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    Online-Ressource
    Online-Ressource
    New York : Bloomsbury Academic | London : Bloomsbury Publishing
    UID:
    gbv_1034139088
    Umfang: 1 Online-Ressource (vi, 202 pages)
    Ausgabe: 2014
    ISBN: 9781501312526 , 9781501312502
    Inhalt: Introduction -- 1. La Cérémonie (1995): Diary of a Chambermaid -- 2. Rien ne va plus (1997): Preparation Meets Opportunity -- 3. Au Cœur du mensonge (1999): The Fabric of Vision -- 4. Merci pour le chocolat (2000): Cause and Effect -- 5. La Fleur du mal (2003): Keeping it in the Family -- 6. La Demoiselle d'honneur (2004): Criss-Cross, Motives and Murder -- 7. L'Ivresse du pouvoir (2006): Not Following the Rules of the Game -- 8. La Fille coupée en deux (2007): Killing the Beast -- 9. Bellamy (2009): More than Meets the Eye -- Conclusion -- Notes -- Bibliography -- Index
    Inhalt: A member of the French New Wave group of filmmakers who first came to prominence at the end of the 1950s, Claude Chabrol has received the least amount of critical and scholarly attention, although he was the more prolific and commercially successful of them all. Jacob Leigh fills this lacuna by focusing on the last nine feature films of Chabrol's career, exploring his imagery, camerawork, use of sound and music, and performances, revealing the stylistic characteristics of his films while identifying the fundamental thematic issues that lie at the heart of his career-length exploration of the relationship between individuals and societies. Key areas of focus includes Chabrol's careful depiction of upper-class settings in films such as La Cérémonie (1995), Merci pour le chocolat (2000) and La Fille coupée en deux (2007) and on what Robin Wood and Michael Walker call 'the beast in man' (1970), the quasi-sympathetic 'id-figures' of which Le Boucher's Popaul is the most celebrated. Chabrol's 'id-figures' inherit the traits of Shadow of a Doubt's Uncle Charlie, Rope's Brandon and Strangers on a Train's Bruno, all three of whom have characteristics of the Nietzsche-quoting psychopath familiar in crime fiction. Additionally, The Late Films of Claude Chabrol considers the influence on Chabrol of a range of significant writers, including Patrick Hamilton, Patricia Highsmith, Charlotte Armstrong and Ruth Rendell
    Anmerkung: Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Weitere Ausg.: ISBN 9781501312496
    Weitere Ausg.: Erscheint auch als Druck-Ausgabe Leigh, Jacob, 1967 - The late films of Claude Chabrol New York : Bloomsbury Academic, 2017 ISBN 9781501312496
    Sprache: Englisch
    Fachgebiete: Allgemeines
    RVK:
    Schlagwort(e): Chabrol, Claude 1930-2010 ; Film ; Geschichte 1995-2009 ; Chabrol, Claude 1930-2010 ; Film ; Geschichte 1995-2009
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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