Kooperativer Bibliotheksverbund

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Format: 1 Online-Ressource (270 Seiten) : , Illustrationen, Diagramme.

Edition: 1. Auflage

ISBN: 978-3-7489-2380-0

Series Statement: Schriften zum Bildungs- und Wissenschaftsrecht Band 20

Note: Geleitwort von Professor Dr. Peter-André Alt, Präsident der Hochschulrektorenkonferenz, verfasst

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-8487-7988-8

Language: German

Subjects: Law , General works

Keywords: Berufung ; Befangenheit ; Berufung ; Aufsatzsammlung

DOI: 10.5771/9783748923800

URL: Volltext  (URL des Erstveröffentlichers)

URL: Volltext  (URL des Erstveröffentlichers)

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Author information: Breder, Torsten

Author information: Alt, Peter-André 1960-

Author information: Emmrich, Etienne

Author information: Neukirchen, Mathias 1968-

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Format: 1 online resource (236 pages) : , digital, PDF file(s).

Edition: 1st ed.

ISBN: 90-485-0544-5 , 1-280-95814-6 , 9786610958146 , 1-4237-0964-0

Series Statement: Film culture in transition

Content: They obsess over the nuances of a Douglas Sirk or Ingmar Bergman film; they revel in books such as Franois Truffaut's 〈i〉Hitchcock〈/i〉; they happily subscribe to the Sundance Channel-they are the rare breed known as cinephiles. Though much has been made of the classic era of cinephilia from the 1950s to the 1970s, 〈i〉Cinephilia〈/i〉 documents the latest generation of cinephiles and their use of new technologies. With the advent of home theaters, digital recording devices, online film communities, cinephiles today pursue their dedication to film outside of institutional settings. A radical new history of film culture, 〈i〉Cinephilia〈/i〉 breaks new ground for students and scholars alike.

Note: Title from publisher's bibliographic system (viewed on 05 Feb 2021). , Front matter -- , Contents -- , Acknowledgements -- , Introduction -- , Down with Cinephilia? Long Live Cinephilia? And Other Videosyncratic Pleasures / , I. The Ramifications of Cinephilia: Theory and History -- , Cinephilia or the Uses of Disenchantment / , Dreams of Lost Time / , Mass Memories of Movies / , Love in the Time of Transcultural Fusion / , II. Technologies of Cinephilia: Production and Consumption -- , Remastering Hong Kong Cinema / , Drowning in Popcorn at the International Film Festival Rotterdam? / , Ravenous Cinephiles / , Re-disciplining the Audience / , The Original Is Always Lost / , III. Techniques of Cinephilia: Bootlegging and Sampling -- , The Future of Anachronism / , Conceptual Cinephilia / , Playing the Waves / , The Parenthesis and the Standard / , The Secret Passion of the Cinephile / , Biographies -- , Index of Names -- , Index of Film Titles , English

Additional Edition: ISBN 90-5356-768-2

Additional Edition: ISBN 90-5356-769-0

Language: English

Keywords: Konferenzschrift

DOI: 10.1515/9789048505449

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

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Format: 1 online resource (330 p.)

ISBN: 9789048553662 , 9783110767094

Series Statement: Film Culture in Transition

Content: Unlike most studies of the relationship between cinema and art, which privilege questions of medium or institutional specificity and intermediality, Screening the Art World explores the ways in which artists and the art world more generally have been represented in cinema. Contributors address a rarely explored subject -art in cinema, rather than the art of cinema - by considering films across genres, historical periods and national cinemas in order to reflect on cinema's fluctuating imaginary of 'art' and 'the art world'. The book examines the intersection of art history with history in cinema, cinema's simultaneous affirmation and denigration of the idea of art as 'truth' and what this means for cinema's understanding of itself, the dominant, often contradictory ways in which artists have been represented on screen, and cinematic representations of the art world's tenuous position between commercial good and cultural capital.

Note: Frontmatter -- , Table of Contents -- , Editor's Introduction -- , Part I Cinema's Vision of Art: Aspirational, Satiric, Philosophical -- , 1. Art, Truth, Representation: Lois Weber's Dumb Girl of Portici -- , 2. Avant-Garde and Kitsch: Modern Art and Money on Screen, 1963-1964 -- , 3. Cinema as Philosophy of Art -- , Part II The Aura of Art in (the Age of) Film -- , 4. Ineffability? The Several Vermeers -- , 5. The Joker at the Museum in Tim Burton's Batman: Artistic Vandalism in Hollywood -- , 6. Chaos ex machina: The Art of Jean Tinguely and the Documentary Image -- , 7. China's Van Goghs: Documentary Production, International Taste, and Artistic Labor -- , Part III Affective Historiography: Negotiating the Past through Screening Art -- , 8. A World Made of Art -- , 9. Art and History in Woman in Gold (2015), The Monuments Men (2014), and Francofonia (2015) -- , 10. Examining Public Art in Parks and Recreation's Pawnee, Indiana -- , Part IV The Figure of the Artist: Between Mad Genius and Entrepreneur of the Self -- , 11. Homicidal and Suicidal Artist Figures in Film -- , 12. Blood Lust: Realism, Violent Inspiration, and the Artist in Horror Cinema -- , 13. Picturing Picasso : Revisiting Paul Haesaerts's Visite à Picasso (1950) -- , 14. This Is the End of High Entertainment : Tiny Furniture and This Is the End -- , 15. Screening Performance: Curating the Artist Persona -- , 16. Peter Greenaway's Artist-Entrepreneurs -- , Bibliography -- , Index , Mode of access: Internet via World Wide Web. , In English.

In: Amsterdam University Press Complete eBook-Package 2022, De Gruyter, 9783110767094

In: DG Plus PP Package 2022 Part 2, De Gruyter, 9783110767001

In: EBOOK PACKAGE Arts 2022, De Gruyter, 9783110992809

In: EBOOK PACKAGE Arts, Architecture and Design 2022 English, De Gruyter, 9783110992816

In: EBOOK PACKAGE COMPLETE 2022 English, De Gruyter, 9783110993899

In: EBOOK PACKAGE COMPLETE 2022, De Gruyter, 9783110994810

Language: English

Keywords: Aufsatzsammlung

DOI: 10.1515/9789048553662

URL: https://doi.org/10.1515/9789048553662?locatt=mode:legacy

URL: https://www.degruyter.com/isbn/9789048553662

URL: Cover

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URL: http://www.cambridge.org/core/product/identifier/9789048553662/type/BOOK

URL: Co-access DOI click Walter de Gruyter

URL: https://www.degruyter.com/isbn/9789048553662

URL: lizenzpflichtig

UID:

Format: Getrennte Zählung , Illustrationen

ISBN: 9780190889807 , 9780190889784 , 9780190889791

Note: Includes bibliographical references and index

Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-19-088976-0

Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-19-088977-7

Language: English

Subjects: General works , Sociology

Keywords: Social Media ; Softwareplattform ; Informationsgesellschaft ; Aufsatzsammlung

DOI: 10.1093/oso/9780190889760.001.0001

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: https://doi.org/10.1093/oso/9780190889760.001.0001

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Format: 1 Online-Ressource (XI, 276 Seiten) , Illustrationen

ISBN: 9783110654431 , 9783110653571

Series Statement: Medien und kulturelle Erinnerung Band 7

Note: Angekündigt unter dem Titel: "Der Erste Weltkrieg im Film"

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-11-065351-9

Language: German

Subjects: History , General works

Keywords: Film ; Erster Weltkrieg ; Europa ; Osmanisches Reich ; Geschichte ; Europa ; Naher Osten ; Kriegsfilm ; Erster Weltkrieg ; Geschichte

DOI: 10.1515/9783110654431

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: https://doi.org/10.1515/9783110654431

URL: https://www.degruyter.com/isbn/9783110654431

Author information: Elm, Michael 1967-

UID:

Format: 1 online resource (xii, 241 pages) : , digital, PDF file(s).

ISBN: 9781474428941 (ebook)

Content: Drawing on a broad range of theoretical disciplines - and with case studies of directors such as Chantal Akerman, Agnès Varda, Claire Denis and Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Bêka and Louise Lemoine - this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif.

Note: Title from publisher's bibliographic system (viewed on 07 Oct 2020).

Additional Edition: Print version: ISBN 9781474428927

Language: English

URL: https://www.cambridge.org/core/product/identifier/9781474428941/type/BOOK

URL: Volltext  (URL des Erstveröffentlichers)

URL: https://www.degruyter.com/isbn/9781474428941

URL: lizenzpflichtig

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Format: 1 Online-Ressource (xviii, 377 Seiten) , 409 Illustrationen, 191 in Farbe

ISBN: 9783030584689

Series Statement: Lecture notes in computer science 12243

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-58467-2

Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-3-030-58469-6

Language: English

Keywords: Erweiterte Realität ; Virtuelle Realität ; Computergrafik ; Konferenzschrift

DOI: 10.1007/978-3-030-58468-9

URL: Volltext  (URL des Erstveröffentlichers)

URL: Buchcover

UID:

Format: 1 online resource : , illustrations (black and white).

ISBN: 9780429648915 , 042964891X , 9780429646270 , 0429646275 , 9780429026836 , 0429026838 , 9780429651557 , 0429651554

Series Statement: Remapping world cinema

Content: Offering a range of critical perspectives on a vibrant body of films, this collection of essays engages with questions specific to the various cinemas and films addressed while putting forward an argument for their inclusion in current debates on world cinema. The collection brings together11 chapters by recognized scholars, who analyze a variety of films and videos from Angola, Cape Verde, Guin-Bissau, and Mozambique. It also includes an interview with Pedro Pimenta, one of the most distinguished African film festival organizers. Drawing on various theoretical perspectives, the volume strives to reverse the relative invisibility that has afflicted these cinemas, arguing that most, if not all, Lusophone films are transnational in all aspects of production, acting, and reception. The initial three chapters sketch broad, comparative overviews and suggest theoretical approaches, while the ensuing chapters focus on specific case studies and discuss a number of key issues such as the convergence of film with politics, the question of gender and violence, as well as the revisiting of the period immediately following independence. Attention is given to fiction, documentary films and recent, short, alternative video productions that are overlooked by more traditional channels. The book stresses the need to pay attention to the significance of African film, and Lusophone African film in particular, within the developing field of world cinema. Bringing together general overviews, historical considerations, detailed case studies, and focused theoretical reflections, this book is a significant volume for students and researchers in film studies, especially African, Lusophone cultural studies, and world cinema.

Additional Edition: Print version: ISBN 9780367134976

Language: English

Subjects: General works

Keywords: Electronic books. ; Electronic books. ; History. ; Aufsatzsammlung

DOI: 10.4324/9780429026836

URL: https://www.taylorfrancis.com/books/9780429026836

URL: lizenzpflichtig

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Format: 1 online resource (xviii, 240 pages)

Edition: First edition.

ISBN: 9781315227962 , 1315227967 , 9781351854719 , 1351854712 , 9781351854702 , 1351854704 , 9781351854696 , 1351854690

Content: Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This study provides the first in-depth and sustained study of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women's bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture. Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.

Note: 1. Women in African Cinema: Histories and Theories 2. The Multiplicity of Female Identities: Embracing Plurality 3. Female Friendships in Film: Affinities, Affiliations and Activism 4. Women in Revolution and Revolutionary Cinema 5. Daughters and Their Mothers: Between Conflict and Acceptance 6. African Women's Bodies: Journeys into Womanhood 7. (Re)defining Female Sexuality through Film 8. Spiritual Pathways to Emancipation

Additional Edition: Print version: Bisschoff, Lizelle. Women in African Cinema. London : Routledge, 2019 ISBN 0415425662

Additional Edition: ISBN 9780415425667

Language: English

Keywords: Electronic books. ; Electronic books. ; History. ; Electronic books

DOI: 10.4324/9781315227962

URL: https://www.taylorfrancis.com/books/9781315227962

URL: Volltext  (URL des Erstveroeffentlichers)

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Format: XXVIII, 482 p. 46 illus., 7 illus. in color. , online resource.

Edition: 1st ed. 2024.

ISBN: 9783031387890

Content: This Handbook offers new and previously unexplored comparative approaches to the field of New Cinema History. The volume brings together contributions focussing on historical and contemporary comparative case studies of cinema-going practices, cinema distribution, exhibition and reception from a global perspective. Engaging with a wealth of empirical and archive-based sources the volume explores a wide range of methodological and theoretical approaches. This Handbook is a key addition to debates on the relationship between film industry and cinema-going practices across different political and cultural geographical dimensions. Daniela Treveri Gennari is Professor of Cinema Studies at Oxford Brookes University, UK. She is the Principal Investigator of the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories. Her publications include, among others, the edited volume Rural Cinema Exhibition and Audiences in a Global Context (Palgrave, 2018). Lies Van de Vijver is Co-Investigator and project manager of European Cinema Audiences. She edited Mapping Movie Magazines: Digitization, Periodicals and Cinema History (Palgrave, 2020) with Daniel Biltereyst, runner-up for BAFTSS Best Edited Collection 2021. Pierluigi Ercole is Associate Professor of Film Studies at De Montfort University, UK. He is Co-Investigator for the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories. Chapter(s) "Chapter 8." is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Note: 1. Comparing New Cinema Histories: An introduction. Daniela Treveri Gennari, Lies Van de Vijver & Pierluigi Ercole -- Part I. Local Encounters -- Introduction. Daniela Treveri Gennari, Lies Van de Vijver & Pierluigi Ercole -- 2. Comparing localised film culture in English cities: the diversity of film exhibition in Bristol and Liverpool. Peter Merrington, Matthew Hanchard, Bridgette Wessels -- 3. Cinema-going in Turkey between 1960 and 1980: Cinema memories, film culture and modernity. Hasan Akbulut -- 4. "A United Stand and a Concerted Effort:" Black cinema-going in Harlem and Jacksonville during the silent era. David Morton & Agata Frymus -- 5. Exhibition of national and foreign films in six Mexican cities during the Golden Age of Mexican cinema: The year of 1952. José Carlos Lozano, Blanca Chong, Efraín Delgado, Jaime Miguel González, Jorge Nieto Malpica and Brenda Muñoz -- 6. Comparing aspects of regional and local cinema differentiation through perceptions of cinema-going in post-socialist Bulgaria. Maya Nedyalkova -- 7. A comparative analysis of the Polish film market from the first years of independence to 1930. Karina Pryt -- 8. Managing constraints and stories of freedom: Comparing cinema memories from the 1950s and 60s in Sweden. Åsa Jernudd & Jono Van Belle -- 9. Film consumption and censorship pre and post Covid-19 global pandemic: A comparison on undergraduate perspective in The Bahamas. Monique Toppin -- Part II. European encounters -- Introduction. Daniela Treveri Gennari, Lies Van de Vijver & Pierluigi Ercole -- 10. "Our job is to pull audience to Soviet films with all means necessary". State-monopolised film distribution and patterns of film exhibition in two Eastern Bloc cities in the Stalinist period: a comparative case study of Cracow (Poland) and Magdeburg (East Germany). Kathleen Lotze & Konrad Klejsa -- 11. Cinephiles without films: Culture, censorship and alternative forms of film consumption in Spain and the GDR around 1960. Fernando Ramos Arenas -- 12. Discovering cinema typologies in urban cinema cultures: comparing programming strategies in Antwerp and Amsterdam, 1952-1972. Julia Noordegraaf, Thunnis van Oort, Kathleen Lotze, Daniel Biltereyst, Philippe Meers & Ivan Kisjes -- 13. Ticket whistles and football scores: Auditory ecology, memory and the cinema experience in 1950s Gothenburg and Bari. Kim Khavar Fahlstedt & Daniela Treveri Gennari -- 14. Measuring and interpreting film preferences in autocratic states. Joseph Garncarz -- 15. Cinema-going in German-occupied territory in the Second World War. The impact of film market regulations on supply and demand in Brno, Brussels, Krakow and The Hague. Clara Pafort-Overduin, Andrzej Dębski, Terezia Porubcanska, Karina Pryt, Pavel Skopal, Thunnis Van Oort, Roel Vande Winkel -- Part III. Global encounters -- Introduction. Daniela Treveri Gennari, Lies Van de Vijver & Pierluigi Ercole -- 16. Cinema-going in the South Asian diaspora: Indian films, entrepreneurs, and audiences in Trinidad and Durban, South Africa. James Burns -- 17. Cinema intermediaries, communities and audiences (Soviet Siberia, post-Ottoman Greek Thessaloniki, Colonial Maghreb). Morgan Corriou, Caroline Damiens, Mélisande Leventopoulos, Nefeli Liontou -- 18. German films in Latin America and the Second World War. A comparative study on Argentina and Ecuador. Marina Moguillansky & Yazmín Echeverría -- 19. Towards a global and decentralised history of film cultures. Networks of exchange among Ibero-American film clubs (1924-1958) as a case study. Ainamar Clariana & Diana Roig Sanz -- 20. Intercultural transfers in cinema dynamics. A global and digital approach to early writings on cinema through the Uruguayan periodicals archive. Pablo Suárez-Mansilla and Ventsislav Ikoff -- 21. Transnational cinema memory: Latin American womenremembering cinema-going across borders. Dalila Missero.

In: Springer Nature eBook

Additional Edition: Printed edition: ISBN 9783031387883

Additional Edition: Printed edition: ISBN 9783031387906

Additional Edition: Printed edition: ISBN 9783031387913

Language: English

DOI: 10.1007/978-3-031-38789-0

URL: https://doi.org/10.1007/978-3-031-38789-0

URL: Volltext  (URL des Erstveröffentlichers)