Umfang:
255 Seiten ;
,
34 cm.
ISBN:
978-0-30025105-0
Inhalt:
"The camera," said Orson Welles, "is a medium via which messages reach us from another world." It was the camera and the circumstances of the Second World War that first brought together Henry Moore (1898-1986) and Bill Brandt (1904-1983). During the Blitz, both artists produced images depicting civilians sheltering in the London Underground. These "shelter pictures" were circulated to millions via popular magazines and today rank as iconic works of their time. This book begins with these wartime works and examines the artists' intersecting paths in the postwar period. Key themes include war, industry, and the coal mine; landscape and Britain's great megalithic sites; found objects; and the human body. Special photographic reproduction captures the materiality of the print as a three-dimensional object rather than a flat, disembodied image on the page
Anmerkung:
Impressum: This publication accompanies the exhibitions "Bill Brandt | Henry Moore", organized by the Yale Center for British Art in partnership with The Hepworth Wakefield, on view at The Hepworth Wakefield, February 7-May 3, 2020; Yale Center for British Art, New Haven, June 25-September 13, 2020; and Sainsbury Centre, University of East Anglia, Norwich, November 22-February 28, 2021
Sprache:
Englisch
Fachgebiete:
Allgemeines
,
Kunstgeschichte
Schlagwort(e):
1904-1983 Brandt, Bill
;
Fotografie
;
London
;
Notunterkunft
;
1898-1986 Moore, Henry
;
Zeichnung
;
Plastik
;
London
;
Notunterkunft
;
Ausstellungskatalog
;
Ausstellungskatalog
;
Ausstellungskatalog
;
Bildband
;
Criticism, interpretation, etc
;
Exhibition catalogs
;
Ausstellungskatalog
;
Ausstellungskatalog
;
Ausstellungskatalog
;
Bildband
Mehr zum Autor:
Brandt, Bill, 1904-1983
Mehr zum Autor:
Moore, Henry, 1898-1986
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