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  • 1
    UID:
    gbv_777663961
    Format: 272 Seiten
    Edition: First published
    ISBN: 9781408146637 , 9781408146675
    Content: "Renaissance Acting Companies and their Plays explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. "--
    Content: "Renaissance Acting Companies and their Plays explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: Renaissance Acting Companies and their Plays makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage"--
    Content: "Renaissance Acting Companies and their Plays explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. "--
    Content: "Renaissance Acting Companies and their Plays explores the intimate and dynamic relationship between acting companies and playwrights in this seminal era in English theatre history. Siobhan Keenan's analysis includes chapters on the traditions and workings of contemporary acting companies, playwriting practices, stages and staging, audiences and patrons, each illustrated with detailed case studies of individual acting companies and their plays, including troupes such as Lady Elizabeth's players, 'Beeston's Boys' and the King's Men and works by Shakespeare, Jonson, Middleton, Brome and Heywood. We are accustomed to focusing on individual playwrights: Renaissance Acting Companies and their Plays makes the case that we also need to think about the companies for which dramatists wrote and with whose members they collaborated, if we wish to better understand the dramas of the English Renaissance stage"--
    Note: Machine generated contents note:Acknowledgements Textual Note List of Abbreviations Chapter 1: Introduction Chapter 2: The Acting Companies Chapter 3: Playwrights and Playwriting Chapter 4: Stages and Staging Chapter 5: Audiences Chapter 6: Patrons and Patronage Epilogue Notes Bibliography.
    Additional Edition: ISBN 9781472575685
    Additional Edition: ISBN 9781472575678
    Additional Edition: Erscheint auch als Online-Ausgabe Keenan, Siobhan Acting Companies and their Plays in Shakespeare's London London : Bloomsbury Publishing, 2014 ISBN 9781408146637
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: London ; Englisch ; Drama ; Theatertruppe ; Geschichte 1580-1642
    URL: Cover
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  • 2
    UID:
    gbv_752345710
    Format: 285 S.
    ISBN: 9780813935447
    Series Statement: Victorian literature and culture series
    Note: Includes bibliographical references and index , Pt. 1. Poetic beginningsWord and love games: Berowne and Ida's prince -- The trespass of intimacy: artists in crime -- Pt. 2. Hamlet's afterlives -- Toils of fate: Dickens, Hamlet, and Malvolio -- The angel of dust: a god in exile -- Pt. 3. Shades of King Lear -- Thou, nature, art my goddess: the garden and the heath -- A choral mind trap: Hardy and the homilists -- Wisdom and wit: Lear's fool to Dagonet -- The end of illusion: Childe Roland and Caliban -- Pt. 4. Grace and death -- A toil of grace: Cleopatra and her heirs -- Off the edge: end games and elegy -- The hills are shadows: time the devourer -- Oracle meets wit: the promised end.
    Additional Edition: ISBN 9780813935454
    Language: English
    Subjects: English Studies
    RVK:
    RVK:
    Keywords: Shakespeare, William 1564-1616 ; Rezeption ; Englisch ; Lyrik ; Geschichte 1830-1900
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  • 3
    UID:
    gbv_791637077
    Format: x, 245 Seiten , Illustrationen
    ISBN: 0810130149 , 9780810130142
    Series Statement: Rethinking the early modern
    Content: In Violence and Grace, Nichole Miller establishes a conceptual link between early modern English drama and twentieth-century political theology, both of which emerge from the experience of political crisis. Even as philosophers from Max Weber, Carl Schmitt, and Walter Benjamin to Hannah Arendt and Simone Weil drew upon sixteenth- and seventeenth-century dramatic representations of the nation-state to analyze the political phenomena of late modernity, Miller contends that they effaced the gendered and sexual dimensions of power and “exceptional life” so crucial to these plays. Miller’s analyses accordingly undertake to retrieve for political theology the relations between gender, sexuality, and the political aesthetics of violence on the early modern stage, addressing the plays of Marlowe, Middleton, and especially Shakespeare. In doing so, she compellingly expands our understanding of drama’s continuing theoretical impact.
    Note: The problem : exceptional lifeThe sexual politics of pain : Hannah Arendt meets Shakespeare's shrewUndead letters : reading the relic between Marlowe and KantorowiczThe revenger's decision : exceptional law between Middleton and SchmittSacred life and sacrificial economy : Coriolanus in no-man's-landThe aesthetics of messianic time : gravity and grace in King LearPaul's call; Cymbeline's callingLast words : the stakes of reading/Political Life. , The problem : exceptional life , The sexual politics of pain : Hannah Arendt meets Shakespeare's shrew , Undead letters : reading the relic between Marlowe and Kantorowicz , The revenger's decision : exceptional law between Middleton and Schmitt , Sacred life and sacrificial economy : Coriolanus in no-man's-land , The aesthetics of messianic time : gravity and grace in King Lear , Paul's call; Cymbeline's calling , Last words : the stakes of reading/Political Life
    Additional Edition: ISBN 9780810168084
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Shakespeare, William 1564-1616 ; Englisch ; Drama ; Gewalt ; Geschichte 1500-1600 ; Aufsatzsammlung
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  • 4
    UID:
    gbv_1612545963
    Format: xiii, 295 Seiten
    Edition: First published
    ISBN: 9780333803219 , 9781137403964
    Series Statement: Early modern literature in history
    Content: "Lost plays are a source of significant information on playwrights, playing companies, audiences, and venues in Shakespeare's England. They include plays by Shakespeare, Marlowe, Jonson, and other canonical playwrights in addition to anonymous plays and the writings of lesser known writers. Details preserved depend upon the record, but may include title, date, authorship, company affiliation, plot, and even details of performance. This edited collection examines assumptions about what a lost play is and how it can be talked about; how lost plays can be reconstructed, particularly when they use narratives already familiar to playgoers; and how lost plays can force us to reassess extant plays, particularly through ideas of repertory studies. Lost plays, it argues, improve our knowledge of playwrights' and playing companies' overall dramatic output"--
    Content: "Lost plays are a source of significant information on playwrights, playing companies, audiences, and venues in Shakespeare's England. They include plays by Shakespeare, Marlowe, Jonson, and other canonical playwrights in addition to anonymous plays and the writings of lesser known writers. Details preserved depend upon the record, but may include title, date, authorship, company affiliation, plot, and even details of performance. This edited collection examines assumptions about what a lost play is and how it can be talked about; how lost plays can be reconstructed, particularly when they use narratives already familiar to playgoers; and how lost plays can force us to reassess extant plays, particularly through ideas of repertory studies. Lost plays, it argues, improve our knowledge of playwrights' and playing companies' overall dramatic output"--
    Note: Literaturverzeichnis Seite 279-281 , Machine generated contents note:AcknowledgementsNotes on the ContributorsA Note on ConventionIntroduction Nothing Will Come of Nothing? Or, What Can We Learn from Plays that Don't Exist?; David McInnis and Matthew Steggle PART I: WHAT IS A LOST PLAY?1.What's a Lost Play?: Toward a Taxonomy of Lost Plays; William Proctor Williams2.Ur-Plays and other exercises in Making Stuff Up; Roslyn L. Knutson3.What is Lost of Shakespearean Plays, Besides a Few Titles?; Andrew Gurr4.Lost, or Rather Surviving as a Very Short Document; Matthew Steggle5.Lumpers and Splitters; John H. AstingtonPART II: WORKING WITH LOST PLAYS 6.'2 Fortune's Tennis' and the Admiral's Men; David McInnis7.Brute Parts: From Troy to Britain at the Rose, 1595-1600; Misha Teramura8.The Admiral's Lost Arthurian Plays; Paul Whitfield White9.Lost Plays and the Repertory of Lord Strange's Men; Lawrence Manley10.Thomas Watson, Playwright: Origins of Modern English Drama; Michael J. Hirrel11.Lost Stage Friars and their Narratives; Christopher Matusiak12.Reimagining Gillian: The Merry Wives of Windsor and the Lost 'Friar Fox and Gillian of Brentford'; Christi Spain-SavagePART III: MOVING FORWARD13.Where to Find Lost Plays; Martin WigginsBibliographyIndex.
    Additional Edition: Erscheint auch als Online-Ausgabe McInnis, David, 1981 - Lost Plays in Shakespeare's England Basingstoke : Palgrave Macmillan, 2014 ISBN 9781137403964
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Englisch ; Drama ; Geschichte 1500-1600 ; Englisch ; Drama ; Manuskript ; Geschichte 1500-1600 ; Aufsatzsammlung
    URL: Cover
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