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  • UdK Berlin  (1)
  • Filmuniversität Babelsberg  (1)
  • SB Schwedt
  • Licensed  (2)
  • 1
    UID:
    b3kat_BV048711150
    Format: 237 S.
    Content: This dissertation uses a strain of postmodernist thought, informed by discourse theory and inflected by feminism, to explore the articulation of identity in selected plays of Judith Thompson and Margaret Hollingsworth and selected films of Patricia Gruben. In these works, identity is configured as a process, an accumulation of temporary points of coherence. This dissertation demonstrates how identity is contingent on fluctuating relations of power. The notion of mastery in the relations of power is critiqued through the serialization of identity, through images of the body, and through the interruption and destabilization of narrative structure. As a result of the conflictual representation of identity, the spectator experiences a destabilized subject position; identification is both engaged and thwarted as several different possibilities for seeing seeing the action are activated. […] In conclusion, the identity as a site of ambiguity involves a relinquishment of a subject/object positioning and of binaries such as right/wrong, self/'other'. Given the destabilized subject position which is afforded the spectator, a different kind of viewing pleasure must be imagined. Temporary moments of intelligibility and mastery are activated, accompanied by an interrogation of the singularity and imperialism of these positions.
    Note: Toronto, Graduate Centre for Study of Drama, Diss.
    Language: English
    Keywords: Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    München ; Wien : De Gruyter Oldenbourg
    UID:
    b3kat_BV046948502
    Format: 1 Online-Ressource (xii, 318 Seiten)
    ISBN: 9783110661965
    Series Statement: Werbung – Konsum – Geschichte 2
    Content: Where does advertising begin and end? How has its boundaryless dissemination been structured in the past and present? Have consumer cultures changed? What strategies generate emotional and behavioral patterns? What considerations critical of consumption exist in advertising films, recordings, TV programming and digital platforms? Twelve experts address these questions from an interdisciplinary perspective
    Content: Wo endet Werbung, wo beginnt sie? Wie gestaltet sich die grenzenlose und vielschichtige Verbreitung und Rezeption der Werbung in Vergangenheit und Gegenwart? Wie haben sich Konsumkulturen verändert? Mit welchen Strategien versucht die Werbung, Emotionen und Verhaltensmuster zu generieren? Welche künstlerischen Entgrenzungen und konsumkritischen Überlegungen lassen sich anhand von Werbefilmen, -platten, TV-Programmen und interaktiven, digitalen Plattformen festmachen? 12 Wissenschaftler*innen widmen sich diesen Fragen aus medientheoretischer, konsum-, emotionshistorischer und sozioökonomischer Perspektive
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 9783110660937
    Language: German
    Subjects: Economics , General works
    RVK:
    RVK:
    RVK:
    Keywords: Werbung ; Audiovisuelle Medien ; Verbraucherverhalten ; Konferenzschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Moser, Karin 1974-
    Author information: Eder, Franz 1980-
    Library Location Call Number Volume/Issue/Year Availability
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