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  • Stabi Berlin  (7)
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  • Stabi Berlin  (7)
  • HU Berlin  (4)
  • Kreisbibliothek Havelland Rathenow
  • Wissenschaftspark Albert Einstein
  • Akademie d. Wiss.
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  • 1
    Online-Ressource
    Online-Ressource
    London : Bloomsbury Academic | London : Bloomsbury Publishing
    UID:
    gbv_1034145568
    Umfang: 1 Online-Ressource (xiv, 425 pages) , Illustrationen
    Ausgabe: 2014
    ISBN: 9781474237369 , 9781474237352 , 9781474237345
    Serie: Bloomsbury handbooks in religion
    Inhalt: List of Images -- List of Contributors -- Introduction: Religion and Popular Music, Marcus Moberg & Christopher Partridge -- Part One: The Study of Religion and Popular Music: Theoretical Perspectives, Methodologies and Issues -- 1. Ethnography, Popular Music and Religion, (Andy Bennett, Griffith University, Queensland, Australia) -- 2. Emotion, Meaning and Popular Music, (Christopher Partridge, Lancaster University, UK) -- 3. Music, Religion, Protest, (Ian Peddie, Sul Ross State University, USA) -- 4. Censorship, religion and popular music, (Michael Drewett, Rhodes University, South Africa) -- 5. Feminism, Gender and Popular Music, Alison Stone (Lancaster University, UK) -- Part Two: Religious Perspectives -- 6. The Bible and Popular Music, (Michael Gilmour, Providence College, Manitoba, Canada) -- 7. Theology, Imagination and Popular Music, (Gavin Hopps, University of Saint Andrews, UK) -- 8. Christianity, Worship and Popular Music, (Thomas Wagner, University of Edinburgh, UK) -- 9. Contemporary Christian Music, (Shawn Young, York College of Pennsylvania, USA) -- 10. Islam and Popular Music, (Jonas Otterbeck & G ran Larsson, Lund University & Gothenburg University, Sweden) -- 11. Jews, Judaism and Popular Music, (Jon Stratton, Curtin University, Australia) -- 12. Hinduism and Popular Music, (Anjali Roy, Indian Institute of Technology Kharagpur, West Bengal, India) -- 13. Buddhism and Popular Music, (Jeffrey Cupchik, University of Calgary, Canada) -- 14. Japanese Religion and Popular Music, (Jennifer Matsue, Union College, USA) -- 15. Chinese Religions and Popular Music, (Vicky Ho, Hong Kong) -- 16. Paganism and Popular Music, (Donna Weston, Griffith University, Queensland, Australia) -- 17. Popular Music and the Occult, (Kennet Granholm, University of Stockholm, Sweden) -- 18. Caribbean Religions and Popular Music, (David Moskowitz, University of South Dakota, US) -- Part Three: Genres -- 19. Heavy Metal, (Marcus Moberg, Abo Akademi, Finland) -- 20. Pop and Rock, (Clive Marsh, University of Leicester, UK) -- 21. Punk and Hardcore, (Ibrahim Abraham, University of Helsinki, Finland & Francis Stewart, University of Stirling, UK) -- 22. Reggae, (Christopher Partridge, University of Lancaster, UK) -- 23. Folk Music, (Vaughan Roberts, Rector at the Collegiate Church of St Mary, Warwick, UK) -- 24. Country Music, (Leigh Edwards, Florida State University, USA) -- 25. Electronic Dance Music, (Graham St. John, Griffith University, Queensland, Australia) -- 26. Blues and Jazz, (David Cheetham, University of Birmingham, UK) -- 27. Psychedelic Music, (Christopher Partridge, Lancaster University, UK) -- 28. Rap and Hip Hop, (Joseph Winters, Duke University, USA) -- 29. Goth Music and Subculture, (Isabella van Elferen, Kingston University, UK) -- 30. Ambient Music, (Rupert Till, Huddersfield University, UK) -- 31. Popular Music & the Religious Screen, (Mark Evans, Macquarie University, Australia & Brent Keogh, independent academic) -- Bibliography -- Discography -- Filmography -- Index.
    Inhalt: "The Bloomsbury Handbook of Religion and Popular Music is the first comprehensive analysis of the most important themes and concepts in this field. Drawing on contemporary research from religious studies, theology, sociology, ethnography, and cultural studies, the volume comprises thirty-one specifically commissioned essays from a team of international experts. The chapters explore the principal areas of inquiry and point to new directions for scholarship. Featuring chapters on methodology, key genres, religious traditions and popular music subcultures, this volume provides the essential reference point for anyone with an interest in religion and popular music as well as popular culture more broadly. Religious traditions covered include Christianity, Islam, Judaism, Hinduism, Buddhism, Paganism and occultism. Coverage of genres and religion ranges from heavy metal, rap and hip hop to country music and film and television music. Edited by Christopher Partridge and Marcus Moberg, this Handbook defines the research field and provides an accessible entry point for new researchers in the field."--Bloomsbury Publishing
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9781474237338
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe The Bloomsbury handbook of religion and popular music London : Bloomsbury Academic, 2017 ISBN 9781474237338
    Weitere Ausg.: ISBN 9781350082625
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft , Theologie/Religionswissenschaften
    RVK:
    RVK:
    Schlagwort(e): Religion ; Unterhaltungsmusik ; Volksmusik ; Religiosität ; Electronic books ; Aufsatzsammlung
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Suffolk : Boydell & Brewer
    UID:
    b3kat_BV043916792
    Umfang: 1 online resource (xii, 268 pages)
    ISBN: 9781580468305
    Inhalt: What does a conductor actually do? How much effect does he or she have? Can the orchestra manage without one? Why don't the players look at the conductor more? Is it necessary for the conductor to play every instrument? What about interpretation? What happens at rehearsals? Why do some conductors "thrash around" more than others? Who's the boss in a concerto: the soloist or the conductor? These are some of the questions that receive lively and informative answers in this book by renowned conductor Christopher Seaman. Composed of short articles on individual topics, it is accessible and easy to consult. Each article begins with an anecdote or saying and ends with quotations from musicians, often expressing opposing views. There are many books on the art of conducting, but none like this. Music lovers wondering what the figure on the podium actually does, and aspiring conductors eager to learn more about the art and craft of leading an orchestra, will all treasure this wise yet humorous book. Christopher Seaman has been successful at both ends of the baton. After four years as principal timpanist of the London Philharmonic Orchestra, he was appointed principal conductor of the BBC Scottish Symphony Orchestra and has enjoyed a busy international conducting career for over forty years. He is now Conductor Laureate for Life of the Rochester Philharmonic Orchestra, New York, and he continues to bring great music and wise words to audiences, students, and readers around the world
    Anmerkung: Title from publisher's bibliographic system (viewed on 02 Oct 2015) , The conductor's mind. Background ; Harmony ; Memory ; Perfect pitch ; Training conductors ; Youth orchestras -- The conductor's skills. Balance ; Choral works ; Concerto accompaniment ; Ear ; Eye contact ; Opera ; Rehearsing -- The conductor's hands. Baton ; Beat ; Behind-the-beat playing ; Directing from the harpsichord ; Economy of gesture, cueing, use of the left hand -- The conductor and the musicians. Auditions ; Chamber orchestras ; Chief conductor ; Friend or boss? ; Orchestral playing ; Role of concertmaster ; Solos in an orchestral piece ; Stage settings -- The conductor and the instruments. Strings ; Winds ; Timpani and Percussion -- The conductor, the composer, and the score. Composers ; Learning scores, interpretation ; Marking parts ; Performance practice ; Shape and structure ; Tempo and metronome -- The conductor and the audience. Addressing the audience ; Applause, platform demeanor, coughing ; Program planning -- The conductor and "the business." Career and agents ; Critics ; Gender ; Guest conducting ; Orchestra managements ; Recording ; Travel and packing -- Inside the conductor. Concentration ; Control and power ; Ego ; Languages ; Nervousness ; Our heritage : some ancestors and my links with them
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-1-580-46411-6
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Dirigent ; Dirigieren
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 3
    UID:
    b3kat_BV047115284
    Umfang: 1 Online-Ressource (xxiv, 262 Seiten)
    ISBN: 9781787449503
    Inhalt: Compelling inside views of what characterises opera and music theatre in African and African diasporic contexts
    Anmerkung: Title from publisher's bibliographic system (viewed on 08 Dec 2020)
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-1-84701-257-9
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Afrika ; Musiktheater ; Afrika ; Oper ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    UID:
    gbv_1676220984
    Umfang: 1 Online-Ressource (xvi, 826 pages)
    ISBN: 9781139795425 , 1139795422 , 1107037891
    Serie: The Cambridge history of music
    Inhalt: Music criticism has played a fundamental and influential role throughout music history, with numerous composers such as Berlioz, Schumann, and Wagner, as well as many contemporary musicians, also maintaining careers as writers and critics. The Cambridge History of Music Criticism goes beyond these better-known accounts, reaching back to medieval times, expanding the geographical reach both within and beyond Europe, and including key issues such as women and criticism of recordings, as well as the story of criticism in jazz, popular music and world music. Drawing on a blend of established and talented young scholars, this is the first substantial historical survey of music criticism and critics, bringing unprecedented scope to a rapidly expanding area of musicological research. An indispensable point of reference, The Cambridge History of Music Criticism provides a broad historical overview of the field while also addressing specific issues and events.--
    Weitere Ausg.: ISBN 9781107037892
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe The Cambridge history of music criticism Cambridge : Cambridge University Press, 2019 ISBN 9781107037892
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Musikkritik ; Geschichte ; Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
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  • 5
    UID:
    b3kat_BV043955712
    Umfang: 1 Online-Ressource (xi, 355 Seiten) , Illustrationen
    ISBN: 9781628923056 , 9781628923063 , 9781501304781
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-6289-2303-2
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-6289-2304-9
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Bowie, David 1947-2016 ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    Mehr zum Autor: Bowie, David 1947-2016
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  • 6
    UID:
    b3kat_BV044862360
    Umfang: 1 Online-Ressource (550 Seiten) , Illustrationen, Notenbeispiele
    ISBN: 9783205792956
    Serie: Wiener Veröffentlichungen zur Musikgeschichte 11
    Originaltitel: Franz Schreker, 1878-1934 (a cultural biography)
    Anmerkung: Literaturverzeichnis: Seite [480]-511 , Der Anhang enthält Zusammenfassungen von Schrekers Tätigkeiten als Lehrer, Interpret und Filmproduzent sowie eine umfangreiche Aufführungsstatistik von sämtlichen Schreker-Inszenierungen
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 978-3-205-77786-1
    Sprache: Deutsch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Schreker, Franz 1878-1934 ; Oper ; Aufführung ; Bibliografie ; Biografie ; Werkverzeichnis
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 7
    UID:
    gbv_67914661X
    Umfang: 293 S. , Ill., zahlr. Notenbeisp. , 215 mm x 155 mm
    ISBN: 9783869882154
    Serie: Hainholz Musikwissenschaft Bd. 16
    Sprache: Deutsch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Brahms, Johannes 1833-1897 ; Bruckner, Anton 1824-1896 ; Konferenzschrift
    URL: Volltext  (Inhaltsverzeichnis)
    Mehr zum Autor: Hust, Christoph 1973-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Online-Ressource
    Online-Ressource
    Suffolk : Boydell & Brewer
    UID:
    gbv_883301245
    Umfang: 1 Online-Ressource (xxv, 372 pages) , digital, PDF file(s)
    ISBN: 9781782040842
    Inhalt: During the 1930s Arturo Toscanini conducted many concerts broadcast by the BBC from London's Queen's Hall, where he also made some unsurpassed recordings. Drawing on newly researched material in British and American archives, Christopher Dyment reveals how the most renowned and influential conductor of the twentieth century, notoriously microphone-shy though he was, came to conduct so frequently in London, a tale replete with unexpected twists, turns and ingenious stratagems. Toscanini's dominating influence on London critics and audiences in the period covered by the narrative, extending through to his final appearances at the Royal Festival Hall in 1952, is copiously documented from contemporary sources. Dyment also presents fresh evidence showing how the remarkable combination of passionate conviction and architectural mastery that characterised Toscanini's conducting was grounded not only in his obsessive study of the score but also in his awareness of performing traditions dating back to the mid-nineteenth century. This book will fascinate those with a particular interest in Toscanini's career and recorded legacy. It is also essential reading for anyone with an interest in the history of conducting and recording in the first half of the twentieth century, set against the vividly evoked backdrop of London's concert scene of the period. This comprehensive study includes both an annotated table of all Toscanini's London concerts and his EMI discography. CHRISTOPHER DYMENT has written extensively about historic conductors since the 1970s, particularly Felix Weingartner and Arturo Toscanini. His first book, on Weingartner, was published in 1976
    Inhalt: Arturo Toscanini : chronicle of a life, 1867-1957 -- 1900-30 : towards the Philharmonic tour -- 1931-35 : the London Music Festival, 1935 -- Recording the 1935 concerts -- 1936-37 : the London Music Festival, 1937 -- The first HMV recording session -- Autumn 1937 : two choral concerts and more -- 1938 : the London Music Festival, 1938 -- 1939 : the last London Music Festival -- 1940-45 : war reports and beyond -- 1946-51 : La Scala -- The London recordings : a study in style -- Annex A. Discography of EMI recordings, 1935-51 -- Annex B. The concerts, 1930-1952 : programmes and recordings -- Annex C: Brahms and Toscanini : an historical excursus
    Anmerkung: Title from publisher's bibliographic system (viewed on 02 Oct 2015)
    Weitere Ausg.: ISBN 9781843837893
    Weitere Ausg.: Print version ISBN 9781843837893
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Toscanini, Arturo 1867-1957 ; Brahms, Johannes 1833-1897
    URL: Volltext  (lizenzpflichtig)
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  • 9
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    UID:
    gbv_1684656524
    Umfang: 1 Online-Ressource
    ISBN: 9780190227012
    Serie: Oxford handbooks
    Inhalt: Algorithmic music appears to be at a turning point in its history, with many new systems and communities of practice developing together, as vibrant musical culture. This handbook brings together dozens of leading researchers and practitioners in the field, blending technical, artistic, cultural and scientific viewpoints into a whole that considers the making of algorithmic music as a rich, and essentially human activity. Featuring chapters by emerging and established scholars as well as by leading practitioners in the field, this handbook both describes the state of algorithmic composition and also set the agenda for critical research on and analysis of algorithmic music.
    Anmerkung: Includes bibliographical references and index
    Weitere Ausg.: ISBN 9780190226992
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe The Oxford handbook of algorithmic music New York, NY : Oxford University Press, 2018 ISBN 9780190226992
    Weitere Ausg.: ISBN 9780197554364
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Algorithmische Komposition ; Computermusik ; Algorithmus ; Algorithmische Komposition ; Computermusik ; Algorithmus
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  • 10
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    UID:
    gbv_165110171X
    Ausgabe: Transferred to digital print.
    Ausgabe: Online-Ausg. New York Cambridge Collections Online 2011 Online-Ressource Cambridge companions online
    Ausgabe: The Cambridge Companions Complete Collection
    Ausgabe: The Cambridge companions to music
    ISBN: 9780521482295 , 0521482291 , 9780521484244 , 0521484243
    Serie: Cambridge companions to music
    Inhalt: This Companion to Schubert examines the career, music, and reception of one of the most popular yet misunderstood and elusive composers. Sixteen chapters by leading Schubert scholars make up three parts. The first seeks to situate the social, cultural, and musical climate in which Schubert lived and worked, the second surveys the scope of his musical achievement, and the third charts the course of his reception from the perceptions of his contemporaries to the assessments of posterity. Myths and legends about Schubert the man are explored critically and the full range of his musical accomplishment is examined.
    Weitere Ausg.: ISBN 9781139002172
    Weitere Ausg.: ISBN 9780521482295
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe ISBN 9780521482295
    Sprache: Englisch
    Fachgebiete: Musikwissenschaft
    RVK:
    Schlagwort(e): Schubert, Franz 1797-1828 ; Aufsatzsammlung
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