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  • UB Potsdam  (9)
  • SeeCampus-Bibliothek
  • KB Oder-Spree
  • SB Bad Wilsnack
  • GB Großbeeren
  • Amerikanistik  (9)
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  • 1
    UID:
    almafu_BV009877755
    Umfang: XIII, 116 S. : , Ill.
    ISBN: 0-520-08843-3 , 0-520-08844-1
    Sprache: Englisch
    Fachgebiete: Geschichte , Amerikanistik , Anglistik
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    Schlagwort(e): Geschichte ; Weststaaten ; Weststaaten ; Geschichte ; Geschichte ; Aufsatzsammlung ; Ausstellungskatalog ; Konferenzschrift ; Ausstellungskatalog ; Aufsatzsammlung ; Ausstellungskatalog ; Konferenzschrift
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    UID:
    almafu_BV042275367
    Umfang: XXVI, 207 S.
    ISBN: 978-1-4798-4253-7
    Serie: America and the long 19th century
    Inhalt: "In American political fantasy, the Founding Fathers loom large, at once historical and mythical figures. In The Traumatic Colonel, Michael J. Drexler and Ed White examine the Founders as imaginative fictions, characters in the specifically literary sense, whose significance emerged from narrative elements clustered around them. From the revolutionary era through the 1790s, the Founders took shape as a significant cultural system for thinking about politics, race, and sexuality. Yet after 1800, amid the pressures of the Louisiana Purchase and the Haitian Revolution, this system could no longer accommodate the deep anxieties about the United States as a slave nation. Drexler and White assert that the most emblematic of the political tensions of the time is the figure of Aaron Burr, whose rise and fall were detailed in the literature of his time: his electoral tie with Thomas Jefferson in 1800, the accusations of seduction, the notorious duel with Alexander Hamilton, his machinations as the schemer of a breakaway empire, and his spectacular treason trial. The authors venture a psychoanalytically-informed exploration of post-revolutionary America to suggest that the figure of 'Burr' was fundamentally a displaced fantasy for addressing the Haitian Revolution. Drexler and White expose how the historical and literary fictions of the nation's founding served to repress the larger issue of the slave system and uncover the Burr myth as the crux of that repression. Exploring early American novels, such as the works of Charles Brockden Brown and Tabitha Gilman Tenney, as well as the pamphlets, polemics, tracts, and biographies of the early republican period, the authors speculate that this flourishing of political writing illuminates the notorious gap in U.S. literary history between 1800 and 1820"--
    Anmerkung: Literaturangaben und Index
    Sprache: Englisch
    Fachgebiete: Amerikanistik
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    URL: Cover
    URL: Cover
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  • 3
    Buch
    Buch
    Westport, Conn. [u.a.] :Greenwood Press,
    UID:
    almahu_BV021710644
    Umfang: XIII, 209 S.
    Ausgabe: 1. publ.
    ISBN: 0-313-33413-7
    Serie: Student companions to classic writers
    Anmerkung: Includes bibliographical references and index
    Sprache: Englisch
    Fachgebiete: Amerikanistik
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    Schlagwort(e): 1789-1851 Cooper, James Fenimore ; Aufsatzsammlung
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  • 4
    Buch
    Buch
    University Park u.a. : The Pennsylvania State Univ.Pr.
    UID:
    gbv_273711172
    Umfang: XVII, 343 S.
    ISBN: 0271004134
    Anmerkung: Includes bibliographies and index
    Sprache: Englisch
    Fachgebiete: Amerikanistik
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    Schlagwort(e): USA ; Puritanismus ; Lyrik ; Geschichte 1630-1730 ; USA ; Lyrik ; Geschichte 1630-1730 ; USA ; Lyrik ; Geschichte 1630-1730 ; Puritanismus ; USA ; Lyrik ; Geschichte 1630-1730 ; Aufsatzsammlung
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  • 5
    UID:
    almahu_9949297094402882
    Umfang: 1 online resource (552 p.)
    ISBN: 9781478021391 , 9783110743319
    Serie: Refiguring American Music : 25
    Inhalt: In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre-cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
    Anmerkung: Frontmatter -- , CONTENTS -- , Introduction -- , Part I Setting the Scene -- , First Writer, of Music and on Music -- , Blackface Minstrelsy Extends Its Twisted Roots -- , Shape-Note Singing and Early Country -- , Music in Captivity -- , Champion of the White Male Vernacular -- , Notating Spirituals -- , First Black Music Historian -- , Child Ballads and Folklore -- , Women Not Inventing Ethnomusicology -- , First Hit Songwriter, from Pop to Folk and Back Again -- , Novelist of Urban Pop Longings -- , Americana Emerges -- , Documenting the Story -- , Tin Pan Alley's Sheet Music Biz -- , First Family of Folk Collecting -- , Proclaiming Black Modernity -- , Songcatching in the Mountains -- , Part II The Jazz Age -- , Stories for the Slicks -- , Remembering the First Black Star -- , Magazine Criticism across Popular Genres -- , Harlem Renaissance -- , Tin Pan Alley's Standards Setter -- , Broadway Musical as Supertext -- , Father of the Blues in Print -- , Poet of the Blare and Racial Mountain -- , Blessed Immortal, Forgotten Songwriter -- , Tune Detective and Expert Explainer -- , Pop's First History Lesson -- , Roots Intellectual -- , Jook Ethnography, Inventing Black Music Studies -- , What He Played Came First -- , Jazz's Original Novel -- , Introducing Jazz Critics -- , Part III Midcentury Icons -- , Folk Embodiment -- , A Hack Story Soldiers Took to War -- , From Immigrant Jew to Red Hot Mama -- , White Negro Drug Dealer -- , Composer of Tone Parallels -- , Jazz's Precursor as Pop and Art -- , Field Recording in the Library of Congress Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and "Inventor of Jazz," 1950 -- , Dramatizing Blackness from a Distance -- , Centering Vernacular Song -- , Writing about Records -- , Collective Oral History to Document Scenes -- , The Greatest Jazz Singer's Star Text -- , Beat Generation -- , Borderlands Folklore and Transnational Imaginaries -- , New Yorker Critic of a Genre Becoming Middlebrow -- , Part IV Vernacular Counterculture -- , Blues Revivalists -- , Britpop in Fiction -- , Form-Exploding Indeterminacy -- , Science Fiction Writer Pens First Rock and Roll Novel -- , Pro-Jazz Scene Sociology -- , Reclaiming Black Music -- , An Endless Lit, Limited Only in Scope -- , Music as a Prose Master's Jagged Grain -- , How to Succeed in . . . -- , Schmaltz and Adversity -- , New Journalism and Electrified Syntax -- , Defining a Genre -- , Swing's Movers as an Alternate History of American Pop -- , Rock and Roll's Greatest Hyper -- , Ebony's Pioneering Critic of Black Pop as Black Power -- , Entertainment Journalism and the Power of Knowing -- , An Over-the- Top Genre's First Reliable History -- , Rock Critic of the Trivially Awesome -- , Black Religious Fervor as the Core of Rock and Soul -- , Jazz Memoir of "Rotary Perception" Multiplicity -- , Composing a Formal History -- , Krazy Kat Fiction of Viral Vernaculars -- , Derrière Garde Prose and Residual Pop Styles American Popular Song: The Great Innovators, 1900-1950, 1972 -- , Charts as a New Literature -- , Selling Platinum across Formats -- , Blues Relationships and Black Women's Deep Songs -- , "Look at the World in a Rock 'n' Roll Sense . . . What Does That Even Mean?" -- , Cultural Studies Brings Pop from the Hallway to the Classroom -- , A Life in Country for an Era of Feminism and Counterculture -- , Introducing Rock Critics -- , Patriarchal Exegete of Black Vernacular as "Equipment for Living" -- , Reading Pop Culture as Intellectual Obligation -- , Paging through Books to Make History -- , Historians Begin to Study Popular Music -- , Musicking to Overturn Hierarchy -- , Drool Data and Stained Panties from a Critical Noise Boy -- , Part V After the Revolution -- , Punk Negates Rock -- , The Ghostwriter behind the Music Books -- , Disco Negates Rock -- , Industry Schmoozer and Black Music Advocate Fills Public Libraries with Okay Overviews -- , Musicology's Greatest Tune Chronicler -- , Criticism's Greatest Album Chronicler -- , Rock's Frank Capra -- , Culture Studies/Rock Critic Twofer -- , A Magical Explainer of Impure Sounds -- , Feminist Rock Critic, Pop-Savvy Social Critic -- , New Deal Swing Believer Revived -- , Ethnomusicology and Pop, Forever Fraught -- , Autodidact Deviance, Modeling the Rock Generation to Come -- , The Rolling Stones of Rolling Stones Books -- , Finding the Blackface in Bluegrass -- , Cyberpunk Novels and Cultural Studies Futurism -- , Glossy Magazine Features Writer Gets History's Second Draft -- , Theorizing Sound as Dress Rehearsal for the Future -- , Classic Rock, Mass Market Paperback Style -- , Love and Rockets, Signature Comic of Punk Los Angeles as Borderland Imaginary -- , Plays about Black American Culture Surviving the Loss of Political Will -- , Putting Pop in the Big Books of Music -- , Popular Music's Defining Singer and Swinger -- , Anti-Epic Lyricizing of Black Music after Black Power -- , Lost Icon of Rock Criticism -- , Veiled Glimpses of the Songwriter Who Invented Rock and Roll as Literature -- , Making "Wild-Eyed Girls" a More Complex Narrative -- , Reporting Black Music as Art Mixed with Business -- , Sessions with the Evil Genius of Jazz -- , Part VI New Voices, New Methods -- , Literature of New World Order Americanization -- , Ethnic Studies of Blended Musical Identities -- , Ballad Novels for a Baby Boomer Appalachia -- , Pimply, Prole, and Putrid, but with a Surprisingly Diverse Genre Literature -- , How Musicology Met Cultural Studies -- , Idol for Academic Analysis and a Changing Public Sphere -- , Black Bohemian Cultural Nationalism -- , From Indie to Alternative Rock -- , Musicology on Popular Music- In Pragmatic Context -- , Listening, Queerly -- , Blackface as Stolen Vernacular -- , Media Studies of Girls Listening to Top 40 -- , Ironies of a Contested Identity -- , Two Generations of Leading Ethnomusicologists Debate the Popular -- , Defining Hip-Hop as Flow, Layering, Rupture, and Postindustrial Resistance -- , Regendering Music Writing, with the Deadly Art of Attitude -- , Soundscaping References, Immersing Trauma -- , Sociologist Gives Country Studies a Soft-Shell Contrast to the Honky-Tonk -- , All That Not-Quite Jazz -- , Jazz Studies Conquers the Academy -- , Part VII Topics in Progress -- , Paradigms of Club Culture, House and Techno to Rave and EDM -- , Performance Studies, Minoritarian Identity, and Academic Wildness -- , Left of Black: Networking a New Discourse -- , Aerobics as Genre, Managing Emotions -- , Confronting Globalization -- , Evocations of Cultural Migration Centered on Race, Rhythm, and Eventually Sexuality -- , Digging Up the Pre-Recordings Creation of a Black Pop Paradigm -- , When Faith in Popular Sound Wavers, He's Waiting -- , Codifying a Precarious but Global Academic Field -- , Salsa and the Mixings of Global Culture -- , Musicals as Pop, Nationalism, and Changing Identity -- , Musical Fiction and Criticism by the Greatest Used Bookstore Clerk of All Time -- , Poetic Ontologies of Black Musical Style -- , Rescuing the Afromodern Vernacular -- , Sound Studies and the Songs Question The Audible Past: Cultural Origins of Sound Reproduction, 2003 -- , Dylanologist Conventions -- , Two Editions of a Field Evolving Faster Than a Collection Could Contain -- , Revisionist Bluesology and Tangled Intellectual History -- , Trying to Tell the Story of a Dominant Genre -- , Refiguring American Music- And Its Institutionalization -- , Country Music Scholars Pioneer Gender and Industry Analysis -- , Where Does Classical Music Fit In -- , Poptimism, 33⅓ Books, and the Struggles of Music Critics -- , Novelists Collegial with Indie Music -- , YouTube, Streaming, and the Popular Music Performance Archive -- , Idiosyncratic Musician Memoirs-Performer as Writer in the Era of the Artist as Brand -- , Acknowledgments -- , Works Cited -- , Index , Mode of access: Internet via World Wide Web. , In English.
    In: Duke University Press Complete eBook-Package 2021, De Gruyter, 9783110743319
    In: EBOOK PACKAGE COMPLETE 2021 English, De Gruyter, 9783110754001
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021 English, De Gruyter, 9783110754124
    In: EBOOK PACKAGE Literary, Cultural, Area Studies 2021, De Gruyter, 9783110753899
    Sprache: Englisch
    Fachgebiete: Amerikanistik , Musikwissenschaft
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    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 6
    UID:
    gbv_1679245147
    Umfang: Online-Ressource
    ISBN: 9781628928334
    Inhalt: Pt. 1. TV and the democratization of sex -- Shameless: situating sex beyond the city/ Beth Johnson -- Sex, society and the slayer/ Madeleine Smith -- Fangbanging: sexing the vampire in Alan Ball's True Blood/ Melanie Waters -- True Blood, sex and online fan culture/ Emily Brick -- Pt. 2. TV and the absence of sex -- Beekeeper suits, plastic casings, rubber gloves and cling film: examining the importance of "no-sex" sex in Pushing Daisies/ Rebecca Feasey -- Television x-cised: restricted hardcore and the resisting of the real/ James Aston -- Imagination in the box: Woju's realism and the representation of Xiaosan/ Ruth Y.Y. Hung -- My lovely Sam-soon: absent sex and The unbearable lightness of sweet Korean romance/ Jeongmee Kim -- pt. 3. TV sex and heritage: sexual representation and re-presentation -- "Why should I hide my regard": erotic Austen/ Jonathon Shears -- Performance anxiety and costume drama: lesbian sex on the BBC/ Amber Regis -- The conquests of Henry VIII: masculinity, sex and the national past in The Tudors/ Basil Glynn.
    Anmerkung: Includes bibliographical references and index , Barrierefreier Inhalt: Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily
    Weitere Ausg.: ISBN 9781441179456
    Weitere Ausg.: ISBN 9780826434982
    Weitere Ausg.: Available in another form
    Sprache: Englisch
    Fachgebiete: Amerikanistik , Allgemeines , Soziologie
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    Schlagwort(e): USA ; Fernsehprogramm ; Sexualität ; Electronic books
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  • 7
    UID:
    gbv_18561454X
    Umfang: XIV, 254 S. , Ill. , 22 cm
    ISBN: 0226096521 , 0226096548
    Serie: Women in culture and society
    Anmerkung: References: page [219] - 229 and index
    Sprache: Englisch
    Fachgebiete: Amerikanistik
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    Schlagwort(e): USA ; Frauenliteratur ; Weibliche Gefangene ; Entführung ; Indianer ; Gefangener ; Geschichte 1676-1982
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  • 8
    Buch
    Buch
    Columbus, Ohio : Merrill
    UID:
    gbv_16519121X
    Umfang: V, 106 S. , 23 cm
    ISBN: 067509447X
    Serie: Charles E. Merrill studies
    Sprache: Englisch
    Fachgebiete: Amerikanistik
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    Schlagwort(e): Hemingway, Ernest 1899-1961 The sun also rises
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  • 9
    Buch
    Buch
    Westport, Conn. [u.a.] : Greenwood Press
    UID:
    gbv_512868298
    Umfang: XIII, 209 S. , 24cm
    Ausgabe: 1. publ.
    ISBN: 9780313334139 , 0313334137
    Serie: Student companions to classic writers
    Anmerkung: Includes bibliographical references (p. [187]-202) and index , The life of James Fenimore CooperCooper's career and contributions to American and world literature -- Reading Cooper: problems of style and adventures in ideas -- The spy: a tale of the neutral ground (1821) -- The leather-stocking tales: an overview -- The pioneers: or The sources of the Susquehanna: a descriptive tale (1823) -- The last of the Mohicans: a narrative of 1757 (1826) -- The prairie: a tale (1827) -- The pathfinder: or, The inland sea (1840) -- The deerslayer: or, The first war-path (1841). , The life of James Fenimore Cooper -- Cooper's career and contributions to American and world literature -- Reading Cooper: problems of style and adventures in ideas -- The spy: a tale of the neutral ground (1821) -- The leather-stocking tales: an overview -- The pioneers: or the sources of the Susquehanna: a descriptive tale (1823) -- The last of the Mohicans: a narrative of 1757 (1826) -- The prairie: a tale (1827) -- The pathfinder: or the inland sea (1840) -- The deerslayer: or the first war-path (1841)
    Sprache: Englisch
    Fachgebiete: Amerikanistik
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    Schlagwort(e): Cooper, James Fenimore 1789-1851 ; Aufsatzsammlung
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