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  • BTU Cottbus  (2)
  • TU Berlin  (1)
  • Film  (1)
  • Islam  (1)
  • 1
    Book
    Book
    Cambridge, Mass. [u.a.] : MIT Press
    UID:
    b3kat_BV037909004
    Format: XI, 315 S. , Ill., graph. Darst. , 24 cm
    ISBN: 0262195577 , 9780262195577
    Series Statement: Transformations
    Content: "The Islamic scientific tradition has been described many times in accounts of Islamic civilization and in general histories of science, with most authors tracing its beginnings to the appropriation of ideas from other ancient civilizations - the Greeks in particular. In this thought-provoking and original book, George Saliba argues that, contrary to the generally accepted view, the foundations of Islamic scientific thought were laid well before Greek sources were formally translated into Arabic in the ninth century. Drawing on an account by the tenth-century intellectual historian Ibn al-Nadim that is ignored by most modern scholars, Saliba suggests that early translations from mainly Persian and Greek sources outlining elementary scientific ideas for the use of government departments were the impetus for the development of the Islamic scientific tradition. He argues further that there was an organic relationship between the Islamic scientific thought that developed in later centuries and the science that came into being in Europe during the Renaissance."--BOOK JACKET.
    Language: English
    Subjects: Natural Sciences , General works , Theology
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    Keywords: Wissenschaftliches Instrument ; Geschichte 1200-1700 ; Astronomie ; Illustration ; Islam ; Renaissance ; Wissenschaft ; Astronomie ; Europa ; Geschichte 1201-1600 ; Islam ; Naturwissenschaften ; Geschichte 1201-1600
    URL: Inhaltsverzeichnis  (kostenfrei)
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    UID:
    b3kat_BV047600552
    Format: 1 Online-Ressource (246 Seiten) , Illustrationen
    ISBN: 9783839453377
    Series Statement: FilmStudies
    Uniform Title: Traum und Trauma in Schwarz-Weiß
    Content: Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with negating boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium
    Note: Aus dem Vorwort: "slightly shortened and rivised ... english edition"
    Additional Edition: Erscheint auch als Druck-Ausgabe, Paperback ISBN 978-3-8376-5337-3
    Language: English
    Subjects: General works
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    Keywords: Film ; Rassismus ; USA ; USA ; Film ; Ethnische Beziehungen ; Visuelle Wahrnehmung ; Geschichte 1915-2003 ; Hochschulschrift ; Hochschulschrift
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    Author information: Gotto, Lisa 1976-
    Library Location Call Number Volume/Issue/Year Availability
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