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  • 1
    UID:
    gbv_086640860
    Format: xviii, 137 pages , 20 cm
    Edition: Boulder, Colo NetLibrary 2002 Online-Ressource E-Books von NetLibrary
    ISBN: 0807047147 , 9780807047149
    Series Statement: EBSCOhost eBook Collection
    Uniform Title: Boston review
    Content: A basic income for all / Philippe van Parijs -- What about reciprocity? / William A. Galston -- UBI and the flat tax / Herbert A. Simon -- Falling in love again / Wade Rathke -- Security and laissez-faire / Emma Rothschild -- Subsidize wages / Edmund S. Phelps -- UBI and the work ethic / Brian Barry -- Optional freedoms / Elizabeth Anderson -- Good for women / Anne L. Alstott -- Dignity and deprivation / Ronald Dore -- Why pay Bill Gates? / Fred Block -- Something for nothing / Robert E. Goodin -- A debate we need / Katherine McFate -- The big picture / Peter Edelman -- On liberty / Gar Alerovitz -- Pathways from here / Claus Offe
    Note: Includes bibliographical references , Electronic reproduction, Boulder, Colo : NetLibrary, 2002 , A basic income for all / Philippe van Parijs -- What about reciprocity? / William A. Galston -- UBI and the flat tax / Herbert A. Simon -- Falling in love again / Wade Rathke -- Security and laissez-faire / Emma Rothschild -- Subsidize wages / Edmund S. Phelps -- UBI and the work ethic / Brian Barry -- Optional freedoms / Elizabeth Anderson -- Good for women / Anne L. Alstott -- Dignity and deprivation / Ronald Dore -- Why pay Bill Gates? / Fred Block -- Something for nothing / Robert E. Goodin -- A debate we need / Katherine McFate -- The big picture / Peter Edelman -- On liberty / Gar Alerovitz -- Pathways from here / Claus Offe , A basic income for all / Philippe van ParijsWhat about reciprocity? / William A. Galston -- UBI and the flat tax / Herbert A. Simon -- Falling in love again / Wade Rathke -- Security and laissez-faire / Emma Rothschild -- Subsidize wages / Edmund S. Phelps -- UBI and the work ethic / Brian Barry -- Optional freedoms / Elizabeth Anderson -- Good for women / Anne L. Alstott -- Dignity and deprivation / Ronald Dore -- Why pay Bill Gates? / Fred Block -- Something for nothing / Robert E. Goodin -- A debate we need / Katherine McFate -- The big picture / Peter Edelman -- On liberty / Gar Alerovitz -- Pathways from here / Claus Offe.
    Additional Edition: ISBN 0807047139
    Additional Edition: Print version What's wrong with a free lunch?
    Language: English
    Keywords: USA ; Einkommensverteilung ; Garantiertes Mindesteinkommen ; USA ; Einkommensverteilung ; Garantiertes Mindesteinkommen ; Electronic books. ; Electronic books. ; Electronic books ; Aufsatzsammlung
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    Author information: Parijs, Philippe van 1951-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    UID:
    b3kat_BV044763825
    Format: 1 online resource (170 pages)
    ISBN: 9780748693610
    Series Statement: Edinburgh studies in film and intermediality
    Content: Examines crisis, transition and metamorphosis in American independent cinema. By examining six films, all of which conform to the notion of 'indiewood' (King 2005) from a formal perspective, this book argues that American 'indie' cinema is not one merely in crisis, but also of crisis. As a cinema that draws upon an American cinematic heritage that explores various rites of passage (the teen movie, the road movie, the western), these films deal in images of crisis, transition and metamorphosis. This cinema of crisis offers surprisingly subversive and critical images that both engage with and undermine modes of cliched representation and thought by exploring notions of ambiguity and opacity.Key Features: Case studies include: The Virgin Suicides , Elephant , Dead Man , Last Days , Somewhere and Broken Flowers * Engages with and develops on recent scholarship on American independent film from a formal perspective * Situates analysis of indie film within the context of American generic cinematic (and historical) traditions
    Note: Title from publisher's bibliographic system (viewed on 29 Sep 2017) , Adolescence: Sofia Coppola's The Virgin Suicides (1999) -- Adolescence: Gus Van Sant's Elephant (2003) -- Death: Jim Jarmusch's Dead Man (1994) -- Death: Gus Van Sant's Last Days (2004) -- Life-crisis: Sofia Coppola's Somewhere (2011) -- Life-crisis: Jim Jarmusch's Broken Flowers (2005) -- Conclusion: the crisis image - mumblecore and beyond
    Additional Edition: Erscheint auch als Druck-Ausgabe, hardback ISBN 9780748693603
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Coppola, Sofia 1971- ; Jarmusch, Jim 1953- ; Van Sant, Gus 1952- ; USA ; Unabhängiger Film ; Krise ; Erwachsenwerden ; Übergangsritus
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York, NY : Columbia University Press
    UID:
    b3kat_BV046090025
    Format: 1 online resource , 65 b&w illustrations
    ISBN: 9780231548038
    Series Statement: Film and Culture Series
    Content: Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced.Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of "classical" Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers's history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) , In English
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover Rogers, Ariel, author On the screen New York : Columbia University Press, [2019] ISBN 978-0-231-18884-5
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback Rogers, Ariel, author On the screen New York : Columbia University Press, [2019] ISBN 978-0-231-18885-2
    Language: English
    Subjects: General works
    RVK:
    RVK:
    Keywords: Filmwirtschaft ; Technische Innovation ; USA ; Geschichte 1900-1999 ; Filmproduktion ; Geschichte 1926-1942
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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