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  • Filmuniversität Babelsberg  (10)
  • Haus Wannsee-Konferenz
  • Bauhaus-Archiv Berlin
  • SB Lübben
  • Bibliothek Wusterhausen (Dosse)
  • SB Bad Wilsnack
  • Licensed  (10)
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  • 1
    Online Resource
    Online Resource
    Ithaca, New York : Cornell University Press
    UID:
    b3kat_BV047111999
    Format: 1 Online-Ressource (xvi, 291 Seiten) , Illustrationen
    ISBN: 9781501752322 , 9781501752339
    Series Statement: The United States in the world
    Content: Cinema and the Cultural Cold War explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. Sangjoon Lee adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. By taking a closer look at the cultural realities of this tumultuous period, Lee comprehensively reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War.Lee elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. Cinema and the Cultural Cold War demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony.Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. Cinema and the Cultural Cold War reanimates this almost-forgotten history of cinema and the film industry in Asia
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-5017-5231-5
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-1-5017-5391-6
    Language: English
    Subjects: General works
    RVK:
    Keywords: Asien ; Filmproduktion ; Internationale Kooperation ; Kolonialismus ; Kulturpolitik ; Geschichte 1948-1980
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney :Bloomsbury Academic,
    UID:
    almahu_BV046576489
    Format: 1 Online-Ressource (vi, 261 Seiten) : , Illustrationen, Diagramme.
    ISBN: 978-1-5013-4352-0 , 978-1-5013-4350-6 , 978-1-5013-4351-3
    Content: "This carefully curated collection focuses on a wide range of post-classical era cult Westerns from around the world, offering new critical insights into key films belonging to this important and enduring film genre"--
    Note: Includes bibliographical references, filmography, and index. - Introduction: Cult Westerns and cult films / Lee Broughton -- "It seemed like a good idea at the time" : Hollywood, homology and hired guns -- the making of The magnificent seven / Paul Kerr -- The historical accuracy of Sergio Leone's The good, the bad and the ugly / Peter J. Hanley -- Where white men dream out loud : Robert Altman's West / Cynthia J. Miller -- The gold rush : the new right and the Westerns of 1980 / Craig Ian Mann -- Landscape, imagery and symbolism in Alejandro Jodorowsky's El Topo / Matt Melia -- Dancing with death : Whity, a singular Western / Hamish Ford -- Man of the West : Dean Reed's (cinematic) frontier personas in Blood brothers and Sing, cowboy, sing! / Sonja Simonyi -- An(Other) West : the limits of national identity in the proposition / Chelsea Wessels -- The return of the repressed : locating the supernatural in US Civil War Westerns / Lee Broughton -- Stranger and friend : non-American Westerns and the immigrant in the twenty-first century / Jenny Barrett -- The intrusion of climate in The revenant / Jack Weatherston -- "Hand in hand we'll get there" -- the racial politics of The hateful eight / Thomas Moodie
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-5013-4349-0
    Language: English
    Subjects: General works
    RVK:
    Keywords: Western ; Aufsatzsammlung ; Aufsatzsammlung ; Electronic books
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New York, NY :Routledge/Taylor & Francis Group,
    UID:
    almahu_9949386320502882
    Format: 1 online resource (xv, 534 pages) : , illustrations
    Edition: Second edition.
    ISBN: 9781315545929 , 1315545926 , 9781134792771 , 1134792778 , 9781134792702 , 1134792700 , 9781134792849 , 1134792840
    Series Statement: Routledge handbooks
    Uniform Title: Handbook of mass media ethics.
    Content: "This fully updated second edition of the popular handbook provides an exploration of thinking on media ethics, bringing together the intellectual history of global mass media ethics over the past 40 years, summarising existing research and setting future agenda grounded in philosophy and social science. This second edition offers up-to-date and comprehensive coverage of media ethics, including source ethics, social media, the roots of law in ethics, and documentary film. The wide range of contributors include scholars and former professionals who worked as journalists, public relations professionals, and advertising practitioners. They lay out both a good grounding from which to begin more in-depth and individualized explorations, and extensive bibliographies for each chapter to aid that process. For students and professionals who seek to understand and do the best work possible, this book will provide both insight and direction. Standing apart in its comprehensive coverage, the Handbook is required reading for scholars, graduate students, and researchers in media, mass communication, journalism, ethics, and related areas"--
    Note: Revision of: The handbook of mass media ethics. , A philosophically based inquiry into the nature of communicating humans / Wayne Woodward -- A short history of media ethics in the United States / John Ferré -- Essential shared values and 21st century journalism / Deni Elliott -- Moral development : a psychological approach to understanding moral decision-making / Renita Coleman and Lee Wilkins -- On the unfortunate divide between media ethics and media law / Theodore L. Glasser and Morgan N. Weiland -- The search for universals / Thomas W. Cooper and Clifford G. Christians -- Justice in media ethics / Shakuntala Rao -- Truth and objectivity / Stephen J.A. Ward -- Photojournalism ethics : a 21st century primal dance of behavior, technology, and ideology / Julianne H. Newton -- Why diversity is an ethical issue / Ginny Whitehouse -- The ethics of advocacy : moral reasoning in the practice of public relations / Sherry Baker -- The ethics of propaganda and the propaganda of ethics / Jay Black -- Exploring Latin American advertising ethics : legislation and self-regulation / Salvador Raymundo Victor -- Serious moral problems and emerging ethical issues in China's media / Jiang Zhan -- Perspectives on pornography demand ethical critique / Wendy Wyatt and Kris E. Bunton -- Violence / Patrick Lee Plaisance -- The eroding boundaries between news and entertainment and what they mean for democratic politics / Bruce A. Williams and Michael X Delli Carpini -- What can we get away with? the ethics of art and entertainment in a neoliberal world / Angharad N. Valdivia -- Culture is normative / Chad Painter -- Justice as a journalistic value and goal / David A. Craig -- Transparency in journalism : meanings, merits, and risks / Kyle Heim and Stephanie Craft -- Coercion, consent, and the struggle for social media / Kevin Healey -- Digital ethics in autonomous systems / Michael Bugeja -- Peace journalism / Seow Ting Lee -- Toward an institution-based theory of privacy / Lee Wilkins and Philip Patterson -- Islamic reform for democracy and global peace / Haydar Badawi Sadig -- Buddhist moral ethics : intend no harm, intend to be of benefit / S. Holly Stocking -- Communitarianism / Mark Fackler -- Feminist media ethics / Linda Steiner -- Spatial ethics and freedom of expression / David S. Allen -- Media ownership in a corporate age / Matthew P. McAllister and Jennifer M. Proffitt -- The media in evil circumstances / Robert S. Fortner -- Ethical tensions in news making : what journalism has in common with other professions / Sandra L. Borden and Peggy Bowers.
    Additional Edition: Print version: Handbook of mass media ethics. Routledge handbook of mass media ethics. New York, NY : Routledge, 2020 ISBN 9781138681323
    Language: English
    Subjects: General works
    RVK:
    Keywords: Electronic books. ; Electronic books. ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    London : Routledge
    UID:
    b3kat_BV046093642
    Format: 1 Online-Ressource (xiii, 353 Seiten)
    Edition: 1st Edition
    ISBN: 9781315728346
    Series Statement: Routledge international handbooks
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-138-84511-4
    Language: English
    Subjects: Ethnology , Sociology
    RVK:
    RVK:
    Keywords: Feminismus ; Geschichte 2010-2019 ; Aufsatzsammlung
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    UID:
    b3kat_BV047010125
    Format: 1 online resource
    ISBN: 9781000768411 , 1000768414 , 9781003013570 , 1003013570 , 9781000768428 , 1000768422 , 9781000768435 , 1000768430
    Series Statement: Routledge music bibliographies
    Content: Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927-2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the Industry. A complete index is included in each volume
    Language: English
    URL: Volltext  (URL des Erstveroeffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 6
    UID:
    b3kat_BV048708693
    Format: 416 S.
    Content: Die vorliegende Studie beschäftigt sich im Hinblick auf die Entwicklung des deutschen Films der 90er Jahre mit den Filmemachern Hans-Christian Schmid und Tom Tykwer. Um die persönliche Handschrift des jeweiligen Filmemachers herauszuarbeiten, konzentriert sie sich auf die textbezogen angelegte Analyse des einzelnen Filmemachers, wobei ausgehend vom formalen Stil die Themen des Films und die Ideale des Filmemachers zu analysieren sind. Dabei arbeitet sie heraus, dass Tykwer und Schmid in einem persönlichen Darstellungswillen, einer handwerklichen Handschrift und einem unverwechselbaren Stil ihre eigene, filmästhetische und gehaltvolle Filmwelt zeigen.Beide Filmemacher unterscheiden sich stilistisch stark voneinander. Schmid setzt auf eine realistische Darstellung, wobei er meistens mit Hilfe der Charaktere seine Geschichte erzählt. Mit den beeindruckenden Figurenzeichnungen gewinnt er eine filmische Realität, in der man Wahrheitsgehalt und Zeitgeist spüren kann. Hingegen legt Tykwer sein Vertrauen auf die Imagination der Bilder und gewinnt eine bildliche Qualität, bei der er die Kinomittel meisterhaft benutzt. Damit zaubert er eine fantastische Bilderwelt ins Kino. Trotz aller Unterschiede zwischen den beiden Filmemachern zeigen sie als Angehörige derselben Generation auch Gemeinsamkeiten. Es geht bei der Stilisierung der beiden Regisseure um die Menschen unserer Zeit und deren Gefühle. Hieraus ergibt sich eine universale Bedeutung, die auch den künstlerischen Charakter des Mediums Film ausmacht. Beide Filmemacher entwickeln ihren unverwechselbar eigenen Stil. Mit diesem behandeln sie allgemeingültige Themen, die dadurch weder verbraucht noch abgenutzt wirken.
    Note: Osnabrück, Univ., Fachbereich Sprach- und Literaturwissenschaft, Diss.
    Language: German
    Keywords: Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 7
    UID:
    b3kat_BV048728731
    Format: 45 Seiten , Illustrationen
    Content: This study explores Jhumpa Lahiri’s "A Temporary Matter" based on the diaspora phenomenon in the daily life of Millennials by visualizing its space through Concept Art. What does home mean to Millennials? Do frequent farewells and migrations cause loss and dilemma of life? How tensions in transitional places shape lifestyle? Does space reflect psychology? Based on the anxiety and distrust of American Millennials and Korean Millennials in a threatening society, this study examines the protagonist’s life, the phenomenon of transnational migration with infinite transits without a destination, life as a member of a minority in society, and the complexity of life with a variety of empirical evidence.
    Note: Masterarbeit Potsdam, Filmuniversität Babelsberg KONRAD WOLF, Studiengang Szenografie - Production Design 2021
    Language: English
    Keywords: Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 8
    UID:
    b3kat_BV048708779
    Format: 41 S.
    Content: Using a home market model of international trade in media products, this paper reports an empirical study that relates trends in theater box-office market shares to consumer spending on movies in the U.S., Japan, Germany, Italy, France, and the U.K since the 1950s. We find a significantly positive relationship over time between measures of domestic consumer spending on movies and domestic box-office market shares in these countries, and a negative relationship between domestic movie spending and American movie market shares. We attribute the relatively weak international performance of American movies before the 1970s to the more rapid, movie-admission reducing diffusion of broadcast television in the U.S. After the 1970s, though, the American commercial support base for theatrical movie production has grown more rapidly than that of most other countries-largely due to a faster diffusion and growth of pay TV and home video media in the U.S. American producers have thus had the ability to invest greater economic resources into movies than have their European and other counterparts. Although a number of reasons can be identified, growing American dominance can partly be attributed to differences in media policies in the U.S. compared to those of other nations.
    Language: German
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    UID:
    b3kat_BV047015671
    Format: 1 online resource (xi, 663 pages)
    ISBN: 9781351190794 , 1351190792 , 9781351190787 , 1351190784 , 9781351190770 , 1351190776 , 9781351190763 , 1351190768
    Series Statement: Routledge music bibliographies
    Content: "Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927-2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume"--
    Note: Description based on online resource; title from digital title page (viewed on April 13, 2020)
    Language: English
    URL: Volltext  (URL des Erstveroeffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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  • 10
    UID:
    b3kat_BV047004613
    Format: 1 online resource (2 volumes)
    ISBN: 9781003013587 , 1003013589 , 9781000091281 , 1000091287 , 9781000091328 , 1000091325 , 9781000091304 , 1000091309
    Series Statement: Routledge music bibliographies
    Content: "Film Music in the Sound Era: A Research and Information Guide offers a comprehensive bibliography of scholarship on music in sound film (1927-2017). Thematically organized sections cover historical studies, studies of musicians and filmmakers, genre studies, theory and aesthetics, and other key aspects of film music studies. Broad coverage of works from around the globe, paired with robust indexes and thorough cross-referencing, make this research guide an invaluable tool for all scholars and students investigating the intersection of music and film. This guide is published in two volumes: Volume 1: Histories, Theories, and Genres covers overviews, historical surveys, theory and criticism, studies of film genres, and case studies of individual films. Volume 2: People, Cultures, and Contexts covers individual people, social and cultural studies, studies of musical genre, pedagogy, and the industry. A complete index is included in each volume"--
    Language: English
    URL: Volltext  (URL des Erstveroeffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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