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  • Ibero-Amerik. Institut  (24)
  • SB Guben
  • SB Biesenthal
  • Licensed  (24)
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  • 1
    UID:
    b3kat_BV040726258
    Format: 1 Online-Ressource
    Edition: [1st electronic ed.]
    Edition: Sekundär-Ausgabe North American Immigrant Letters, Diaries, and Oral Histories Sonstige Standardnummer des Gesamttitels: 041032-9
    Series Statement: North American immigrant letters, diaries and oral histories
    Note: Access restricted to subscribers. - Title from HTML t.p. (viewed April 13, 2007)
    Additional Edition: Reproduktion von Scott, Elizabeth Coyle Ellis Island oral history project, series EI, no. 398 2004
    Language: English
    Subjects: History , American Studies , Ethnology , Sociology
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Electronic books ; Electronic books
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 2
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    UID:
    b3kat_BV047113963
    Format: 1 Online-Ressource (279 Seiten)
    ISBN: 9780822386186
    Content: At this stalled and disillusioned juncture in postcolonial history-when many anticolonial utopias have withered into a morass of exhaustion, corruption, and authoritarianism-David Scott argues the need to reconceptualize the past in order to reimagine a more usable future. He describes how, prior to independence, anticolonialists narrated the transition from colonialism to postcolonialism as romance-as a story of overcoming and vindication, of salvation and redemption. Scott contends that postcolonial scholarship assumes the same trajectory, and that this imposes conceptual limitations. He suggests that tragedy may be a more useful narrative frame than romance. In tragedy, the future does not appear as an uninterrupted movement forward, but instead as a slow and sometimes reversible series of ups and downs.Scott explores the political and epistemological implications of how the past is conceived in relation to the present and future through a reconsideration of C. L. R. James's masterpiece of anticolonial history, The Black Jacobins, first published in 1938. In that book, James told the story of Toussaint L'Ouverture and the making of the Haitian Revolution as one of romantic vindication. In the second edition, published in the United States in 1963, James inserted new material suggesting that that story might usefully be told as tragedy. Scott uses James's recasting of The Black Jacobins to compare the relative yields of romance and tragedy. In an epilogue, he juxtaposes James's thinking about tragedy, history, and revolution with Hannah Arendt's in On Revolution. He contrasts their uses of tragedy as a means of situating the past in relation to the present in order to derive a politics for a possible future
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) , In English
    Language: English
    Subjects: Ethnology
    RVK:
    Keywords: Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    London : Routledge
    UID:
    gbv_1696658543
    Format: 1 online resource (233 pages)
    ISBN: 9781136720529
    Series Statement: Routledge Modern and Contemporary Dramatists Ser.
    Content: Maria Irene Fornes is the most influential female American dramatist of the 20th century. That is the argument of this important new study, the first to assess Fornes's complete body of work. Scott T. Cummings considers comic sketches, opera libretti and unpublished pieces, as well as her best-known plays, in order to trace the evolution of her dramaturgy from the whimsical Off-Off Broadway plays of the 1960s to the sober, meditative work of the 1990s. The book also reflects on her practice as an inspirational teacher of playwriting and the primary director of her own plays. Drawing on the latest scholarship and his own personal research and interviews with Fornes over two decades, Cummings examines Fornes's unique significance and outlines strategies for understanding her fragmentary, enigmatic, highly demanding theater.
    Content: Cover -- Title -- Copyright -- Dedication -- Contents -- List of illustrations -- Acknowledgements -- Overview -- PART I The 1960s "Let me be wrong. But also not know it." -- 1 Getting started -- Bohemian roots: growing up in Havana -- Bohemian roots: settling in Greenwich Village -- Tango Palace (1963) -- A metatheatrical conceit -- 2 Off-Off Broadway: the good scene -- Cino, Judson, La MaMa, and others -- The Open Theatre connection -- The Successful Life of 3 (1965) -- The Office (1966) -- Dr. Kheal (1968) -- A Vietnamese Wedding (1967) -- The Red Burning Light Or: Mission XQ3 (1968) -- 3 Key play: Promenade (the apotheosis of Judson) -- The Judson Poets' Theater -- Promenade as a one-act with "a lot of music" in 1965 -- Promenade as a full-length musical in 1969 -- Molly's Dream (1973) -- PART II The 1970s "If we're showing what life is, can be, we must do theatre." -- 4 Finding a way -- New York Theatre Strategy -- Aurora (1974) -- INTAR and the Hispanic Playwrights-in-Residence Laboratory -- Cap-a-Pie (1975) -- Eyes on the Harem (1979) -- 5 Key play: Fefu and Her Friends (turning over the stone) -- Fefu and Her Friends: the basic action -- Fefu and Her Friends: the experimental second act -- Fefu and Her Friends at At the Foot of the Mountain -- Fefu and Her Friends at the Yale Repertory Theatre -- Part III The 1980s "I have to learn how to lead my life." -- 6 Found -- Theater for the New City -- Padua Hills -- Fondness for the Found -- Evelyn Brown (A Diary) (1980) -- A Visit (1981) -- The Trial of Joan of Arc in a Matter of Faith (1986) -- 7 The PAJ Plays -- The Danube (1983) -- "Irene time" -- Mud (1983) -- Sarita (1984) -- The "emotigraph" as unit of construction -- The Conduct of Life (1985) -- The rhetoric of space/the space of rhetoric -- 8 Key play: Abingdon Square (conquering the vagueness) -- Teaching playwriting.
    Note: Description based on publisher supplied metadata and other sources , Cover; Title; Copyright; Dedication; Contents; List of illustrations; Acknowledgements; Overview; PART I The 1960s "Let me be wrong. But also not know it."; 1 Getting started; Bohemian roots: growing up in Havana; Bohemian roots: settling in Greenwich Village; Tango Palace (1963); A metatheatrical conceit; 2 Off-Off Broadway: the good scene; Cino, Judson, La MaMa, and others; The Open Theatre connection; The Successful Life of 3 (1965); The Office (1966); Dr. Kheal (1968); A Vietnamese Wedding (1967); The Red Burning Light Or: Mission XQ3 (1968) , 3 Key play: Promenade (the apotheosis of Judson)The Judson Poets' Theater; Promenade as a one-act with "a lot of music" in 1965; Promenade as a full-length musical in 1969; Molly's Dream (1973); PART II The 1970s "If we're showing what life is, can be, we must do theatre."; 4 Finding a way; New York Theatre Strategy; Aurora (1974); INTAR and the Hispanic Playwrights-in-Residence Laboratory; Cap-a-Pie (1975); Eyes on the Harem (1979); 5 Key play: Fefu and Her Friends (turning over the stone); Fefu and Her Friends: the basic action; Fefu and Her Friends: the experimental second act , Fefu and Her Friends at At the Foot of the MountainFefu and Her Friends at the Yale Repertory Theatre; Part III The 1980s "I have to learn how to lead my life."; 6 Found; Theater for the New City; Padua Hills; Fondness for the Found; Evelyn Brown (A Diary) (1980); A Visit (1981); The Trial of Joan of Arc in a Matter of Faith (1986); 7 The PAJ Plays; The Danube (1983); "Irene time"; Mud (1983); Sarita (1984); The "emotigraph" as unit of construction; The Conduct of Life (1985); The rhetoric of space/the space of rhetoric; 8 Key play: Abingdon Square (conquering the vagueness) , Teaching playwritingLovers and Keepers (1986); Abingdon Square: genesis and production history; Abingdon Square: Marion as Fornes Innocent; Abingdon Square: the process of imagination; "The Poetry of Space in a Box:" scenography and Fornes's orchestration of space; PART IV The 1990s"Where are we in relation to all this?"; 9 The Night Plays; What of the Night? (1989); Oscar and Bertha (1992); Enter the Night (1993); Manual For a Desperate Crossing (Balseros/Rafters) (1997); Terra Incognita (1997); 10 Coming to an end; The Summer in Gossensass (1998); Fornes and Hedda Gabler , Letters from Cuba (2000)Legacy; Drowning as paradigm; "This must be made by a person."; Appendix A: selected production history; Appendix B: plays in publication; Bibliography; Index; , the good scene -- Key play: Promenade (the apotheosis of Judson) -- The 1970s. Finding a way -- Key play: Fefu and her friends (turning over the stone) -- The 1980s. Found -- The PAJ plays -- Key play: Abingdon Square (conquering the vagueness) -- The 1990s. The night plays -- Coming to an end
    Additional Edition: ISBN 9780415454346
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780415454346
    Language: English
    Keywords: Electronic books
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  • 4
    UID:
    gbv_500030596
    Format: 46 S , überw. Ill , 28 cm, 400 gr.
    ISBN: 3865881467 , 9783865881465 , 0921356269
    Language: English
    Keywords: Caracas ; Stadtentwicklung ; Architektur ; Geschichte 1990-2005 ; Ausstellungskatalog
    URL: Cover
    Author information: Weber, Helmut 1957-
    Author information: Bitter, Sabine 1960-
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  • 5
    Online Resource
    Online Resource
    Gainesville : University Press of Florida
    UID:
    gbv_1696629845
    Format: 1 online resource (320 pages)
    ISBN: 9780813048383
    Series Statement: New World Diasporas Ser
    Content: Examines how in the middle of the twentieth century, Bahian elites began to recognize African-Bahian cultural practices as essential components of Bahian regional identity. Previously, public performances of traditionally African-Bahian practices such as capoeira, samba, and Candomblé during carnival and other popular religious festivals had been repressed in favor of more European traditions.
    Content: Cover -- Title Page -- Copyright Page -- Table of Contents -- List of Illustrations -- Acknowledgments -- List of Abbreviations -- Introduction: Brazil's Black Rome and the Remaking of Bahian Regional Identity -- 1. Salvador, Bahia, 1930-1954 -- 2. The Revitalization of African-Bahian Culture -- 3. Performing Bahia: Public Festivals, Samba, and African-Bahian Agency -- 4. Rituals of Inclusion: Evolving Discourses of Bahianness -- 5. Carnival of the People: Batucadas and Afoxés -- 6. The Project of Regional Identity Formation: Culture, Politics, and Tourism -- Conclusion and Epilogue: Cultural Politics in Bahia -- Appendix -- Notes -- Glossary -- Bibliography -- Index -- About the Author.
    Note: Description based on publisher supplied metadata and other sources
    Additional Edition: ISBN 9780813044781
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9780813044781
    Language: English
    Keywords: Electronic books
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  • 6
    UID:
    gbv_1742789099
    Format: 1 Online-Ressource (592 p) , 11 illustrations
    Edition: [Online-Ausgabe]
    ISBN: 9780822397212
    Content: Frontmatter -- CONTENTS -- Acknowledgments -- Introduction: Daiquiri Birds and Flaubertian Parrot(ie)s -- I. Foundations -- Magic Realism: Post-Expressionism (1925) -- Magic Realism, New Objectivity, and the Arts during the Weimar Republic -- On the Marvelous Real in America (1949) -- The Baroque and the Marvelous Real (1975) -- Magical Realism in Spanish American Fiction (1955) -- Magical Realism in Spanish American Literature (1967) -- The Territorialization of the Imaginary in Latin America: Self-Affirmation and Resistance to Metropolitan Paradigms -- Sources of Magic Realism/Supplements to Realism in Contemporary Latin American Literature -- II. Theory -- Scheherazade's Children: Magical Realism and Postmodern Fiction -- Magic Realism and Postmodernism: Decentering Privileged Centers -- The Metamorphoses of Fictional Space: Magical Realism -- The Textualization of the Reader in Magical Realist Fiction -- Psychic Realism, Mythic Realism, Grotesque Realism: Variations on Magic Realism in Contemporary Literature in English -- III. History -- Magical Realism, Compensatory Vision, and Felt History: Classical Realism Transformed in The White Hotel -- Past-On Stories: History and the Magically Real, Morrison and Allende on Call -- Narrative Trickery and Performative Historiography: Fictional Representation of National Identity in Graham Swift, Peter Carey, and Mordecai Richler -- Saleem Fathered by Oskar: Midnight's Children, Magic Realism, and The Tin Drum -- Magical Archetypes: Midlife Miracles in The Satanic Verses -- Derek Walcott and Alejo Carpentier: Nature, History, and the Caribbean Writer -- IV. Community -- Magic Realism as Postcolonial Discourse -- Metoikoi and Magical Realism in the Maghrebian Narratives of Tahar ben Jelloun and Abdelkebir Khatibi -- The Magic of Identity: Magic Realism in Modern Japanese Fiction -- Roads of "Exquisite Mysterious Muck": The Magical Journey through the City in William Kennedy's Ironweed, John Cheever's "The Enormous Radio," and Donald Barthelme's "City Life" -- Magical Romance/Magical Realism: Ghosts in U.S. and Latin American Fiction -- Selected Bibliography -- Contributors -- Index
    Content: Magical realism is often regarded as a regional trend, restricted to the Latin American writers who popularized it as a literary form. In this critical anthology, the first of its kind, editors Lois Parkinson Zamora and Wendy B. Faris show magical realism to be an international movement with a wide-ranging history and a significant influence among the literatures of the world. In essays on texts by writers as diverse as Toni Morrison, Günter Grass, Salman Rushdie, Derek Walcott, Abe Kobo, Gabriel García Márquez, and many others, magical realism is examined as a worldwide phenomenon.Presenting the first English translation of Franz Roh’s 1925 essay in which the term magical realism was coined, as well as Alejo Carpentier’s classic 1949 essay that introduced the concept of lo real maravilloso to the Americas, this anthology begins by tracing the foundations of magical realism from its origins in the art world to its current literary contexts. It offers a broad range of critical perspectives and theoretical approaches to this movement, as well as intensive analyses of various cultural traditions and individual texts from Eastern Europe, Asia, North America, Africa, the Caribbean, and Australia, in addition to those from Latin America. In situating magical realism within the expanse of literary and cultural history, this collection describes a mode of writing that has been a catalyst in the development of new regional literatures and a revitalizing force for more established narrative traditions—writing particularly alive in postcolonial contexts and a major component of postmodernist fiction
    Note: Mode of access: Internet via World Wide Web. , In English
    Language: English
    Keywords: Electronic books
    URL: Cover  (lizenzpflichtig)
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  • 7
    UID:
    gbv_512547920
    Format: Online-Ressource (28 S.)
    Language: English
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  • 8
    UID:
    gbv_82125216X
    Format: Online-Ressource (109 pages)
    Edition: Primera edición
    Edition: Online-Ausg. 2012
    ISBN: 8494090682 , 9788494090684
    Series Statement: Los intempestivos
    Uniform Title: Crack-up. 〈span.〉
    Note: Includes: "El hundimiento" / "The Crack-Up " (1936). Originally published as a three-part series in the February, March, and April 1936 issues of Esquire including: The Crack-Up / El hundimiento, Putting It Together / Recomponer los pedazos, and Handle With Care Manipular con precaución , Includes: "El insomnio" / "Sleeping and Waking" (1934) First published in Esquire. Vol. 2, no. 7 (Dec. 1934) p.159-160
    Additional Edition: Print version Hundimiento
    Language: Spanish
    Keywords: Electronic books
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  • 9
    Online Resource
    Online Resource
    Washington, DC : Dumbarton Oaks Reserach Library and Collection
    UID:
    gbv_671655620
    Format: Online-Ressource (14 S.) , Ill.
    In: Archaeology of formative Ecuador / J. Scott Raymond ... ed. ; 2003, S. I-VII, 1-5
    Language: English
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  • 10
    UID:
    gbv_798514981
    Format: Online-Ressource (321 p)
    Edition: Online-Ausg. 2012 Digitalia eBook Collection: Biblioteca Nueva
    ISBN: 8499400817 , 9788499403854 , 9788499400815
    Series Statement: Clásicos del pensamiento 61
    Uniform Title: Essays. 〈span.〉 Selections
    Note: Access restricted to subscribing institutions , Includes bibliographical references (p. [51]-53) , Introducción / Julio Seoane PinillaLa definición de pragmatismo y humanismo [Studies in Humanism: Philosophical Essays, Londres y Nueva York, Macmillan, 2.ª ed., 1912, págs. 1-21] -- La construcción de la verdad [Studies in Humanism: Philosophical Essays, Londres y Nueva York, Macmillan, 2.ª ed., 1912, págs. 179-203] -- El fundamento ético de la metafísica [Humanism: Philosophical Essays, Londres y Nueva York, Macmillan, 1912 (2.ª edición), págs. 1-17] -- Lógica personalista [ Must Philoshophers Disagree? And Other Essays in Popular Philosophy, Londres y Nueva York, Macmillan, 1934, págs. 43-46] -- Lo biológico del juicio [Logic for Use. An Introduction to the Voluntaristic Theory of Knowledge, Londres, G. Bell and Sons, 1929, págs. 193-207] -- Conclusión [Logic for Use. An Introduction to the Voluntaristic Theory of Knowledge, Londres, G. Bell and Sons, 1929, págs. 440-456] -- ¿Deben discrepar los pragmatistas? [Our Human Truths, ed. de Louise S. Schiller, Nueva York, Columbia University Press, 1939, págs. 57-64].
    Language: Spanish
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