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  • Englisch  (6)
  • Germanistik  (3)
  • Musikwissenschaft  (3)
  • Lizenziert  (6)
  • 1
    Online-Ressource
    Online-Ressource
    Chicago ; London : The University of Chicago Press
    UID:
    b3kat_BV047194959
    Umfang: 1 Online-Ressource (xii, 351 Seiten) , Illustrationen
    ISBN: 9780226740485
    Serie: New material histories of music
    Inhalt: The search for the origins of music : comparative musicology. Comparative musicology and comparative linguistics; Erich Moritz von Hornbostel; Marius Schneider; Georg Schünemann; Two crossover musicologists : Jacques Handschin and Manfred Bukofzer; Nicholas G.J. Ballanta -- Bringing Medieval music to life : Jugendmusik- and Singbewegung. The first performances of medieval music and the historians behind them; The Jugendmusik- and Singbewegung : ideology, leaders, and publishers -- Music in the German mission stations in East Africa : some case studies. A history of the missions -- The Moravians -- The Leipzig Mission -- The Bethel Mission -- The Catholic Missionsbenediktiner St. Ottilien -- Conclusions
    Inhalt: "The modern discipline of musicology has its roots in early-twentieth-century Germany and in three seemingly distinct but surprisingly connected areas of musical activity: the discovery of Medieval music and music theory through the all-consuming unearthing and decoding of documents; the tremendous growth of youth movements devoted to collective singing and music-making and the study of Medieval music; and the exportation of this music to Protestant and Catholic missions in German East Africa, where it was widely taught and performed. Underlying these activities was the belief that Medieval music, its structure and soundworld, had affinities with the music of "primitive" societies, such as those the missionaries encountered in East Africa. Rejected outright by African musicians and scholars at the time, the belief was kept alive in the European musicological community through the first half of the twentieth century. Anna Maria Busse Berger draws this all together for the first time, anchoring her writing in extensive archival research and her personal experience as the daughter of a German Lutheran missionary in East Africa. The result is a momentous re-thinking of the early history of music scholarship as well as a novel understanding of the imperial and colonial projects that shaped Germany's perception of itself at a crucial time in its history"--
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-0-226-74034-8
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
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    Schlagwort(e): Afrika ; Deutsches Sprachgebiet ; Musik ; Kolonialismus ; Mission ; Rezeption ; Mittelalter ; Kulturvergleich ; Vergleichende Musikwissenschaft ; Geschichte 1891-1961
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 2
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge Univ. Press
    UID:
    gbv_832158623
    Umfang: Online-Ressource (XXXV, 850 S.) , Ill., graph. Darst.
    Ausgabe: Cambridge histories online
    ISBN: 9781139057813
    Serie: The Cambridge history of music
    Inhalt: Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9781107015241
    Weitere Ausg.: ISBN 1107015243
    Weitere Ausg.: Druckausg. The Cambridge history of fifteenth-century music Cambridge : Cambridge University Press, 2015 ISBN 9781107015241
    Weitere Ausg.: ISBN 9781108791885
    Weitere Ausg.: ISBN 1107015243
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
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    Schlagwort(e): Musik ; Geschichte 1400-1500
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Suffolk : Boydell & Brewer
    UID:
    b3kat_BV043915764
    Umfang: 1 Online-Ressource (vi, 259 Seiten)
    ISBN: 9781571137364
    Serie: Studies in German literature, linguistics, and culture
    Anmerkung: Druckausgabe erschien 2009 bei Camden House, Rochester, New York
    Weitere Ausg.: Erscheint auch als Druckausgabe ISBN 978-1-57113-393-9
    Sprache: Englisch
    Fachgebiete: Germanistik
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    Schlagwort(e): Deutsch ; Literatur ; Opfer ; Vergangenheitsbewältigung ; Geschichte 1990-2008 ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Mehr zum Autor: Taberner, Stuart 1969-
    Mehr zum Autor: Berger, Karina 1977-
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  • 4
    UID:
    gbv_883283743
    Umfang: 1 Online-Ressource (vi, 259 pages) , digital, PDF file(s)
    ISBN: 9781571137364
    Inhalt: In recent years it has become much more accepted in Germany to consider aspects of the Second World War in which Germans were not perpetrators, but victims: the Allied bombing campaign, expulsions of 'ethnic' Germans, mass rapes of German women, and postwar internment and persecution. An explosion of literary fiction on these topics has accompanied this trend. Sebald's 'The Air War and Literature' and Grass's 'Crabwalk' are key texts, but there are many others; the great majority seek not to revise German responsibility for the Holocaust but to balance German victimhood and German perpetration. This book of essays is the first in English to examine closely the variety of these texts. An opening section on the 1950s - a decade of intense literary engagement with German victimhood before the focus shifted to German perpetration - provides context, drawing parallels but also noting differences between the immediate postwar period and today. The second section focuses on key texts written since the mid-1990s shifts in perspectives on the Nazi past, on perpetration and victimhood, on 'ordinary Germans,' and on the balance between historical empathy and condemnation. Contributors: Karina Berger, Elizabeth Boa, Stephen Brockmann, David Clarke, Mary Cosgrove, Rick Crownshaw, Helen Finch, Frank Finlay, Katharina Hall, Colette Lawson, Caroline Schaumann, Helmut Schmitz, Kathrin Schödel, and Stuart Taberner. Stuart Taberner is professor of contemporary German literature, culture, and society, and Karina Berger, B.A., M.St., is a Ph.D. candidate, both at the University of Leeds, UK
    Anmerkung: Title from publisher's bibliographic system (viewed on 02 Oct 2015) , Introduction , W.G. Sebald and German wartime suffering , The natural history of destruction : W.G. Sebald, Gert Ledig, and the Allied bombings , Expulsion novels of the 1950s : more than meets the eye? , "In this prison of the guard room" : Heinrich Böll's Briefe aus dem Krieg 1939-1945 in the context of contemporary debates , Family, heritage, and German wartime suffering in Hanns-Josef Ortheil, Stephan Wackwitz, Thomas Medicus, Dagmar Leupold, and Uwe Timm , Lost Heimat in generational novels by Reinhard Jirgl, Christoph Hein, and Angelika Overath , "A different family story" : German wartime suffering in women's writing by Wibke Bruhns, Ute Scheub, and Christina von Braun , The place of German wartime suffering in Hans-Ulrich Treichel's family text , "Why only now?" : the representation of German wartime suffering as a "memory taboo" in Günter Grass's novella Im Krebsgang , Rereading Der Vorleser, remembering the perpetrator , Narrating German suffering in the shadow of Holocaust victimology : W.G. Sebald, contemporary trauma theory, and Dieter Forte's air raids epic , Günter Grass's account of German wartime suffering in Beim Haüten der Zwiebel : mind in mourning or boy adventurer? , Jackboots and jeans : the private and the political in Uwe Timm's Am Beispiel meines Bruders , Memory-work in recent German novels : what (if any) limits remain on empathy with the "German experience" of the second World War? , "Secondary suffering" and victimhood : the "other" of German identity in Bernhard Schlink's "Die Beschneidung" and Maxim Biller's "Harlem holocaust"
    Weitere Ausg.: ISBN 9781571133939
    Weitere Ausg.: Print version ISBN 9781571133939
    Sprache: Englisch
    Fachgebiete: Germanistik
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    URL: Volltext  (lizenzpflichtig)
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  • 5
    UID:
    gbv_1016480199
    Umfang: 1 Online-Ressource (227 Seiten)
    ISBN: 9783035306651
    Serie: Studies in modern German and Austrian literature volume 2
    Inhalt: What became of ethnic Germans in Eastern Europe during the Second World War? In recent years, their suffering, flight and expulsion during and after the war has attracted increasing critical attention. A wave of literary fiction has accompanied this trend, contributing to, and sometimes triggering, heated debate in the media and German-speaking society more widely. Often said to have broken a ‘taboo’, these postunification novels are in fact only the latest in a long history of literary representations of flight and expulsion in German writing. This book offers the first comprehensive account in English of ‘expulsion literature’ in West Germany from the early 1950s to present-day Germany, providing detailed readings of both canonical and lesser known texts and carefully placing the novels in their broader literary and historical context. The book demonstrates that these literary representations have often been viewed too narrowly and offers an alternative and, arguably, more positive perspective on the representation of flight and expulsion over six decades in German literature
    Inhalt: «In sum, Heimat, Loss and Identity provides an assessment of literature on flight and expulsion (and on the long-term effects of these events) that is both comprehensiveand nuanced. Its only drawback—the scant attention to the situation in East Germany—is more than remedied by Niven’s book.»(Friederike Eigler, Monatshefte 3/2016)
    Inhalt: Contents: Victims of Fate: The Representation of Flight and Expulsion in Novels of the Early Postwar Period – ‘A Clear Counter-Discourse’: Expulsion Novels during the Politicized 1970s and 1980s – The Volte-face in the Reception of Walter Kempowski: Shifting Attitudes towards (Representations of ) German Wartime Suffering – An Era of ‘Normalization’? Representations of Flight and Expulsion in Postunification Germany
    Weitere Ausg.: ISBN 9783034317412
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Berger, Karina, 1977 - Heimat, loss and identity Oxford : Peter Lang, 2015 ISBN 9783034317412
    Weitere Ausg.: ISBN 3034317417
    Sprache: Englisch
    Fachgebiete: Germanistik
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    Schlagwort(e): Deutsch ; Roman ; Zweiter Weltkrieg ; Flucht ; Vertreibung ; Geschichte 1948-2006 ; Deutsch ; Literatur ; Zweiter Weltkrieg ; Flucht ; Vertreibung
    URL: Volltext  (lizenzpflichtig)
    Mehr zum Autor: Berger, Karina 1977-
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  • 6
    Online-Ressource
    Online-Ressource
    New York : Routledge, Taylor & Francis Group
    UID:
    gbv_1676294902
    Umfang: 1 Online-Ressource (xi, 242 Seiten)
    Ausgabe: Second edition
    ISBN: 9781315408583
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9781138222137
    Weitere Ausg.: ISBN 9781138222144
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Theory for ethnomusicology New York : Routledge, Taylor & Francis Group, 2019 ISBN 9781138222137
    Weitere Ausg.: ISBN 9781138222144
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
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