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  • UB Potsdam  (19)
  • HU Berlin  (4)
  • Stadtmuseum Berlin
  • GB Zeuthen
  • Bishop, Michael  (23)
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  • 1
    Book
    Book
    The contemporary poetry of France : 8 studies (1985)
    Amsterdam : Rodopi
    Details
    UID:
    b3kat_BV000425811
    Format: 136 S.
    ISBN: 9062038468
    Series Statement: Faux titre 19.
    Language: English
    Subjects: Romance Studies
    RVK:
    IH 1806
    RVK:
    IH 1819
    Keywords: Französisch ; Lyrik ; Geschichte 1950-1980 ; Französisch ; Lyrik ; Geschichte 1960-1985 ; Französisch ; Lyrik ; Geschichte 1960-1983 ; Aufsatzsammlung ; Aufsatzsammlung
    URL: Inhaltsverzeichnis
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  • 2
    Book
    Book
    René Char : les dernières anées (1990)
    Amsterdam u.a. : Rodopi
    Details
    UID:
    b3kat_BV004078740
    Format: 109 S.
    ISBN: 9051832184
    Series Statement: Collection monographique Rodopi en littérature française contemporaine 14
    Language: French
    Subjects: Romance Studies
    RVK:
    IH 26561
    Keywords: Char, René 1907-1988
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  • 3
    Online Resource
    Online Resource
    Earth and mind: dreaming, writing, being : nine contemporary French poets : Yves Bonnefoy, Jacqueline Risset, Salah Stétié, Venus Khoury-Ghata, Tahar Ben Jelloun, André Velter, Marie-Claire Bancquart, Jean-Claude Pinson, Jacques Dupin (2018)
    Leiden : Brill Rodopi
    Details
    UID:
    gbv_1666214841
    Format: 1 Online-Ressource (xii, 154 Seiten)
    ISBN: 9789004367760
    Series Statement: Chiasma volume 44
    Content: "In Earth and Mind: Dreaming, Writing, Being Michael Bishop examines the very recent work of nine major contemporary French and Francophone writers: Yves Bonnefoy, Jacqueline Risset, Salah Stétié, Vénus Khoury-Ghata, Tahar Ben Jelloun, André Velter, Marie-Claire Bancquart, Jean-Claude Pinson and Jacques Dupin. The issue of writing's complex relation to the experience of the earth is of central pertinence, involving questions of dreaming, voice, figurativity, emotion, desire, revolt, metaphysics, meaning, poiein and being. Discussion entails close reading of works as well as broad contextualisation and a sensitivity to interrelevancies from writer to writer. Bishop's book is intended as a companion to his 2014 Dystopie et poïein, agnose et reconnaissance: seize études sur la poésie française et francophone contemporaine"--
    Content: La grande ourse: voice, consciousness, presence, naming: Yves Bonnefoy -- Les instants: epiphany, (un)groundedness, trial, desire: Jacqueline Risset -- L'etre: embodiment, void, unfiguredness, uraeus: Salah Stétié -- Le livre des suppliques: hauntedness, vigilance, fable, circularity: Venus Khoury-Ghata -- Que la blessure se ferme: light, love, passion. paradox: Tahar Ben Jelloun -- L'amour extreme: absoluteness, relativity, fury, marvel: André Velter -- Trace du vivant: primordiality, rites, question, rebirth: Marie-Claire Bancquart -- Alphabet cyrillique: dailiness, autobiopoiesis, freedom, resistance: Jean-Claude Pinson -- Le gresil: ubac and adret, individuation and pleroma: Jacques Dupin
    Note: Literaturangaben
    Additional Edition: ISBN 9789004367661
    Additional Edition: Erscheint auch als Druck-Ausgabe Bishop, Michael, 1938 - Earth and mind: dreaming, writing, being Leiden : Brill Rodopi, 2018 ISBN 9789004367661
    Language: English
    Keywords: Französisch ; Lyrik ; Geschichte 2000-
    DOI: 10.1163/9789004367760
    URL: Volltext
    URL: Volltext
    URL: DOI
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  • 4
    Book
    Book
    Jean-Paul Michel: la surprise de "ce qui est" (2018)
    Paris : Classiques Garnier
    Details
    UID:
    b3kat_BV045398786
    Format: 483 Seiten , Illustrationen , 22 cm
    ISBN: 9782406080015 , 9782406080022
    Series Statement: Colloques de Cerisy. Littérature 4
    Note: Literaturverzeichnis Seite [449]-464
    Language: French
    Subjects: Romance Studies
    RVK:
    IH 91900
    Keywords: Michel, Jean-Paul 1948- ; Konferenzschrift
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  • 5
    Book
    Book
    Jacques Prévert : from film and theater to poetry, art and song (2002)
    Amsterdam [u.a.] : Rodopi
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    Details
    UID:
    b3kat_BV017168441
    Format: 170 S.
    ISBN: 904201329X
    Series Statement: Chiasma 12
    Language: English
    Subjects: Romance Studies
    RVK:
    IH 74041
    Keywords: Prévert, Jacques 1900-1977
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  • 6
    Online Resource
    Online Resource
    Contemporary French art : 1: Eleven studies (2008)
    Amsterdam : Rodopi
    Details
    UID:
    gbv_1738128865
    Format: 1 Online-Ressource (189 pages)
    ISBN: 9789401206006
    Series Statement: Faux Titre, 317 v. v. 317
    Content: Preliminary Material -- PREFACE -- TRUTH AND INFINITY: BEN VAUTIER -- SHOOTING FOR TRANSCENDENCE: NIKI DE SAINT PHALLE -- BAROQUE MINIMALIST?: FRANÇOIS MORELLET -- SUBLIMATION, THE IRREDUCIBLE AND THE SACRED: LOUISE BOURGEOIS -- SEEING BEING: ALEXANDRE HOLLAN -- SPIRALLING, INFINITY, TAUTOLOGY: CLAUDE VIALLAT -- RITUAL, DESIRE, DYS-COVERING: SOPHIE CALLE -- RAGGEDNESS, FUSION AND SILENCE: BERNARD PAGÈS -- STRUCTURE, SENSUALITY, FABLE, ACCOMPANIMENT: JEAN-PIERRE PINCEMIN -- CHIMERA, CARESS, SACRED IMPLOSION: ANNETTE MESSAGER -- ABSENCE AND MELANCHOLIA, MEANING AND BEAUTY: GÉRARD TITUS-CARMEL -- SELECTED BIBLIOGRAPHY.
    Content: Ben Vautier, Niki De Saint Phalle, François Morellet, Louise Bourgeois, Alexandre Hollan, Claude Viallat, Sophie Calle, Bernard Pagès, Jean-Pierre Pincemin, Annette Messager, Gérard Titus-Carmel: eleven major French artists of the last forty years or so, examined in the light of their uniqueness and their rootedness, the specificities of their differing and at times overlapping plastic practices and the swirling and often highly hybridised conceptions entertained in regard to such practices. Thus does analysis range from discussion of the feisty, Fluxus-inspired, free-spirited funkiness of Ben Vautier’s work to the various modes of transcendence of trauma and haunting fear generated by the exceptional gestures of Niki de Saint Phalle and Louise Bourgeois, to the alyrical formalism yet imbued with irony and ludicity of François Morellet, through to the serene intensities of Alexandre Hollan’s vies silencieuses , the infinite a-signatures of Claude Viallat’s adventure in the sheer joy of a poiein of self-reflexive coloration, the powerfully elegant and muscular disarticulations of Bernard Pagès’ sculpture, the great sweep through art’s history implied by Jean-Pierre Pincemin’s chameleon-like gestures, the vast swirling programme of socio-psychological analysis the arts of Annette Messager and Sophie Calle offer in their radically distinctive manners, the obsessively serialised oeuvre of Gérard Titus-Carmel allowing a burrowing deep into the opaque logic of a real though dubious ‘presence to the world’
    Note: Includes bibliographical references (p. 177-189)
    Additional Edition: ISBN 9789042024182
    Additional Edition: ISBN 9042024186
    Additional Edition: Erscheint auch als Druck-Ausgabe Bishop, Michael, 1938- Contemporary French art. 1, Eleven studies Amsterdam ; New York, NY : Rodopi, 2008 ISBN 9789042024182
    Additional Edition: ISBN 9042024186
    Language: English
    DOI: 10.1163/9789401206006
    URL: DOI
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  • 7
    Book
    Book
    Women's poetry in France, 1965-1995 : a bilingual anthology (1997)
    Winston : Wake Forest Univ. Press
    Details
    UID:
    b3kat_BV025057434
    Format: XXI, 392 S.
    ISBN: 0916390799
    Language: English
    Subjects: Romance Studies
    RVK:
    IH 2495
    Keywords: Fiktionale Darstellung
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  • 8
    Book
    Book
    Contemporary French women poets
    Amsterdam [u.a.] : Rodopi
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    Details
    UID:
    gbv_085190284
    Language: Undetermined
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  • 9
    Online Resource
    Online Resource
    Contemporary French Art 2 : Gérard Garouste, Colette Deblé, Georges Rousse, Geneviève Asse, Martial Raysse, Christian Jaccard, Joël Kermarrec, Danièle Perronne, Daniel Dezeuze, Philippe Favier, Daniel Nadand (2011)
    Amsterdam : Rodopi
    Details
    UID:
    gbv_1738131661
    Format: 1 Online-Ressource (236 pages)
    ISBN: 9789401200455
    Series Statement: Faux titre 362
    Content: Preliminary Material -- PREFACE -- UNREPRESENTING MEANING: GÉRARD GAROUSTE -- WINDOWS UPON THE UNSEEN: COLETTE DEBLÉ -- THE LIGHT OF DEATH, A SACREDNESS OF DOING: GEORGES ROUSSE -- THE INTIMACY OF SILENCE: GENEVIÈVE ASSE -- HYGIENE, THOUGHT, QUEST, CONSENT: MARTIAL RAYSSE -- THE ENDLESS IMPRINTING OF BEING: CHRISTIAN JACCARD -- DESIRE AND DECEPTION, THE METONYMIES OF ARTIFICE: JOËL KERMARREC -- THE PLASTIC LIFE OF THE PSYCHE: DANIÈLE PERRONNE -- STRUCTURE AND AERATION, FREEDOM AND THE UNNAMEABLE: DANIEL DEZEUZE -- PROLIFERATION, MUTATION, PHANTASM, THE CEREMONY OF THE REAL: PHILIPPE FAVIER -- THE ART OF WAR AND PEACE: DANIEL NADAUD -- CONCLUSION -- SELECTED BIBLIOGRAPHY.
    Content: Gérard Garouste, Colette Deblé, Georges Rousse, Geneviève Asse, Martial Raysse, Christian Jaccard, Joël Kermarrec, Danièle Perronne, Daniel Dezeuze, Philippe Favier, Daniel Nadaud: after the eleven essays of Contemporary French Art 1 , devoted to major artists from Ben Vautier and Niki de Saint Phalle to Annette Messager and Gérard Titus-Carmel, the present volume pursues its interrogations of the what , the how and the why of contemporary plastic production of some of France’s finest practitioners. If, as ever, such production can reveal elements of an interweaving of individualized preoccupations and modes, endless specificities demarcate and affirm originalities that pure theory and its leveling anonymity may obscure. Thus is it that Gérard Garouste is alone in that obsession with ‘indianness’ and ‘classicalness’; that Colette Deblé’s gesture is drawn implacably to the unseenness of female representation; that Georges Rousse plunges photography into the realm of matter’s poetic sacredness; that Geneviève Asse traverses a pure seemingness of abstraction to attain to an intimacy of silence; that Martial Raysse’s ‘hygiene of vision’ may endlessly renew and hybridize itself. Christian Jaccard, too, will explore with uniqueness an art of materiality at the frontier of metaphysics; Joël Kermarrec will offer us the inimitable exquisite traces of surging desire and deception; Danièle Perronne’s boxes and stringings, her paintings and her sheetings will unfold a psychic infinity at the heart of form. And, if Daniel Dezeuze seeks namelessness and pure structuration, the latter yet surge forth via works that relentlessly identify a gesture so distant, we may feel, from the at once sobering and ceremonial microproliferations of a Philippe Favier or the tense but genial articulations of Daniel Nadaud’s sculptural imagination
    Note: Includes bibliographical references (p. 225-236)
    Additional Edition: ISBN 9789042033467
    Additional Edition: Erscheint auch als Druck-Ausgabe Contemporary French Art 2: Gérard Garouste, Colette Deblé, Georges Rousse, Geneviève Asse, Martial Raysse, Christian Jaccard, Joël Kermarrec, Danièle Perronne, Daniel Dezeuze, Philippe Favier, Daniel Nadaud Leiden, Boston : Bril
    Language: English
    DOI: 10.1163/9789401200455
    URL: DOI
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  • 10
    Online Resource
    Online Resource
    The endless theory of days : the art and poetry of Gérard Titus-Carmel (2007)
    Amsterdam : Rodopi
    Details
    UID:
    gbv_1738130622
    Format: 1 Online-Ressource (164 pages)
    ISBN: 9789401204088
    Series Statement: Chiasma 22
    Content: Preliminary Material -- FOREWORD -- FROM HOT DOGS AND BANANAS TO DETERIORATION AND ALTERATION: FORM, IDEA, BEING -- JOAQUIN’S LOVE AFFAIR -- THE CRYPTIC AND THE NECESSARY, DEAMBULATION AND STICKS -- FROM COFFINS TO ITALIANA AND RIGGINGS, SHOP CURTAINS AND NARWA -- ACCOMPANYING THE OTHER: FROM CHARDIN, GOYA AND CAILLEBOTTE TO BONNARD, CRANE AND ROUD -- FALLING AND FLOWING -- THE SELF ACCOMPANIED: FROM ROBBE-GRILLET, ROSSI AND ROCHE TO COMMÈRE, BANCQUART AND BONNEFOY -- EXCAVATION AND FORGETTING, EMBANKMENT AND ABYSS -- FROM SHADOWS, INTERIORS AND SEASONS TO CAIRNS, FORESTS AND NIELLI -- QUESTIONS OF PRESENCE AND MANNERS OF DARKNESS -- LEAFINGS, JUNGLES AND HERBARIUM -- TODAY -- SELECTED BIBLIOGRAPHY.
    Content: The Endless Theory of Days: The Art and Poetry of Gérard Titus-Carmel seeks to set forth the case for the special, multiple genius of a man who, despite the experience of a biting melancholy resulting from loss, despite an ‘indefectible feeling of estrangement from the world’, despite, too, the corrosive sense of art’s, of languages’s, deceptiveness, has never lost sight of a curious duty to the shadows that haunt and that, with now a strangeness that smiles, yet beckon toward ‘the very place, finally clarified and recognised, of pure evidence. [The place,] that is, where beauty is named’. This place, Gérard Titus-Carmel may feel, lies no doubt impossibly beyond the strict locus of his art and his writing, but it is a place he has struggled with dignity and unceasingly deployed energy to bring to a semblance of incarnation in a vast plastic and poetical oeuvre that has stirred, and will continue to stir, the minds and hearts of all those – from Derrida and Bonnefoy, Alain Robbe-Grillet and Pascal Quignard to Jacques Dupin and Marie-Claire Bancquart, and countless others – who have witnessed its exquisitely solemn unfolding over, today, more than forty years
    Note: Includes bibliographical references (p. 159-164)
    Additional Edition: ISBN 9042021659
    Additional Edition: ISBN 9789042021655
    Additional Edition: Erscheint auch als Druck-Ausgabe Bishop, Michael, 1938- Endless theory of days Amsterdam ; New York, NY : Rodopi, 2007 ISBN 9042021659
    Additional Edition: ISBN 9789042021655
    Language: English
    DOI: 10.1163/9789401204088
    URL: DOI
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