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  • 2015-2019  (5)
  • 1965-1969
  • 1960-1964
  • 2018  (5)
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Years
  • 2015-2019  (5)
  • 1965-1969
  • 1960-1964
Year
Subjects(RVK)
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  • 1
    Book
    Book
    Jackson :University Press of Mississippi,
    UID:
    almafu_BV045237718
    Format: xxiv, 207 Seiten ; , 23 cm.
    ISBN: 978-1-4968-1820-1 , 978-1-4968-1821-8
    Series Statement: Conversations with filmmakers series
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-1-4968-1822-5
    Additional Edition: Erscheint auch als Online-Ausgabe, PDF ISBN 978-1-4968-1824-9
    Language: English
    Keywords: 1958- Russell, David O. ; Drehbuchautor ; Filmproduzent ; Interview ; Interviews
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Princeton, New Jersey : Princeton University Press
    UID:
    gbv_1638092923
    Format: X, 200 Seiten , Illustrationen , 24 cm
    ISBN: 9780691161198
    Content: "The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one's way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic. Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom -- an "aesthetic liberalism" -- not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made. Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner. "--
    Content: Introduction. An Art of Handling -- Chapter 1. "Our Debt to Lamb": The Romantic Essay and the Emergence of Tact -- Chapter 2. Aesthetic Liberalism: John Stuart Mill as Essayist -- Chapter 3. Teaching Tact: Matthew Arnold and the Function of Criticism -- Chapter 4. The Grounds of Tact: George Eliot's Rage -- Chapter 5. Relief Work: Walter Pater's Tact -- Chapter 6. Tact in Psychoanalysis: Marion Milner
    Note: Literaturangaben
    Language: English
    Subjects: English Studies
    RVK:
    Keywords: Englisch ; Literatur ; Ästhetik ; Taktgefühl ; Essay ; Geschichte 1800-1900 ; Milner, Marion Blackett 1900-1998 ; Psychoanalyse ; Englisch ; Essay ; Geschichte 1800-1900
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    UID:
    gbv_1015068960
    ISSN: 0733-4648
    In: Journal of applied gerontology, Newbury Park, Calif. : Sage, 1982, 37(2018), 1, Seite 7-25, 0733-4648
    In: volume:37
    In: year:2018
    In: number:1
    In: pages:7-25
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Princeton, NJ :Princeton University Press,
    UID:
    almahu_BV045928828
    Format: 1 online resource : , 4 halftones.
    ISBN: 978-1-4008-8790-3
    Content: The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one’s way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic.Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom—an “aesthetic liberalism”—not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made.Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Aug 2018) , In English
    Language: English
    Keywords: Englisch ; Essay ; Taktgefühl ; Ästhetik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    Princeton, NJ :Princeton University Press,
    UID:
    edocfu_9959051789102883
    Format: 1 online resource (216 p.) : , 4 halftones.
    ISBN: 9781400887903
    Content: The social practice of tact was an invention of the nineteenth century, a period when Britain was witnessing unprecedented urbanization, industrialization, and population growth. In an era when more and more people lived more closely than ever before with people they knew less and less about, tact was a new mode of feeling one’s way with others in complex modern conditions. In this book, David Russell traces how the essay genre came to exemplify this sensuous new ethic and aesthetic.Russell argues that the essay form provided the resources for the performance of tact in this period and analyzes its techniques in the writings of Charles Lamb, John Stuart Mill, Matthew Arnold, George Eliot, and Walter Pater. He shows how their essays offer grounds for a claim about the relationship among art, education, and human freedom—an “aesthetic liberalism”—not encompassed by traditional political philosophy or in literary criticism. For these writers, tact is not about codes of politeness but about making an art of ordinary encounters with people and objects and evoking the fullest potential in each new encounter. Russell demonstrates how their essays serve as a model for a critical handling of the world that is open to surprises, and from which egalitarian demands for new relationships are made.Offering fresh approaches to thinking about criticism, sociability, politics, and art, Tact concludes by following a legacy of essayistic tact to the practice of British psychoanalysts like D. W. Winnicott and Marion Milner.
    Note: Frontmatter -- , Contents -- , Acknowledgments -- , Introduction: An Art of Handling -- , “Our Debt to Lamb”: The Romantic Essay and the Emergence of Tact -- , Aesthetic Liberalism: John Stuart Mill as Essayist -- , Teaching Tact: Matthew Arnold and the Function of Criticism -- , The Grounds of Tact: George Eliot’s Rage -- , Relief Work: Walter Pater’s Tact -- , Tact in Psychoanalysis: Marion Milner -- , Notes -- , Index , In English.
    Language: English
    Library Location Call Number Volume/Issue/Year Availability
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