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  • Online Resource  (2)
  • Berlin International  (2)
  • Anna Backman Rogers  (1)
  • Kaiser, Gabriele  (1)
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  • Online Resource  (2)
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  • 1
    Online Resource
    Online Resource
    Florence : Taylor and Francis Group
    UID:
    kobvindex_INTEBC1099083
    Format: 1 online resource (313 pages)
    Edition: 1st ed.
    ISBN: 9781135718886
    Content: A critical look at the making of Manhattan and Venice provides a background to addressing the dynamic redefinition and making of space today. The book concerns architecture and the city, built, imagined and narrated, but, importantly, considers architecture as an intellectual and spatial process rather than a product
    Note: Intro -- Paradigm Islands: Manhattan and Venice Discourses on architecture and the city -- Copyright -- Contents -- List of illustrations and credits -- Preface -- Acknowledgements -- Chapter 1 Paradigm Islands -- Manhattan and Venice -- City -- 'Space within' -- Island -- Paradigms -- Discourses in architecture -- Chapter 2 Frames -- Delirium and historical 'project' -- Learning from Manhattan, designing the frivolous: Rem Koolhaas from 'delirious' to 'Junkspace' -- Manhattan lab: from Manhattan to the contemporary City -- Retroactive manifesto: the city as text -- Manhattan projects: from architecture to Manhattan -- Leaving Manhattan: from metropolitan 'theorems' to architectural 'patents' -- The frivolous project: between signature and adaptation -- Building on tension, learning from Venice: Manfredo Tafuri's history between renovatio and continuity -- Specificity and tension -- The historical 'project' -- History per exempla -- Tafuri in the labyrinth -- Harmony and confiicts -- Venice and the Renaissance -- Princes, cities, architects -- Chapter 3 Makings -- Manhattan Grid: the city as a script -- Manhattan surfacing: Central Park -- From grid to 'grid effect' -- Gridding -- Soft grid -- Grid operations -- Archegrid -- Supergrids -- Venice traces: grids, mats, tentacles -- Venice impossible: representations of the dynamic -- Chapter 4 Readings -- Manhattan: performance, artificial chorality and exhibitionism -- Urban performance -- Artificial chorality -- Exhibitionism -- Venice: normative chorality, masks, tenderness -- Normative chorality -- Masks -- Constitutive tenderness -- Chapter 5 Modern(s) -- The impossibility of the modern project -- Le Corbusier and Manhattan -- Against Manhattan -- American cathedrals -- United Nations and other fragments -- Le Corbusier and Venice -- Le Corbusier and the past -- Venice and modernity , Making Venice -- Chapter 6 Contemporaries -- The city as event: Bernard Tschumi in Manhattan -- Manhattan Transcripts -- Moving architecture and sequencing voids -- Topology to diagram: Peter Eisenman between Venice and Manhattan -- Venice after Le Corbusier -- Manhattan after the Grid -- The city as diagram. Gianugo Polesello's Venice -- The city as architecture -- 'Novissime': Venice anew -- Cannaregio Ovest -- 4, 9, 16 Towers -- Città Ideale -- From capriccio to montage to urban diagram -- Chapter 7 Representations -- Manhattan -- Manhattan vertical -- Manhattan horizontal -- Manhattan round -- Venice -- Venice labyrinths -- Venice vertical -- Venice horizontal -- Manhattan room -- Chapter 8 Islands -- Manhattan molluscs -- Venice clouds -- Epilogue -- Notes -- Bibliography -- Name Index -- Subject Index
    Additional Edition: Print version Stoppani, Teresa Paradigm Islands: Manhattan and Venice Florence : Taylor & Francis Group,c2011 ISBN 9780415561853
    Language: English
    Keywords: Electronic books ; Electronic books
    URL: FULL  ((OIS Credentials Required))
    URL: FULL  ((OIS Credentials Required))
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    [Santa Barbara, CA, USA] : punctum books
    UID:
    kobvindex_INT8cd5ce6c-d604-46ac-b4f7-1f871589d96a
    Format: 1 online resource (154 pages)
    Edition: 1st edition
    ISBN: 9781953035684 , 9781953035691
    Content: There is indeed a "miracle" in the 1970 film Wanda. This film has survived, despite decades of neglect, to emerge into the fuliginous light of an era that may just be ready to strain at grasping its harsh and brutal truths -- truths that reveal the imbrication of the psychic in the social and the experiential in political structures. Barbara Loden's film dares to suggest that the social and ethical functions of art should not necessarily be redemptive - that salvation is a cheap and spurious form of consolation that few can afford in this world. This film, made by a woman who knew all too well what it means to be defined through and by her material circumstances (and her relationships to men), and that is so relentlessly ferocious in its refusal to assuage and comfort the viewer, has always been a form of future feminism. Wanda does not brook the comforts of positivity, of aspiration, or even the luxury of selfhood. This film, Still Life contends, is so radical in its feminist-anti-capitalist politics of refusal that we are still struggling to keep up with it. It delineates precisely how the personal is political and why this matters now more than ever. Wanda, a film about a woman who refuses to be saved or to save herself, who lacks the means and energy to alter anything in her life, who lives in a permanent state of blockage, impasse and failure is, as this publication suggests, the film of our contemporary moment
    Note: Available through punctum books , Mode of access: World Wide Web
    Language: English
    URL: FULL
    URL: FULL
    Library Location Call Number Volume/Issue/Year Availability
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