The place of German wartime suffering in Hans-Ulrich Treichel's family text / , "Why only now?" : the representation of German wartime suffering as a "memory taboo" in Günter Grass's novella Im Krebsgang / , Rereading Der Vorleser, remembering the perpetrator / , Narrating German suffering in the shadow of Holocaust victimology : W.G. Sebald, contemporary trauma theory, and Dieter Forte's air raids epic / , Günter Grass's account of German wartime suffering in Beim Haüten der Zwiebel : mind in mourning or boy adventurer? / , Jackboots and jeans : the private and the political in Uwe Timm's Am Beispiel meines Bruders / , Memory-work in recent German novels : what (if any) limits remain on empathy with the "German experience" of the second World War? / , "Secondary suffering" and victimhood : the "other" of German identity in Bernhard Schlink's "Die Beschneidung" and Maxim Biller's "Harlem holocaust" /

Additional Edition: Print version: ISBN 9781571133939

Language: English

Subjects: German Studies

URL: http://www.cambridge.org/core/product/identifier/9781571137364/type/BOOK

URL: Volltext  (lizenzpflichtig)

UID:

Format: Online-Ressource (vi, 259 p) , 24 cm

Edition: Online-Ausg. Palo Alto, Calif ebrary 2010 Electronic reproduction; Available via World Wide Web

ISBN: 9781571137364 , 1571133933 , 9781571133939

Series Statement: Studies in German literature, linguistics, and culture

Content: "In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety of these texts. An opening section on the 1950s--a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration--provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner"--Publisher's website

Note: "In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of "ethnic" Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's The Air War and Literature and Grass's Crabwalk are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety of these texts. An opening section on the 1950s -- a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration -- provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on "ordinary Germans," and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner"--Publisher's website , Includes bibliographical references (p. [233]-249) and index , Introduction , W.G. Sebald and German wartime suffering , The natural history of destruction : W.G. Sebald, Gert Ledig, and the Allied bombings , Expulsion novels of the 1950s : more than meets the eye? , "In this prison of the guard room" : Heinrich Böll's Briefe aus dem Krieg 1939-1945 in the context of contemporary debates , Family, heritage, and German wartime suffering in Hanns-Josef Ortheil, Stephan Wackwitz, Thomas Medicus, Dagmar Leupold, and Uwe Timm , Lost Heimat in generational novels by Reinhard Jirgl, Christoph Hein, and Angelika Overath , "A different family story" : German wartime suffering in women's writing by Wibke Bruhns, Ute Scheub, and Christina von Braun , The place of German wartime suffering in Hans-Ulrich Treichel's family text , "Why only now?" : the representation of German wartime suffering as a "memory taboo" in Günter Grass's novella Im Krebsgang , Rereading Der Vorleser, remembering the perpetrator , Narrating German suffering in the shadow of Holocaust victimology : W.G. Sebald, contemporary trauma theory, and Dieter Forte's air raids epic , Günter Grass's account of German wartime suffering in Beim Haüten der Zwiebel : mind in mourning or boy adventurer? , Jackboots and jeans : the private and the political in Uwe Timm's Am Beispiel meines Bruders , Memory-work in recent German novels : what (if any) limits remain on empathy with the "German experience" of the second World War? , "Secondary suffering" and victimhood : the "other" of German identity in Bernhard Schlink's "Die Beschneidung" and Maxim Biller's "Harlem holocaust" , Electronic reproduction; Available via World Wide Web

Additional Edition: Erscheint auch als Druck-Ausgabe Germans as victims in the literary fiction of the Berlin Republic

Language: English

Subjects: German Studies

URL: Volltext

URL: Inhaltsverzeichnis

UID:

Format: 1 online resource (xxxv, 875 pages) : , digital, PDF file(s).

ISBN: 9781139057813 (ebook)

Series Statement: The Cambridge history of music

Content: Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.

Note: Title from publisher's bibliographic system (viewed on 15 Jan 2016). , Historiography -- Improvisation and composition -- Humanism -- Music and other arts -- Music in churches, courts, and cities -- Religious devotion and liturgy -- Theory and practice -- Sources -- Genres -- Reception.

Additional Edition: Print version: ISBN 9781107015241

Language: English

Subjects: Musicology

URL: https://doi.org/10.1017/CHO9781139057813

URL: Volltext  (lizenzpflichtig)

URL: Volltext

URL: Inhaltsverzeichnis

UID:

Format: 1 Online-Ressource (XIX, 316 Seiten) : , Illustrationen.

ISBN: 978-3-319-77197-7

Series Statement: Palgrave studies in the history of social movements

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-319-77196-0

Language: English

Subjects: Scandinavian Studies , Sociology

Keywords: Soziale Bewegung ; Wirtschaftliche Elite ; Sozialer Wandel ; Aufsatzsammlung

DOI: 10.1007/978-3-319-77197-7

URL: Volltext  (URL des Erstveröffentlichers)

Author information: Berger, Stefan 1964-

Author information: Boldorf, Marcel 1965-

UID:

Format: 1 Online-Ressource (XIX, 316 Seiten) : , Illustrationen.

ISBN: 978-3-319-77197-7

Series Statement: Palgrave studies in the history of social movements

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-319-77196-0

Language: English

Subjects: Scandinavian Studies , Sociology

Keywords: Soziale Bewegung ; Wirtschaftliche Elite ; Sozialer Wandel ; Aufsatzsammlung

DOI: 10.1007/978-3-319-77197-7

URL: Volltext  (URL des Erstveröffentlichers)

Author information: Berger, Stefan 1964-

Author information: Boldorf, Marcel 1965-

UID:

Format: 1 Online-Ressource (xxiii, 177 Seiten) : , Illustrationen.

ISBN: 978-3-030-24709-6

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-24708-9

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-24710-2

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-24711-9

Language: English

Subjects: General works , Sociology

Keywords: Marke ; Kulturanalyse

DOI: 10.1007/978-3-030-24709-6

URL: Volltext  (URL des Erstveröffentlichers)

Author information: Berger, Arthur Asa 1933-