Kooperativer Bibliotheksverbund

UID:

Umfang: 1 online resource , 65 b&w illustrations

ISBN: 9780231548038

Serie: Film and Culture Series

Inhalt: Today, in a world of smartphones, tablets, and computers, screens are a pervasive part of daily life. Yet a multiplicity of screens has been integral to the media landscape since cinema's golden age. In On the Screen, Ariel Rogers rethinks the history of moving images by exploring how experiments with screen technologies in and around the 1930s changed the way films were produced, exhibited, and experienced.Marshalling extensive archival research, Rogers reveals the role screens played at the height of the era of "classical" Hollywood cinema. She shows how filmmakers, technicians, architects, and exhibitors employed a variety of screens within diverse spaces, including studio soundstages, theaters, homes, stores, and train stations. Far from inert, screens served as means of structuring mediated space and time, contributing to the transformations of modern culture. On the Screen demonstrates how particular approaches to the use of screens traversed production and exhibition, theatrical and extratheatrical practice, mainstream and avant-garde modes, and even cinema and television. Rogers's history challenges conventional narratives about the novelty of the twenty-first-century multiscreen environment, showing how attention to the variety of historical screen practices opens up new ways to understand contemporary media

Anmerkung: Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019) , In English

Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Hardcover Rogers, Ariel, author On the screen New York : Columbia University Press, [2019] ISBN 978-0-231-18884-5

Weitere Ausg.: Erscheint auch als Druck-Ausgabe, Paperback Rogers, Ariel, author On the screen New York : Columbia University Press, [2019] ISBN 978-0-231-18885-2

Sprache: Englisch

Fachgebiete: Allgemeines

Schlagwort(e): Filmwirtschaft ; Technische Innovation ; USA ; Geschichte 1900-1999 ; Filmproduktion ; Geschichte 1926-1942

DOI: 10.7312/roge18884

URL: Volltext  (URL des Erstveröffentlichers)

URL: lizenzpflichtig

URL: lizenzpflichtig

URL: Cover

URL: Cover

URL: http://purl.org/coar/access_right/c_16ec

UID:

Umfang: 1 Online-Ressource (335 Seiten)

ISBN: 9789048564569

Serie: The Key Debates: Mutations and Appropriations in European Film Studies 10

Inhalt: Featuring 28 leading international media scholars, Technics rethinks technology for the contemporary digital era, with cutting-edge theoretical, historiographical, and methodological interventions. The volume’s contributors explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent questions concerning algorithmic media, digital infrastructures, generative AI, and geoengineering. An expansive collection of writings on media technologies in the digital age, Technics is an essential resource for students and scholars of film and media studies, digital humanities, science and technology studies, and the philosophy of technology.

Anmerkung: Frontmatter , Table of Contents , Editorial , Acknowledgments , PART I Questions Concerning Technics , 1. Technics: An Introduction , 2. Ten Statements on Technics , PART II Philosophies of Technology , 3. Machine Aesthetics: Animation through Technology, Animation of Technology , 4. “New Stars Were Rising in the Sky” : On Benjamin’s Concept of Cosmic Experience and Technology around 1930 , 5. Instructions for Use : Thinking Body, Machine, and Technicity with Simondon , 6. Knowing, Studying, Writing : A Conversation on History, Practice, and Other Doings with Technics , PART III Theories of Media , 7. Protective Media , Francesco Casetti , 8. Carried Away: The Carrier Bag Theory of Media , 9. Beyond Access: Transforming Ableist Techno-Worlds , PART IV Archaeologies of Media , 10. Coming to Terms with the “Smart” Phone , 11. The Afterlife of an Optical Device, or Making the Lantern Kosher , PART V Filmic Techniques , 12. Theories of the Frame and Framing in Cinema: A Genealogy , 13. Split Screens : A Discussion with Catherine Grant, Malte Hagener, and Katharina Loew , 14. Specks of Time : Digital Editing and Verse Jumping in Everything Everywhere All at Once , PART VI Digital Humanities , 15. Streams, Portals, and Data Flows: Digital Infrastructures of Film Studies , 16. Six Memos for the New Millennium : A Dialogue with Andreas Fickers on Epistemic Virtues in the Digital Humanities , In English

Weitere Ausg.: ISBN 9789048564552

Weitere Ausg.: Erscheint auch als Druckausgabe Technics Amsterdam : Amsterdam University Press, 2024 ISBN 9789048564552

Sprache: Englisch

Fachgebiete: Allgemeines

Schlagwort(e): Medienwissenschaft ; Filmwissenschaft ; Digitale Filmtechnik ; Medientechnik ; Technikphilosophie

DOI: 10.1515/9789048564569

URL: kostenfrei

URL: kostenfrei

URL: Cover