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  • HU Berlin  (12)
  • GB Glienicke/Nordbahn
  • Stasi-Unterlagen-Archiv
  • ZZF Potsdam
  • SB Elsterwerda
  • Musicology  (12)
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  • 1
    Book
    Book
    New York, NY :Oxford University Press,
    UID:
    almahu_BV044437500
    Format: xvi, 320 Seiten : , Illustrationen.
    ISBN: 978-0-19-046989-4 , 978-0-19-046990-0
    Additional Edition: Erscheint auch als Online-Ausgabe, UPDF ISBN 978-0-19-046991-7
    Additional Edition: Erscheint auch als Online-Ausgabe, EPUB ISBN 978-0-19-046992-4
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Experimentalfilm ; Filmmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Barham, Jeremy, 1963-
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Cambridge, Mass. ; New York, NY :Cambridge Univ. Press,
    UID:
    almahu_BV039559025
    Format: XII, 335 S. : , Ill., Notenbeisp. ; , 26 cm.
    Edition: 1. publ.
    ISBN: 978-1-107-01091-8 , 978-1-107-46098-0
    Series Statement: New perspectives in music history and criticism
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musiktheorie ; Tiefe ; 1795-1866 Marx, Adolf Bernhard ; 1810-1856 Schumann, Robert ; 1813-1883 Wagner, Richard ; 1868-1935 Schenker, Heinrich ; 1874-1951 Schönberg, Arnold ; Musiktheorie ; Ausdruck ; 1776-1822 Hoffmann, E. T. A. ; Musiktheorie ; Ausdruck
    URL: Cover
    Author information: Watkins, Holly, 1972-
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    New York, NY [u.a.] :Oxford Univ. Press,
    UID:
    almahu_BV041853751
    Format: XXV, 594 S. : , Ill., graph. Darst.
    ISBN: 978-0-19-979722-6
    Content: What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What does the future hold for interactive musical and sonic experiences? This book answers these questions with newly-commissioned chapters that explore the full range of interactive audio in games, performance, design, and practice. As audiences are increasingly no longer solely listeners but also active producer-consumers, and as video games and other interactive systems increasingly permeate our daily lives, understanding interactivity and its impact on the audience has never been more important. A collection of newly commissioned chapters on interactivity in music and sound edited by preeminent scholars in the field, this book marks the beginning of a journey into understanding the ways in which we interact with sound, and offers a new set of analytical tools for the growing field of interactive audio. What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What makes interactive audio different from non-interactive audio? Where does interacting with audio fit into our understanding of sound and music? What does the future hold for interactive media when it comes to our musical and sonic experiences? And how do we begin to approach interactive audio from a theoretical perspective? The Oxford Handbook of Interactive Audio answers these questions by exploring the full range of interactive audio in video games, performance, education, environmental design, toys, and artistic practice. Examining these questions from a range of approaches - technological, emotional, psychological, and physical - the book provides a thorough overview of the fascinating experience of interactive sound.
    Note: Machine generated contents note: SECTION 1 INTERACTIVE SOUND IN PRACTICE -- 1.Spatial Reconfiguration in Interactive Video Art / Holly Rogers -- 2.Navigating Sound: Locative and Translocational Approaches to Interactive Audio / Nye Parry -- 3.Defining Sound Toys: Play as Composition / Andrew Dolphin -- 4.Thinking More Dynamically about Using Sound to Enhance Learning from Instructional Technologies / M. J. Bishop -- 5.Acoustic Scenography and Interactive Audio: Sound Design for Built Environments / Jan Paul Herzer -- SECTION 2 VIDEOGAMES AND VIRTUAL WORLDS -- 6.The Unanswered Question of Musical Meaning: A Cross-domain Approach / Tom Langhorst -- 7.How Can Interactive Music Be Used in Virtual Worlds like World of Warcrafft / Jon Inge Lomeland -- 8.Sound and the Videoludic Experience / Guillaume Roux-Girard -- 9.Designing a Game for Music: Integrated Design Approaches for Ludic Music and Interactivity / Dave Raybould -- , Contents note continued: 10.Worlds of Music: Strategies for Creating Music-based Experiences in Videogames / Melanie Fritsch -- SECTION 3 THE PSYCHOLOGY AND EMOTIONAL IMPACT OF INTERACTIVE AUDIO -- 11.Embodied Virtual Acoustic Ecologies of Computer Games / Tom Garner -- 12.A Cognitive Approach to the Emotional Function of Game Sound / Inger Ekman -- 13.The Sound of Being There: Presence and Interactive Audio in Immersive Virtual Reality / Niels C. Nilsson -- 14.Sonic Interactions in Multimodal Environments: An Overview / Stefania Serafin -- 15.Musical Interaction for Health Improvement / Birgitta Cappelen -- 16.Engagement, Immersion and Presence: The role of Audio Interactivity in Location-aware Sound Design / Fionnuala Conway -- SECTION 4 PERFORMANCE AND INTERACTIVE INSTRUMENTS -- 17.Multisensory Musicality in Dance Central / Kiri Miller -- 18.Interactivity and Liveness in Electroacoustic Concert Music / Mike Frengel -- , Contents note continued: 19.Skill in Interactive Digital Music Systems / Michael Gurevich -- 20.Gesture in the Design of Interactive Sound Models / Benjamin Schroeder -- 21.Virtual Musicians and Machine Learning / Nick Collins -- 22.Musical Behavior and Amergence in Technoetic and Media Arts / Norbert Herber -- SECTION 5 TOOLS AND TECHNIQUES -- 23.Flow of Creative Interaction with Digital Music Notations / Alan F. Blackwell -- 24.Blurring Boundaries: Trends and Implications in Audio Production Software Developments / David Bessell -- 25.Delivering Interactive Experiences through the Emotional Adaptation of Automatically Composed Music / Michael Katchabaw -- 26.A Review of Interactive Sound in Computer Games: Can Sound Affect the Motoric Behavior of a Player? / Stefania Serafin -- 27.Interactive Spectral Processing of Musical Audio / Victor Lazzarini -- SECTION 6 THE PRACTITIONER'S POINT OF VIEW -- , Contents note continued: 28.Let's Mix it Up: Interviews Exploring the Practical and Technical Challenges of Interactive Mixing in Games / Helen Mitchell -- 29.Our Interactive Audio Future / Damian Kastbauer -- 30.For the Love of Chiptune / Leonard J. Paul -- 31.Procedural Audio Theory and Practice / Andy Farnell -- 32.Live Electronic Preparation: Interactive Timbral Practice / Rafal Zapala -- 33.New Tools for Interactive Audio, and What Good they Do / Tim van Geelen
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Interaktive Medien ; Soundverarbeitung ; Musik ; Computerspiel ; Computermusik
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Book
    Book
    New York [u.a.] :Routledge,
    UID:
    almahu_BV042204936
    Format: XI, 210 S. : , Ill., Notenbeisp.
    Edition: 1. publ.
    ISBN: 0-415-72861-4 , 0-415-72866-5 , 978-0-415-72861-4 , 978-0-415-72866-9
    Series Statement: Routledge music and screen media series
    Additional Edition: Erscheint auch als Online-Ausgabe ISBN 978-1-315-85155-6
    Language: English
    Subjects: General works , Musicology
    RVK:
    RVK:
    RVK:
    Keywords: Dokumentarfilm ; Filmmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Library Location Call Number Volume/Issue/Year Availability
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  • 5
    Online Resource
    Online Resource
    New York :Oxford University Press,
    UID:
    almahu_9948206589502882
    Format: 1 online resource (xi, 231 pages) : , illustrations.
    ISBN: 9780199332731 (ebook) :
    Series Statement: The Oxford music/media series
    Content: This title argues that early video art is an audiovisual genre. The new video technology not only enabled artists to sound their visual work and composers to visualise their music during the 1960s: it also initiated a spatial form of engagement that encouraged new relationships between art / music practices and their audiences.
    Additional Edition: Print version : ISBN 9780199861408
    Language: English
    Subjects: Musicology
    RVK:
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  • 6
    Book
    Book
    New York :Ecco,
    UID:
    almafu_BV035660748
    Format: XIV, 304 Seiten : , Illustrationen.
    Edition: First ecco paperback edition
    ISBN: 978-0-06-157658-4
    Content: On the ground with the talent, the townspeople, and his handpicked crew, Woodstock organizer Lang had a unique and panoramic perspective of the festival which became legendary. Enhanced by interviews with others who were central to the making of the festival, this book tells the story from inspiration to celebration, capturing all the magic, mayhem, and mud in between.--From publisher description
    Note: Includes bibliographical references (p. 285-289) and index. - Prologue -- Brooklyn -- The grove -- Woodstock, New York -- Wallkill -- New York City -- Downtown -- Yasgur's farm -- Bethel -- August 13-14, 1969 -- Three days of peace and music. August 15, 1969 ; August 16, 1969 ; August 17, 1969 -- The aftermath -- Epilogue -- Where are they now? -- The music : Woodstock's complete set lists
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Bethel, NY 1969 ; Erlebnisbericht ; Erlebnisbericht
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  • 7
    Book
    Book
    New York [u.a.] :Lang,
    UID:
    almahu_BV014489806
    Format: 188 S. : 23 cm.
    ISBN: 0-8204-5552-0
    Series Statement: Music (meanings) 1
    Note: Literaturverz. S. 175 - 178
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Indie-Pop
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  • 8
    Online Resource
    Online Resource
    Cambridge ; New York ; Melbourne ; Madrid ; Cape Town ; Singapore ; São Paulo ; Delhi ; Tokyo ; Mexiko City :Cambridge University Press,
    UID:
    almafu_BV043922450
    Format: 1 Online-Ressource (xii, 335 Seiten) : , Illustrationen, Notenbeispiele.
    ISBN: 978-0-511-82049-6
    Series Statement: New perspectives in music history and criticism 21
    Content: What does it mean to say that music is deeply moving? Or that music's aesthetic value derives from its deep structure? This study traces the widely employed trope of musical depth to its origins in German-language music criticism and analysis. From the Romantic aesthetics of E. T. A. Hoffmann to the modernist theories of Arnold Schoenberg, metaphors of depth attest to the cross-pollination of music with discourses ranging from theology, geology and poetics to psychology, philosophy and economics. The book demonstrates that the persistence of depth metaphors in musicology and music theory today is an outgrowth of their essential role in articulating and transmitting Germanic cultural values. While musical depth metaphors have historically served to communicate German nationalist sentiments, Watkins shows that an appreciation for the broad connotations of those metaphors opens up exciting new avenues for interpretation
    Note: Bandzählung der monographischen Reihe von der Landing Page (Cambridge University Press) , From the mine to the shrine : the critical origins of musical depth -- Adolf Bernhard Marx and the inner life of music -- Robert Schumann and poetic depth -- Richard Wagner and the depths of time -- Heinrich Schenker and the apotheosis of musical depth -- Schoenberg's interior designs
    Additional Edition: Erscheint auch als Druck-Ausgabe, Hardcover ISBN 978-1-107-01091-8
    Additional Edition: Erscheint auch als Druck-Ausgabe ISBN 978-1-107-46098-0
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musiktheorie ; Tiefe ; 1795-1866 Marx, Adolf Bernhard ; 1810-1856 Schumann, Robert ; 1813-1883 Wagner, Richard ; 1868-1935 Schenker, Heinrich ; 1874-1951 Schönberg, Arnold ; Musiktheorie ; Ausdruck ; 1776-1822 Hoffmann, E. T. A. ; Musiktheorie ; Ausdruck
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Author information: Watkins, Holly 1972-
    Library Location Call Number Volume/Issue/Year Availability
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  • 9
    Online Resource
    Online Resource
    New York, NY :Oxford University Press,
    UID:
    almahu_9948206482402882
    Format: 1 online resource : , illustrations (black and white)
    ISBN: 9780190469931 (ebook) :
    Content: Examining the role of music and sound in experimental film, this book looks at the earliest work of pioneers such as Walther Ruttmann to latter-day experiments with new and digital media. Chapters examine issues relating to the avant-garde, abstraction, animation, found footage, queer film, visual music and VJing.
    Note: Previously issued in print: 2017.
    Additional Edition: Print version : ISBN 9780190469894
    Language: English
    Subjects: Musicology
    RVK:
    Keywords: Aufsatzsammlung
    URL: Volltext  (lizenzpflichtig)
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  • 10
    UID:
    almahu_BV048215432
    Format: XI, 206 Seiten : , Illustrationen, Notenbeispiele.
    ISBN: 978-1-78327-708-7
    Language: English
    Subjects: Musicology
    RVK:
    RVK:
    Keywords: Musik ; Musikwahrnehmung ; Zeit ; Aufsatzsammlung
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