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  • Filmuniversität Babelsberg  (9)
  • Kreismedienzentrum Teltow-Fläming
  • SB Lübben
  • SB Uebigau
  • SB Lebus
  • Lizenziert  (9)
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  • 1
    UID:
    almahu_9949386437202882
    Umfang: 1 online resource (xxvi, 466 pages) : , illustrations (black and white)
    ISBN: 9781000342260 , 1000342263 , 9781000342246 , 1000342247 , 9780429321108 , 0429321104 , 9781000342253 , 1000342255
    Inhalt: "International in scope, this volume brings together leading and emerging voices working at the intersection of contemporary art, visual culture, activism, and climate change, and addresses key questions, such as: why and how do art and visual culture, their ethics and values, matter with regard to a world increasingly shaped by climate breakdown? Foregrounding a decolonial and climate-justice based approach, this book joins efforts within the environmental humanities in seeking to widen considerations of climate change as it intersects with social, political, and cultural realms. It simultaneously expands the nascent branches of ecocritical art history and visual culture, and builds toward the advancement of a robust and critical interdisciplinarity appropriate to the complex entanglements of climate change. This book will be of special interest to scholars and practitioners of contemporary art and visual culture, environmental studies, cultural geography, and political ecology"--
    Anmerkung: Part I. Extractivism. Extracting the cost : re-membering the discarded in African landscapes -- In the frontiers of Amazonia : a brief political archaeology of global climate emergency -- From Tuíra to the Amazon fires : the imagery and imaginary of extractivism in Brazil -- Describing the indescribable : art and the climate crisis -- Art of the interregnum in Canada's chemical valley -- Road to injustice : ecological impunity and resistance in West Papua -- Part II. Climate violence. Into the heart of the occupied forest -- The coming war and the impossible art : Zapatista creativity in a context of environmental destruction and internal warfare -- View from the Terracene -- Waste you can't deny : a slow trans-aesthetic in The blue barrel grove -- The perpetual present, past, and future : slow violence and Chinese frameworks of in/visibility and time in Zhao Liang's Behemoth -- Remembering the land : art, direct action, and the denial of extractive realities on Bougainville -- Multispecies cinema in wretched waters : the slow violence of the Rio Doce disaster -- Part III. Sensing climates. Staying with the troubling, performing in the impasse -- A conversation between three ecosexuals -- Climate justice, satire, and hothouse Earth -- Indigenous media : dialogic resistance to climate disruption -- At memory's edge : climate trauma in the Arctic through film -- The breathing land : on questions of climate change and settler colonialism -- Part IV. In/visibilities. Sensing particulate matter and practicing environmental justice -- Visualizing atmospheric politics -- Atmosperes and the anthropogenic image-bind -- Ways of saying : rhetorical strategies of environmental imaging -- Sublime aesthetics in the era of climate crisis? A critique -- Inside out : creative response beyond periphery and peril -- Capturing nature : eco-justice in African art -- Part V. Multispecies justice. Doing difference differently as wetlands disappear (a California story) -- "With applied creativity, we can heal" : permaculture and indigenous futurism at Santa Clara Pueblo -- Decolonizing the seed commons : biocapitalism, agroecology, and visual culture -- The politics and ecology of invasive species : a changing climate for pioneering plants -- Multispecies futures through art -- Activist abstraction : Anita Krajnc, save movement photography and the climate of industrial meat -- Alien waters -- Everything is alive : Jason deCaires Taylor's Vicissitudes -- Part VI. Ruptures/insurgencies/worldings. The work of life in the age of extinction : notes towards an art of aliveness -- The political ecology and visual culture of the Pacific Climate Warriors -- From institutional to interstitial critique : the resistant force that is liberating the neoliberal museum from below -- Beneath the museum, the specter -- Our house is on fire : children, youth, and the visual politics of climate change -- From the Red Nation to the Red Deal.
    Weitere Ausg.: Print version: The Routledge companion to contemporary art, visual culture, and climate change New York : Routledge, 2021. ISBN 9780367221102
    Sprache: Englisch
    Fachgebiete: Allgemeines
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    Schlagwort(e): Electronic books. ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online-Ressource
    Online-Ressource
    New York : Columbia University Press
    UID:
    b3kat_BV047520893
    Umfang: 1 Online-Ressource (xxx, 460 Seiten) , Illustrationen
    ISBN: 9780231553193
    Inhalt: William Greaves is one of the most significant and compelling American filmmakers of the past century. Best known for his experimental film about its own making, Symbiopsychotaxiplasm: Take One, Greaves was an influential independent documentary filmmaker who produced, directed, shot, and edited more than a hundred films on a variety of social issues and on key African American figures ranging from Muhammad Ali to Ralph Bunche to Ida B. Wells. A multitalented artist, his career also included stints as a songwriter, a member of the Actors Studio, and, during the late 1960s, a producer and cohost of Black Journal, the first national television show focused on African American culture and politics.This volume provides the first comprehensive overview of Greaves's remarkable career. It brings together a wide range of material, including a mix of incisive essays from critics and scholars, Greaves's own writings, an extensive meta-interview with Greaves, conversations with his wife and collaborator Louise Archambault Greaves and his son David, and a critical dossier on Symbiopsychotaxiplasm. Together, they illuminate Greaves's mission to use filmmaking as a tool for transforming the ways African Americans were perceived by others and the ways they saw themselves. This landmark book is an essential resource on Greaves's work and his influence on independent cinema and African-American culture
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-19958-2
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-19959-9
    Sprache: Englisch
    Fachgebiete: Allgemeines
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    Schlagwort(e): Greaves, William 1926-2014 ; Dokumentarfilm ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 3
    Online-Ressource
    Online-Ressource
    New York :Columbia University Press,
    UID:
    almahu_9947545813402882
    Umfang: 1 online resource (viii, 276 pages) : , illustrations (black and white).
    ISBN: 9780231538039 (ebook) :
    Serie: Film and culture
    Inhalt: While cinema is a medium with a unique ability to 'watch life' and 'write movement,' it is equally singular in its portrayal of death. This book considers movie sequences in which the process of dying becomes an exercise in legibility and exploration for the camera and connects the slow or static process of dying to formal film innovation throughout the 20th century.
    Weitere Ausg.: Print version : ISBN 9780231163460
    Sprache: Englisch
    Fachgebiete: Allgemeines
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  • 4
    Online-Ressource
    Online-Ressource
    New York ; : Routledge, Taylor & Francis Group,
    UID:
    almahu_9949384257702882
    Umfang: 1 online resource
    ISBN: 9781315099347 , 1315099349 , 9781351582810 , 135158281X
    Inhalt: "Introduction to Media Distribution offers a clear, direct and comprehensive overview of the entire film, television and new media distribution business, valuable to both students and professionals. In this book, author Scott Kirkpatrick uses his decade of experience in the distribution arena to explore what fuels the distribution process and explains in real-world terms how the business works from beginning to end--not merely what happens to a film or television series after a distributor acquires it, but how distributors pre-sell the content. Kirkpatrick covers deal structures, release strategies, acquisition approaches, rights sales, tax credits, audience research, global regulatory boards, and even 'behind closed doors' monetization practices"--
    Anmerkung: The principles of media distribution -- Developing and distributing media content before it exists -- The acquisition of finished content -- Negotiating and brokering content distribution deals -- Windowing rights and strategizing releases -- Global media distribution -- Marketing, metrics and audience cultivation -- Accounting practices, monetization and business structures -- Practical approaches for kick-starting your career.
    Weitere Ausg.: Print version: Introduction to media distribution New York ; London : Routledge, Taylor & Francis Group, 2019. ISBN 9781138297340
    Sprache: Englisch
    Schlagwort(e): Electronic books. ; Electronic books.
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 5
    Online-Ressource
    Online-Ressource
    New York : Columbia University Press
    UID:
    b3kat_BV045926152
    Umfang: 1 Online-Ressource (XXIII, 270 Seiten) , Illustrationen
    Ausgabe: Second edition
    ISBN: 9780231546379
    Originaltitel: L'audio-vision
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-0-231-18589-9
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-0-231-18588-2
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Ton ; Bild ; Film ; Tonfilm ; Filmmusik ; Kino ; Film ; Ton ; Geschichte 1895-2010 ; Musik ; Film
    URL: Volltext  (URL des Erstveröffentlichers)
    Mehr zum Autor: Chion, Michel 1947-
    Mehr zum Autor: Murch, Walter 1943-
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    Online-Ressource
    Online-Ressource
    Edinburgh : Edinburgh University Press
    UID:
    b3kat_BV043937402
    Umfang: 1 online resource (xiv, 362 pages)
    ISBN: 9780748694181
    Serie: Traditions in world cinema
    Inhalt: The first book to address the vast diversity of Northern circumpolar cinemas from a transnational perspective, Films on Ice: Cinemas of the Arctic presents the region as one of great and previously overlooked cinematic diversity. With chapters on polar explorer films, silent cinema, documentaries, ethnographic and indigenous film, gender and ecology, as well as Hollywood and the USSR's uses and abuses of the Arctic, this book provides a groundbreaking account of Arctic cinemas from 1898 to the present. Challenging dominant notions of the region in popular and political culture, it demonstrates how moving images (cinema, television, video, and digital media) have been central to the very definition of the Arctic since the end of the nineteenth century. Bringing together an international array of European, Russian, Nordic, and North American scholars, Films on Ice radically alters stereotypical views of the Arctic region, and therefore of film history itself. "Gathering leading scholars across the three continents meeting in the Arctic, MacKenzie and Stenport open up the utopian, dystopian and heterotopian dimensions of Arctic film, a shimmering, crystalline view not only on the contest over the meanings of polar space, but onto the possibilities for reconceptualising world cinema." - Sean Cubitt, Professor of Film and Television, Goldsmiths, University of London
    Anmerkung: Title from publisher's bibliographic system (viewed on 09 Sep 2016) , pt. I. Global indigeneity -- pt. II. Hollywood hegemony -- pt. III. Ethnography and the documentary dilemma -- pt. IV. Myths and modes of exploration
    Weitere Ausg.: Erscheint auch als Druckausgabe ISBN 978-0-7486-9417-4
    Sprache: Englisch
    Fachgebiete: Skandinavistik , Allgemeines
    RVK:
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    Schlagwort(e): Film ; Arktis ; Geschichte ; Arktis ; Film ; Geschichte ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Online-Ressource
    Online-Ressource
    New York :New York University Press,
    UID:
    almafu_BV046727019
    Umfang: 1 Online-Ressource (x, 406 Seiten) : , Illustrationen, Diagramme.
    Ausgabe: Second edition
    ISBN: 978-1-4798-3744-1
    Serie: User's guides to popular culture
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-4798-9063-7
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-4798-9881-7
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Fernsehprogramm ; Gesellschaft ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 8
    UID:
    b3kat_BV048704038
    Umfang: 253 S.
    Inhalt: Cultural Performance in China: beyond resistance in the 1990s adopts a multi-disciplinary and critical approach in engaging issues of cultural performance, global/local cultural subjectivities, and transnationalism within and between different media, including film, television, drama, fiction, and folk dance in China during the late 1990s. Theories of globalization and transnationalism, key to the dissertation's theoretical framework, are in part developed from the works of Arjun Appadurai, Homi Bhabha, Rob Wilson, and Wimal Dissanayake. Theories of performativity and performance, adapted from a range of scholars (including Victor Turner, Richard Schechner, and Judith Butler), show how performance is an apt metaphor for cultural production in the 1990s as cultural bipolarities (e.g., local/global; official/anti-official; socialism/capitalism) are obscured by cultural hybridity. The introduction, through a discussion of Li Yang's feature film Blind Shaft, details my rationale and goals for applying performance theory to cultural production in China. Chapter 2 "Staged Ethnography in Guo Shixing's Birdman and Bad Talk Street" discusses how Guo's staging of ethnographic practices and cultural (re)presentation reveals the hybridity inscribed within a post-colonial discursive practice. Chapter 3 "The Re-cycling of Yang'ge by Senior Citizen Street Performers" illustrates how an urbanized folk dance performance provides the opportunity for individuals in a social sub-group to assert their subjectivities in a process involving imagined and real individual and social transformation. Chapter 4 "Titanic in China: Transnational Capitalism as Official Ideology?" examines the emerging synergies between commercial and official cultural practices and discourses and suggests that such complicity between official discourse, global commodification of culture, and the traffic of transnational capitalism plays a critical role in China's contemporary cultural production ...
    Anmerkung: Columbus, Ohio State Univ., East Asian Languages and Literatures, Diss., 2003
    Sprache: Deutsch
    Schlagwort(e): Hochschulschrift
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  • 9
    UID:
    b3kat_BV048890197
    Umfang: 1 Online-Ressource (304 pages) , 33 B/W illustrations
    ISBN: 9781474496599
    Serie: ReFocus: The American Directors Series : RFADS
    Inhalt: The first critical work to emphasize Richard Brook's literariness"Offers a critical assessment by well-known film scholarsExplores Brooks's engagement with intellectual and cultural trendsDiscusses Brooks's engagement with genresReFocus: The Literary Films of Richard Brooks highlights the accomplishments of one of postwar America's most important and successful directors, with an emphasis on the "literary" aspects of his career, including his work as a screenwriter and adaptor of such modern classics as Cat on a Hot Tin Roof, Lord Jim, and The Brothers Karamazov.
    Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) , In English
    Sprache: Englisch
    URL: Volltext  (URL des Erstveröffentlichers)
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