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  • English  (9)
  • HU Berlin  (9)
  • Ibero-Amerik. Institut
  • Schneider, Wolfgang
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  • 1
    UID:
    almafu_BV002652645
    Format: XVIII, 316 S. : graph. Darst.
    ISBN: 3-540-97052-5 , 0-387-97052-5
    Note: Literaturangaben
    Language: English
    Subjects: Psychology
    RVK:
    RVK:
    Keywords: Kognitive Entwicklung ; Begabung ; Kognitive Kompetenz ; Kind ; Problemlösen ; Kind ; Intelligenzleistung ; Kind ; Intelligenzleistung ; Kognitive Entwicklung ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift ; Konferenzschrift
    Author information: Schneider, Wolfgang 1950-
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  • 2
    Book
    Book
    Berlin u.a. :Springer,
    UID:
    almafu_BV001339601
    Format: X, 274 S. : graph. Darst.
    ISBN: 0-387-96742-7 , 3-540-96742-7
    Series Statement: Springer series in cognitive development
    Language: English
    Subjects: Psychology
    RVK:
    Keywords: Kind ; Gedächtnisbildung ; Gedächtnisbildung ; Jugend ; Jugend ; Gedächtnisleistung ; Entwicklung ; Kind ; Gedächtnisleistung ; Entwicklung ; Gedächtnis ; Kognitive Entwicklung ; Jugendsoziologie
    Author information: Schneider, Wolfgang 1950-
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  • 3
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948664479302882
    Format: 1 online resource (296 p.)
    Edition: 1st, New ed.
    ISBN: 9783653039320
    Series Statement: Studien zur Kulturpolitik. Cultural Policy 16
    Content: Culture is seen as a source for the development of society. Task of cultural policy is therefore to create and support structures that promote mobilization of creativity of the people and thus ensure welfare, innovation and pluralism. Such relationships have been discussed at the level of UNESCO for the past forty years. Within Germany and Europe as well as on the African continent experiences and initiatives are increasing in order to put discourse on cultural policies into practice. There is a need to provide a forum for the exchange of concepts and to identify the state of the art of theory and practice within the concepts of good governance and cultural policy. It is essential to clarify the role and the needed context of the arts, of art education and of individual artists in the development of society.
    Note: Contents: Wolfgang Schneider: Arts and Development. Parameters for a Future International Cultural Policy – Daniel Gad: The Art of Development Cooperation. Positions on the Promotion of Art and Culture in and by Developing Countries – Laurence Mayer-Robitaille: Governance for Culture. Reflections on the UNESCO/EU Expert Facility Project – Christine M. Merkel: Towards a Better Governance of Culture for Development. Mobilising Tacit Knowledge in and through UNESCO – Jesmael Mataga: Good Governance and Cultural Diversity. The Aspect of Cultural Mobility in International Cooperation – Anna Steinkamp: Network Governance. Governance Model for International Networks of Cultural Cooperation – Annika Holland: In the Meaning of Artistic, Ethnologic and Economic Sense. Implementing the UNESCO Convention on Cultural Diversity on Local Level – Jordi Pascual: We Need to Establish Interfaces. Connecting Local Policies for Culture and Global Frameworks – Charles Vallerand/Azadeh Lessard: Rules of Good Participatory Governance in the Allocation of Public Funds to Artists and Cultural Organisations. A Practical Guide – Lupwishi Mbuyamba: Empowering Processes. Framework for Cultural Policies in Africa – Mike van Graan: Cultural Policy Needs Good Governance. A Task for Action of Civil Society – Patrick Ebewo: Drama in South Africa. Perspectives for Cultural Policy Strategies – Jordi Baltá Portolés: Technical Assistance to Cultural Governance. About Cultural Industry Development in Niger – Jonathan Vickery/Tomi Oladepo: The Arts and Digital Media. The Question of the Public Sphere in Africa – Basma El Husseiny: The Needs to Protect the Freedom of Expression and Creativity. Restructuring the Egypt’s Ministry of Culture – Serhan Ada: Implications on Governance. Theses on the Cultural Policy of Turkey – Yannick Butel: New Art Territories. A Small «h» Story – Gilles Suzanne: Sensitive and Cognitive Experimentation. Cultural Mediation of Art in the Mediterranean.
    Additional Edition: ISBN 9783631650196
    Language: English
    Subjects: Political Science
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 4
    UID:
    almafu_BV007698061
    Format: 524 S.
    ISBN: 3-87985-028-3
    Language: English
    Subjects: Psychology
    RVK:
    RVK:
    Keywords: Längsschnittuntersuchung ; Medizin ; Längsschnittuntersuchung ; Verhaltenswissenschaften ; Bibliografie ; Bibliografie
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  • 5
    Book
    Book
    Frankfurt am Main [und 6 weitere] :Peter Lang Edition,
    UID:
    almahu_BV042093329
    Format: 296 Seiten : , Illustrationen.
    ISBN: 978-3-631-65019-6 , 978-3-653-03932-0
    Series Statement: Cultural policy volume 16
    Language: English
    Subjects: Political Science
    RVK:
    Keywords: Kulturpolitik ; Good Governance ; Kreativität ; Gesellschaft ; Entwicklung ; Aufsatzsammlung ; Aufsatzsammlung
    Author information: Schneider, Wolfgang 1954-
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  • 6
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948665240902882
    Format: 1 online resource (200 p.)
    Edition: 1st, New ed.
    ISBN: 9783653012637
    Series Statement: Kinder-, Schul- und Jugendtheater - Beiträge zu Theorie und Praxis 13
    Content: There is an old phenomenon in theatre arts: Education! And there is a new tendency: theatre arts for the very young! The relationship to education is clear, but what about the profit for the arts? The world of children as a horizon of experiences? The role of music as a dramaturgical element? Is it needed to divide the performance in actors and spectators? Is there a special age for a successful reception? How much should theatre artists be confronted with the physical and psychological development of children? It seems that Theatre for Early Years is a work in progress. There are more and more examples on the stages of the world: In Europe, in the States, in Australia. A variety of different perspectives are included in this research in performing arts from birth to three. The authors are reflecting their work, their observations, their directorship – to discover a new audience, to accompany the new generation in aesthetics, to make the signs of the time transparent. And maybe the development of Theatre for Early Years is a new challenge to renew the language of theatre, to establish an art of simplicity for the complexity of theatre.
    Note: Contents: Wolfgang Schneider: Theatre for Early Years? Questions about Qualifications – Gerd Taube: First steps. Aesthetic peculiarities of the «Theatre for Early Years» – Carlos Herans: Why «Theatre for Early Years»? Memories and highlights of artistic experiences – Ana Lúcia Goulart de Faria/Sandra Regina Simonis Richter: Education meets theatre. Pedagogical remarks about the role of arts in early childhood – Geesche Wartemann: Wechselspiele - Playing with interplay. Staging the theatrical structure, and the fragility of the ground rules, in «Theatre for Early Years» – Ute Pinkert: Starting all over again? Changing ways of perception through theatre - not only for young children – János Novák: The joy of re-discovering the world. ‘Communitas’ and streaming in the performances made for babies – Wolfgang Schneider: The category of simplicity and the complexity of the theatre. Art education requirements, neurobiological justification and cultural policy considerations for the dramatic arts beginning with earliest childhood – Dan Höjer: Big drama for small spectators. Unga Klara’s Swedish experiment – Charlotte Fallon/Michel van Loo: Babies and theatre. Notes about the imagination on stage – Agnès Desfosses: Little ones and adults, alive and aware. Theatre brings together – Stephan Rabl: Surprise. Creating «Theatre for Early Years» between everything and nothing – Ivica Šimić: «Dance and movement is a natural choice of language». The art of making theatre art for small children – Cate Fowler: Installation theatre. Creating a performance space for babies and toddlers – Megan Alrutz: Visionaries wanted! Theatre for very young audiences in the United States – Gabi dan Droste: Distinguished theatre for young children. About the European network Small Size – Roberto Frabetti: Does theatre for children exist? An unlikely model – Myrto Dimitriadou: Theatre and children are beautiful and ‘ding dong’ … Artistic processes in theatre work for the smallest of the small (A letter to the editor) – Melanie Florschütz/Barbara Kölling: The discovery of the small child as a spectator. The performer Melanie Florschütz and the director Barbara Kölling in a discussion on «Theatre for Early Years» – Jo Belloli: Unearthing the potential. Exploring «Theatre for Early Years» in the UK – Sarah Argent/Kevin Lewis: «I was struck by the difference in age between us, but by the similarity in hairstyles». Journeying out of the blue.
    Additional Edition: ISBN 9783631592595
    Language: English
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  • 7
    UID:
    edochu_18452_21961
    Format: 1 Online-Ressource (16 Seiten)
    Content: Well-developed phonological awareness skills are a core prerequisite for early literacy development. Although effective phonological awareness training programs exist, children at risk often do not reach similar levels of phonological awareness after the intervention as children with normally developed skills. Based on theoretical considerations and first promising results the present study explores effects of an early musical training in combination with a conventional phonological training in children with weak phonological awareness skills. Using a quasi-experimental pretest-posttest control group design and measurements across a period of 2 years, we tested the effects of two interventions: a consecutive combination of a musical and a phonological training and a phonological training alone. The design made it possible to disentangle effects of the musical training alone as well the effects of its combination with the phonological training. The outcome measures of these groups were compared with the control group with multivariate analyses, controlling for a number of background variables. The sample included N = 424 German-speaking children aged 4–5 years at the beginning of the study. We found a positive relationship between musical abilities and phonological awareness. Yet, whereas the well-established phonological training produced the expected effects, adding a musical training did not contribute significantly to phonological awareness development. Training effects were partly dependent on the initial level of phonological awareness. Possible reasons for the lack of training effects in the musical part of the combination condition as well as practical implications for early literacy education are discussed.
    Content: Peer Reviewed
    In: Lausanne : Frontiers Media S.A., 7
    Language: English
    URL: Volltext  (kostenfrei)
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  • 8
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948664390002882
    Format: 1 online resource (203 p.)
    Edition: 1st, New ed.
    ISBN: 9783653014655
    Series Statement: Kinder-, Schul- und Jugendtheater - Beiträge zu Theorie und Praxis 15
    Content: This unique edition is the result of the second International Theatre for Young Audiences Research Network (ITYARN) conference that was held in Malmoe, Sweden, in May 2011 as part of the XVIIth ASSITEJ World Congress and Festival. In fifteen essays that are illustrative of the wide variety as well as of the many opportunities for research in TYA, this book covers six continents, includes quantitative, qualitative, ethnographic/action, and historiographical methods, and highlights critical theory, philosophical discourse, play analysis, and other approaches. The essays deal with a broad range of issues, including representation, cultural contexts, questions of identity, race-, class-, and gender theory, notions of child and childhood, aesthetics, and the influence of media and dominant ideologies. ITYARN aims to further research in the field of theatre for young audiences to contextualize and theorize the lively artistic products for children and youth globally. It is the research network of ASSITEJ, the International Association of Theatre for Children and Youth, which co-produced this publication.
    Note: Contents: Manon van de Water: Foreword – Beth Juncker: What’s the Meaning? The Relations between Professional Theatre Performances and Children’s Cultural Life – Tülin Saglam: TYA as Ideological Production in Turkey – Roger L. Bedard: Cultural Hegemony and Theatre for Young Audiences: Looking Beyond the «Normal» – Pamela Arnold Udoka: Conceptualization of Child and Childhood in Nigerian Theatre: A Dwindling Phenomenon? – Tristan V. Jacobs: The Virtual Puppet in the Machinima Movement: Discovering Virtual Puppetry in the 3D Performance Space of Video Games – Michelle Solberg: Quiet Dissent: Citizen Activism and the Kodomo Gekijō Movement in 1960 - 70s Japan – Erika Hughes: Defining the Child: Taboos of Fear and Age Appropriateness in Youth Holocaust Drama – Finegan Kruckemeyer: The Taboo of Sadness: Why Are We Scared to Let Children Be Scared? – J. Andrew Wiginton: Príncipe y Príncipe: Made in México – Enza Giannone: Searching for America in Laurie Brooks’s Triangle and Cynthia Mercati’s Faces of Freedom – Roxanne Schroeder-Arce/Chris McCoy: The Chicken or the Egg: Latino/as in Theatre for Young Audiences, Cyclical Challenge in Higher Education in the United States – David Broster: TYA-UK Developments - Reflections through a Looking Glass – Iva Gruić: Educational Value in the Theatre for Young Audiences and Its Relation to the Attitudes of the Educational Community – YiRen Tsai: A Reflection of the Child and Childhood in Taiwanese TYA through the Winning Plays of The Taipei Children’s Arts Festival – Merete Elnan: The Notion of Children: How Can the Idea of Childhood, of Children as Spectators, and of Understanding Influence Theatre for Young Audiences? – Faith Gabrielle Guss: Destabilizing Perception and Generating Meaning Seeking? Modeling TYA on the Dramaturgy of Children’s Imaginative Play-Drama.
    Additional Edition: ISBN 9783631636886
    Language: English
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  • 9
    Online Resource
    Online Resource
    Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften
    UID:
    almahu_9948664951102882
    Format: 1 online resource (176 p.) , 13 ill.
    Edition: 1st, New ed.
    ISBN: 9783631839546
    Series Statement: Studien zur Kulturpolitik. Cultural Policy 21
    Content: This book documents the experiences of victims of violent conflicts, who used dance, music, and drama to negotiate their wellbeing, and build resilience and hope. The culturally familiar context used by the victims is a bottom-up approach that generates positive energies enabling them to attain emotional growth and psychological integration, including social skills with which they imagine and work towards a better future. "Shadrach grasps the physical and psychological dimensions of theatrical events. He describes as an observer, analyses as a scientist, and understands the need for reflection before coming to a conclusion." Wolfgang Schneider "... It is a stimulant for further research in cultural performances and their therapeutic properties." S. E. Ododo
    Note: Doctoral Thesis , Culture – Performance – Collective trauma – Therapy – Aesthetics – Cultural sustainability – Conflict transformation – Indigenous African performances – Cultural policy
    Additional Edition: ISBN 9783631839539
    Language: English
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