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  • Berlin International  (10)
  • SB Kyritz
  • Fachstelle Brandenburg
  • Exhibition catalogues  (10)
Type of Medium
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Region
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  • 1
    UID:
    gbv_103033577X
    Format: 399 Seiten
    ISBN: 9783945852262
    Note: Literaturverzeichnis: Seite 392-395 , "This book is published on the occasion of 'Victor Papanek: The Politics of Design', an exhibition by the Vitra Design Museum and the Barcelona Design Museum, in collaboration with the Victor J. Papanek Foundation, University of Applied Arts Vienna. Vitra Design Museum, Weil am Rhein, 29 September 2018-10 March 2019, Barcelona Design Museum, 30 October 2019-2 February 2020" - Colophon
    Additional Edition: Parallele Sprachausgabe Papanek, Victor, 1926 - 1998 Victor Papanek - the politics of design
    Additional Edition: ISBN 9783945852255
    Language: English
    Keywords: Design ; Ausstellungskatalog ; Ausstellungskatalog ; Bildband ; Case studies ; Exhibition catalogues
    Author information: Papanek, Victor 1926-1998
    Author information: Clarke, Alison J.
    Author information: Kries, Mateo 1974-
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  • 2
    UID:
    kobvindex_ZLB13458119
    Format: 47 Seiten , überw. Ill., graph. Darst., Kt.
    Note: Text dt. und span.
    Language: German
    Keywords: Aedes, Galerie für Architektur und Raum ; Ausstellung ; Santa Cruz de Tenerife / Instituto Óscar Domínguez de Arte y Cultura Contemporánea (IODACC) ; Architektur ; Ausstellung ; Ausstellungskatalog ; Exhibition catalogues
    Author information: Feireiss, Kristin
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  • 3
    Image
    Image
    [Lausanne, Switzerland] : Musée des arts décoratifs de la ville de Lausanne | Zürich, Switzerland : Museum für Gestaltung - Kunstgewerbemuseum
    UID:
    kobvindex_INT0002709
    Format: 183 pages , chiefly illustrations (black and white photographs) , 20 x 22 cm
    ISBN: No
    Content: "Aujourd'hui, Gilbert Frey nous livre - à travers sa publication et la présente exposition - la reconstitution de 57 ans d'histoire du mobilier suisse. Ambitieuse entreprise pour un auteur romand, que d'essayer de cerner plus de 5 décennies d'un aspect du design contemporain, qui a été presque exclusivement l'apanage de créateurs alémaniques. L'intéressante documentation que Gilbert Frey a réunie esquisse l'évolution du mobilier ; elle évoque le rôle des personnes clés qui ont contribué à sa création, à sa fabrication et à sa diffusion. Elle met en lumière le rôle essentiel joué par des associations telles que le Werkbund alémanique, la VSI et l'Oeuvre. Elle rappelle en outre l'importante mission accomplie par la Kunstgewerbeschule de Zurich. À travers cette étude, on s'apercevra que la création suisse dans le domaine de l'aménagement intérieur a été des plus intenses pendant ces cinq décennies, et que par ses idées inventives, sa cohérence et son extrême bienfacture, elle n'a rien à envier à celle d'autres pays." -- "Today, Gilbert Frey gives us - through his publication and the present exhibition - the reconstitution of 57 years of Swiss furniture history. Ambitious undertaking for a French-speaking author, than trying to identify more than 5 decades of an aspect of contemporary design, which was almost exclusively the preserve of German-speaking creators. The interesting documentation that Gilbert Frey has put together sketches the evolution of furniture; it discusses the role of the key people who contributed to its creation, production and dissemination. It highlights the essential role played by associations such as the Germanic Werkbund, the VSI and the Oeuvre. It also recalls the important mission accomplished by the Kunstgewerbeschule Zurich. Through this study, it will be seen that the Swiss creation in the field of interior design has been most intense during these five decades, and that by its inventive ideas, its consistency and its extreme goodfacture, it has nothing to envy that of other countries."
    Note: Rosmarie Lippuner: Préface -- Hansjörg Budliger: Vorwort -- Claude Lichtenstein, Arthur Rüegg: Remarques sur les rapports entre le mobilier, l'aménagement et l'architecture de 1920 à 1980 = Bemerkungen zum Verhältnis zwischen Mobiliar, Einrichtungen und Architektur, 1920-1980 -- Le mobilier suisse création de 1927-1984 = Schweizer Möbeldesign 1927-1984 -- Documentation illustrée = Bilddokumentation -- Biographies = Biographien -- Créateurs = Designer -- Fabricants = Hersteller -- Bibliographie = Bibliographie -- Photocrédit = Photonachweis -- Remerciements = Dank , LANGUAGE NOTE: text in French and German.
    Language: Multiple languages
    Keywords: Exhibition catalogues
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  • 4
    Book
    Book
    Brussels, Belgium :Musées royaux des beaux-arts de Belgique,
    UID:
    kobvindex_INT0000044
    Format: 55 pages : , illustrations ; , 19 cm.
    ISBN: No ISBN (pbk.)
    Content: MACHINE-GENERATED NOTE ABOUT HONORED PERSON: "Milton Glaser (born June 26, 1929) is an American graphic designer. His designs include the I ❤ NY logo, the psychedelic Bob Dylan poster, and the Brooklyn Brewery logo. In 1954, he also co-founded Push Pin Studios, co-founded New York Magazine with Clay Felker, and established Milton Glaser, Inc. in 1974. His artwork has been featured in exhibits, and placed in permanent collections in many museums worldwide. Throughout his long career, he has designed many posters, publications and architectural designs. He has received many awards for his work, including the National Medal of the Arts award from President Barack Obama in 2009, and was the first graphic designer to receive this award."
    Language: French
    Keywords: Exhibition catalogues
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  • 5
    Online Resource
    Online Resource
    Paris, France : Publications de l'Institut national d'histoire de l'art
    UID:
    kobvindex_INT0004471
    Format: 1 electronic resource (31 pages) , illustrations, plans
    Edition: Nouvelle édition [en ligne]
    ISBN: 2917902760 , 9782917902769 , No
    Note: EDITORIAL NOTE: originally published: 2010
    Language: French
    Keywords: Exhibition catalogues
    URL: FULL
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  • 6
    UID:
    kobvindex_INT0003056
    Format: 352 pages , richly illustrated (chiefly colour), plans , 30.5 x 23.5 cm
    ISBN: 9783945852156 , 3945852153
    Content: "Housing is scarce, that much has become evident in the last few years. As real estate prices in big cities continue to skyrocket, conventional ideas of housing development prove unable to meet demands. The reaction to these challenges has been a silent revolution in contemporary architecture - towards collective building and living. Using models, films, and walk-in displays, the exhibition 'Together! The New Architecture of the Collective' addresses this global phenomenon by presenting a broad array of collective building and living projects from Europe, Asia, and the United States. An overview of historical precedents for the current wave of collectives demonstrates that the idea of collectivity has been a recurring theme in the history of architecture, from the reformist ideas of the nineteenth century to the hippies and squatters of the twentieth who touted the slogan 'Make love, not lofts'."
    Note: Together! : Foreword / Mateo Kries -- Together! : On the renaissance of the collective in contemporary urban architecture : introduction / Mathias Müller, Daniel Niggli, Ilka Ruby, Andreas Ruby -- THE STORY SO FAR : Timeline : collective architecture 1800-2017 -- A city for people : essay / Andreas Hofer -- The city as a hotel : essay / Anna Puigjaner -- BETTER TOGETHER : Eight visits : photo essays / Daniel Burchard : Yokohama apartment, Yokohama, Japan ; Spreefeld Berlin, Berlin, Germany -- Apartments with a small restaurant, Tokyo, Japan ; House for seven people, Tokyo, Japan ; LT Josai, Nagoya, Japan ; Musikerwohnhaus, Basel, Switzerland ; Wohnprojekt Wien, Vienna, Austria ; Mehr als Wohnen, Zurich, Switzerland -- THE NEW ARCHITECTURE OF THE COLLECTIVE : Songpa micro-housing, Seoul, South Korea -- SH2, Copenhagen, Denmark -- Poolhaus, Vienna, Austria -- Kalkbreite, Zurich, Switzerland -- Vrijburcht, Amsterdam, The Netherlands -- Cooperative garden, Tokyo, Japan -- VinziRast-mittendrin, Vienna, Austria -- Star apartments, Los Angeles -- Moriyama house, Tokyo, Japan -- Agora Wohnen, Berlin, Germany -- R50, Berlin, Germany -- Lagerplatz 141, Winterthur, Switzerland -- Zollhaus, Zurich, Switzerland -- Zwicky Süd, Dübendorf, Switzerland -- Yokohama apartment, Yokohama, Japan -- Apartments with a small restaurant, Tokyo, Japan -- House for seven people, Tokyo, Japan -- LT Josai, Nagoya, Japan -- Musikerwohnhaus, Basel, Switzerland -- Wohnprojekt Wien, Vienna, Austria -- Mehr als Wohnen, Haus J, Zurich, Switzerland -- FIELD REPORTS : Creation in place of codetermination : the Vienna Sargfabrik as a showcase project of urban living : essay / Robert Temel -- Democratising housing : a conversation between Yuma Shinohara and Michael Lafond, Spreefeld, Berlin -- Cooperative housing as a means more than an end : essay / Ethel Baraona Pohl
    Language: English
    Keywords: Case studies ; Exhibition catalogues
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  • 7
    UID:
    kobvindex_INT0002870
    Format: 144 pages , illustrations (chiefly colour), plans , 30 cm
    ISBN: 9782951503311 , 2951503318
    Uniform Title: Architektur aus Papier : Häuser, Kirchen, Monumente : eine Welt im Kleinen
    Content: "Einen globalen Gesamtüberblick über ein wenig erforschtes Gebiet der Druckgraphik, den Architektur-Modellbaubogen, zu verfassen, ist an sich schon verdienstvoll, denn es gibt ihn bisher nicht. Dieter Nievergelt ist für die Geschichte des Kartonmodellbaus der bestmögliche Autor. [...] Das Begleitbuch ist ein Standardwerk, ein Grundstein und An-stoß für ein Gebiet der Kulturgeschichte, dessen weitere Erforschung lohnenswert scheint. Der Modellbaubogen ist eine spezielle Art des Bilderbogens, genießt bis jetzt aber wenig Forschungsinteresse. [...] Auf 48 Farbseiten erzählt uns der Autor knapp und faktenreich die Geschichte des Modellbaubogens, seiner Vorläufer und des Architekturmodellbogens auf der ganzen Welt (soweit sie daran beteiligt war). [...] Viele Abbildungen illustrieren den Text, aber sie können den fehlenden Katalog natürlich nicht ersetzen, zumal sie teilweise so klein sind, dass man sie mit der Lupe betrachten muss. Dafür enthält der Ausstellungskatalog auf den dem Text- und Abbildungsteil folgenden 96 Schwarz-Weiß-Seiten ein unschätzbares Nachschlagewerk für alle, die mit Architekturmodellbogen zu tun haben." -- "To write a global overview of a little-researched area of ​​printmaking, the architectural model building sheet, is in itself worthwhile, because it has not yet existed. Dieter Nievergelt is the best possible author for the history of cardboard model making. [...] The accompanying book is a standard work, a cornerstone and impetus for an area of ​​cultural history, which further research seems worthwhile. The model building sheet is a special type of picture sheet, but has so far enjoyed little research interest. [...] On 48 colour pages, the author tells us the story of the model sheet, its predecessors and the architectural model sheet around the world (as far as it was involved) in a concise and factual manner. [...] Many images illustrate the text, but of course they cannot replace the missing catalogue, especially since some of them are so small that you have to look at them with a magnifying glass. The exhibition catalogue contains 96 black-and-white pages following the text and illustration section, which is an invaluable reference work for anyone who has anything to do with architectural model sheets."
    Note: LANGUAGE NOTE: translation from the German language edition: Architektur aus Papier : Häuser, Kirchen, Monumente : eine Welt im Kleinen. Lausanne : Musée Historique de Lausanne [and others], [2000]
    Language: French
    Keywords: Exhibition catalogues
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  • 8
    UID:
    kobvindex_INT0000160
    Format: 328 pages : , richly illustrated (some colour) ; , 29 x 24 cm.
    Edition: Reprint.
    ISBN: 9780262518451 (pbk.) , 0262518457 (pbk.) , 9780262112796 (hbk.) , 0262112795 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "Although it lasted only twenty-three years (1933-1956) and enrolled fewer than 1,200 students, Black Mountain College was one of the most fabled experimental institutions in art education and practice. Faculty members included Anni Albers, Josef Albers, Ilya Bolotowsky, John Cage, Harry Callahan, Merce Cunningham, Buckminster Fuller, Walter Gropius, Clement Greenberg, Lou Harrison, Franz Kline, Willem de Kooning, Jacob Lawrence, Robert Motherwell, Roger Sessions, Ben Shahn, Aaron Siskind, Esteban Vicente, and Stefan Wolpe. Among their students were Ruth Asawa, John Chamberlain, Ray Johnson, Kenneth Noland, Robert Rauschenberg, Dorothea Rockburne, Cy Twombly, and Susan Weil. Literature teachers included Robert Creeley, Robert Duncan, Charles Olson, and M.C. Richards, with students Fielding Dawson, Ed Dorn, Francine du Plessix Gray, Joel Oppenheimer, Arthur Penn, John Wieners, and Jonathan Williams. This book-the paperback edition of a milestone work that has been unavailable for several years-documents the short but influential life of Black Mountain College. Nearly 500 images, many in color and published for the first time in this book, show important works of art created by Black Mountain College faculty and students as well as snapshots of campus life. Four essays, all commissioned for the book, offer closer looks at the world of Black Mountain. Poet Robert Creeley recounts his first meeting with his mentor and friend Charles Olson. Composer Martin Brody offers a history of the musical world of the 1930s to 1950s, in which Black Mountain played a significant role. Critic Kevin Power looks at the experimental literary journal The Black Mountain Review, which was instrumental in launching the Black Mountain school of poetry. The book's editor, Vincent Katz, discusses the philosophy of the college's founders, the Bauhaus principles followed by art instructor Josef Albers, and the many interactions among the arts in the college's later years."
    Content: MACHINE-GENERATED NOTE ABOUT AUTHOR(S)/EDITOR(S): "Vincent Katz is a poet, translator, and curator based in New York City."
    Note: EDITORIAL NOTE: hardback edition published 2002, paperback edition published 2013. , MACHINE-GENERATED CONTENTS NOTE: Black Mountain College : experiment in art / Vincent Katz -- The scheme of the whole : Black Mountain and the course of American modern music / Martin Brody -- In, around and about The Black Mountain review : Robert Creeley and Company / Kevin Power -- Olson and Black Mountain College / Robert Creeley.
    Language: English
    Keywords: Exhibition catalogues
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  • 9
    UID:
    kobvindex_INT0000699
    Format: 448 pages : , illustrations (some colour), maps ; , 30.5 x 23 cm.
    Edition: 1st edition.
    ISBN: 9780847813308 (pbk.) , 0847813304 (pbk.) , 9780847813230 (hbk.) , 0847813231 (hbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "This remains one of the most important scholarly and illustrative examinations of Kahn's life work and his philosophy of architecture. Photographs and descriptive analysis are followed by a biographical chronology of the architect's life and a complete list of his buildings and projects from 1925 to 1974. The primary texts critically address different dimensions and periods of Kahn's production."
    Content: MACHINE-GENERATED SUMMARY NOTE: "'To hear a sound is to see its space The spaces of architecture in their light make me want to compose a kind of music, imagining a truth from the sense of a fusion of the disciplines and their orders.' - Louis I. Kahn. The first major retrospective devoted to the life and work of Louis Kahn (1901-1974), one of the great American architects of this century, Louis I. Kahn: In the Realm of Architecture shows a range of work from the architect's formative years in Philadelphia to his international contribution to the design of religious and governmental institutions, centers of learning and research, and other public spaces. The installation also illuminates the developing philosophical underpinnings of Kahn's architecture. The exhibition includes approximately three hundred drawings, sketches, models, and photographs of more than sixty projects, both realized and unrealized. Japanese architect Arata Isozaki has designed the installation of the exhibition, which is based on Kahn's plan of the Mikveh Israel Synagogue, Philadelphia (1961-72). The exhibition and the accompanying publication comprise six sections, beginning with "Adventures of Unexplored Places," a review of Kahn's early years. This first section includes academic studies, travels to Western and Eastern Europe, and apprenticeships in various architectural offices in Philadelphia, including those of Paul Philippe Cret, a famous beaux-arts architect, and George Howe, an architect. The second section, "The Mind Opens Realizations," presents all the projects with which Kahn established his international reputation: the Yale University Art Gallery, New Haven (1951-53); the Jewish Community Center, near Trenton (1954-59); and the Alfred Newton Richards Medical Research Building, Philadelphia (1957-65). The third and fourth sections, "Assembly...a Place of Transcendence" and "The Houses of Inspirations," explore Kahn's designs for major institutional structures. Examples of such projects are Sher-e-Bangla Nagar, the Capital of Bangladesh, Dhaka (1962-83), for which Kahn received posthumously the Aga Kahn Award for Architecture (1989); the Salk Institute for Biological Studies, La Jolla (1959-65), in which Kahn's ideas for using external, ruin-like walls to filter light are fully realized; and the Indian Institute of Management, Ahmedabad (1962-74). The fifth section, "The Forum of the Availabilities," represents Kahn's works involving public spaces, such as the Philadelphia Bicentennial Exposition (1971-73). The final section, "Light, the Giver of All Presences"-through such examples as the Kimbell Art Museum, Fort Worth (1966-72), the Yale Center for British Art (1969-74), and the unrealized Memorial to the Six Million Jewish Martyrs, intended for Battery Park, New York (1966-72)-explores the architect's developed theories of form, order, design, silence, and light. Louis I. Kahn was born in Estonia in 1901 and came to the United States in 1906. He demonstrated his talents early, winning art contests while still in grammar school. When Kahn graduated with a Bachelor of Architecture degree from the University of Pennsylvania in 1924, he was also awarded two second-prize medals from Philadelphia's Society of Beaux-Arts Architects. Although he opened his own office in 1935, it was the Yale University Art Gallery commission which marked his first major, independent project. Kahn's academic career also began at Yale, where he was appointed visiting critic in 1947 and subsequently became chief critic. He taught at numerous other prominent institutions, most notably the University of Pennsylvania, where he was professor of architecture from 1955 to 1974. Kahn was the recipient of numerous other prizes and honors from Yale University, the Danish Architectural Society, the American Institute of Architects, the University of Pennsylvania, the Royal Institute of British Architects, and the National Institute of Arts and Letters, among others. He was posthumously awarded a Doctor of Humane Letters, Columbia University (1974), and the Furness Prize, Pennsylvania Academy of the Fine Arts (1977). Two films by Peter Kirby are shown continuously in the Museum's Edward John Noble Education Center. In an interview with Kahn, Vincent Scully, professor emeritus, the History of Art, Yale University, discusses aspects of the architect's philosophy and work. In Louis Kahn: Three Buildings, three of the architect's most significant works are presented: The First Unitarian Church, Rochester; Exeter Academy Library, New Hampshire; and the Salk Institute for Biological Studies, La Jolla."
    Note: MACHINE-GENERATED CONTENTS NOTE: Preface -- Vincent Scully : Introduction -- Adventures of unexplored places : defining a philosophy, 1901-51 -- The mind opens to realizations : conceiving a new architecture, 1951-61 -- Assembly ... a place of transcendence : designs for meeting -- The houses of the inspirations : designs for study -- The forum of the availabilities : designs for choice -- Light, the giver of all presences : designs to honour human endeavour -- Notes -- Buildings and projects, 1925-74 -- Index.
    Language: English
    Keywords: Exhibition catalogues
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  • 10
    UID:
    kobvindex_INT0000279
    Format: 255 pages : , illustrated ; , 24.5 x 17 cm.
    ISBN: 9789078964636 (pbk.) , 9078964634 (pbk.)
    Content: MACHINE-GENERATED SUMMARY NOTE: "The book deals with a wide spectrum of historical and contemporary subjects: the standardization of tools, the food processing industry as an example, the development of ready-made clothing and the sizing system, Taylorism in the American household, the inception of professional ergonomics, the introduction of colour systems, the standardization of sound and vision carriers, and the acceptance of an array of 'classics', from pens to boats and cars to watches."
    Content: MACHINE-GENERATED SUMMARY NOTE: "The 2010 exhibition Norm=Form demonstrated that our possessions have never been as uniform as they are today. From shoes to kitchens, coffee cups to computer programs, almost everything we buy and use is standardised. This highly illustrated exhibition book features historic and futuristic examples of design standardisation, while its texts examine different aspects of the phenomenon. Affordability and accessibility bring benefits, but the imposition of social and cultural norms can bring challenges. And standardised industrial design is a fast-moving concept: Norm=Form reveals the paradox of how standardisation changes quickly over time."
    Language: English
    Keywords: Exhibition catalogues
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